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  1. Collection/
  2. Victoria and Albert Museum/
  3. A barge on the Stour
A barge on the Stour, John Constable, October 1827

A barge on the Stour

October 1827 · Drawing · 22.5 × 33.1 cm

Particulars

October 1827 · aged 51
17761837
Accession number
244-1888

Meanwhile, in the life of John Constable

The whole life
  1. 1824–1828

    The family in Brighton for Maria’s health

    When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.

  2. 1825

    A quarrel with Arrowsmith: the French market is lost

    In 1825 Constable quarrelled with Arrowsmith and lost his French outlet, perhaps partly from worry over his wife’s health, the uncongenial life at Brighton and the pressure of outstanding commissions. In a few years he had sold more than twenty pictures in France, more than he sold at home.

  3. after 1828

    Mezzotints for “English Landscape” with David Lucas

    Maria’s father, who died shortly before her, left her £20,000, and Constable spent it disastrously on mezzotints after his landscapes for a planned publication. With the engraver David Lucas he made forty prints, one going through thirteen proof stages, but too few subscribers came forward and the venture lost money.

  4. 23 November 1828

    The death of his wife Maria

    After the birth of their seventh child the family returned to Hampstead, where Maria died of tuberculosis at the age of 41. “Hourly do I feel the loss of my departed Angel,” Constable wrote to his brother.

  5. 1828–1837

More by John Constable

All works

Neighbors at Victoria and Albert Museum

Museum page

On the same theme · Barge

All works on the theme

A widower with seven children

For the rest of his life Constable dressed in black and brought up his seven children alone; according to Leslie he was “a prey to melancholy and anxious thoughts”. Several of the children also painted, notably Lionel.

  • February 1829

    Elected to the Royal Academy at fifty-two

    In February 1829, three months after his wife’s death, Constable was elected a member of the Royal Academy, at the age of 52.

  • John Constable, portraitJohn ConstableBritish, 1776–1837

    May one see it?

    Not receiving at present

    Victoria and Albert Museum

    London, United Kingdom

    It belongs to the collection, but is not on display at present.

    Checked
    12 days ago
    In this state since
    Sep 25, 2026
    Source
    The museum
    On the mapMuseum page

    What it shows

    BargeStour

    In the catalog

    Drawings & watercolorsGraphiteNeoclassicismRomanticism19th centuryEngland

    Sources

    • Victoria and Albert Museum
    • Image: Victoria and Albert Museum — © Victoria and Albert Museum, London
    Stoke-by-Nayland, John Constable, ca. 1810–11

    Stoke-by-Nayland

    ca. 1810–11 · The Metropolitan Museum of Art

    Wivenhoe Park, Essex, John Constable, 1816

    Wivenhoe Park, Essex

    1816 · National Gallery of Art

    The White Horse, John Constable, 1818-1819

    The White Horse

    1818-1819 · National Gallery of Art

    La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

    La baie de Weymouth à l'approche de l'orage

    first quarter of the 19th century (1818–1819) · Musée du Louvre

    Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

    Salisbury Cathedral from Lower Marsh Close

    1820 · National Gallery of Art

    Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

    Vue de Salisbury

    first quarter of the 19th century (1820) · Musée du Louvre

    Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

    Vallon à Helmingham [Helmingham Dell]

    1823 · Musée du Louvre

    Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

    Salisbury Cathedral from the Bishop's Grounds

    ca. 1825 · The Metropolitan Museum of Art

    Bird of Paradise, Hashimoto Chitaka, 2026

    Hashimoto Chitaka

    Bird of Paradise, 2026

    Torsion 2, Taruma Shoko, 2025

    Taruma Shoko

    Torsion 2, 2025

    Fu, Someya Satoshi, 2025

    Someya Satoshi

    Fu, 2025

    Bow Before the Curtain Falls, 2024

    Bow Before the Curtain Falls, 2024

    Summer, 2024

    Summer, 2024

    Red Flow, Ishizuka Genta, 2024

    Ishizuka Genta

    Red Flow, 2024

    3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

    Factum Arte

    3D replica of Michelangelo's Prisoner (4117-1854), 2024

    Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

    Zhao Lin

    Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

    The Barge 'St. Tropez' in the Harbor of Cannes, Pierre Bonnard, 1926

    Pierre Bonnard

    The Barge 'St. Tropez' in the Harbor of Cannes, 1926

    Not on view · National Gallery of Art

    The Tiny Pool, James McNeill Whistler, 1876/1878

    James Abbott McNeill Whistler

    The Tiny Pool, 1876/1878

    Not on view · National Gallery of Art

    Theater Program for "Boubouroche" and "Valet de coeur (Jack of Hearts)", Henri-Gabriel Ibels, 1893

    Henri Gabriel Ibels

    Theater Program for "Boubouroche" and "Valet de coeur (Jack of Hearts)", 1893

    Not on view · National Gallery of Art

    Theater Program for "Boubouroche" and "Valet de coeur (Jack of Hearts)", Henri-Gabriel Ibels, 1892/1893

    Henri Gabriel Ibels

    Theater Program for "Boubouroche" and "Valet de coeur (Jack of Hearts)", 1892/1893

    Not on view · National Gallery of Art

    View from Gambles Hill, after Edward Beyer, 1857

    Edward Beyer

    View from Gambles Hill, 1857

    Not on view · National Gallery of Art

    James River Canal, Near the Mouth of the North River, after Edward Beyer, 1857

    Edward Beyer

    James River Canal, Near the Mouth of the North River, 1857

    Not on view · National Gallery of Art

    View of ships in Amsterdam harbour and on the Ij, with the arsenal (‘s lands zeemagazijn) of the Admiralty of Amsterdam on the left., Hendrik Kobell, 1773

    Hendrik Kobell

    View of ships in Amsterdam harbour and on the Ij, with the arsenal (‘s lands zeemagazijn) of the Admiralty of Amsterdam on the left., 1773

    Not on view · Victoria and Albert Museum

    [Barge], Unidentified, ca. 1895

    Unidentified

    [Barge], ca. 1895

    Smithsonian American Art Museum