ART WIKI

Odilon Redon in New York

289 works in 2 collections of the city · 5 on view today

Where the works hang

On view today

Bouquet of Flowers, Odilon Redon, ca. 1900–1905

Bouquet of Flowers

ca. 1900–1905 · The Metropolitan Museum of Art

Madame Arthur Fontaine (Marie Escudier, 1865–1946), Odilon Redon, 1901

Madame Arthur Fontaine (Marie Escudier, 1865–1946)

1901 · The Metropolitan Museum of Art

Vase of Flowers (Pink Background), Odilon Redon, ca. 1906

Vase of Flowers (Pink Background)

ca. 1906 · The Metropolitan Museum of Art

Bouquet in a Chinese Vase, Odilon Redon, ca. 1912–14

Bouquet in a Chinese Vase

ca. 1912–14 · The Metropolitan Museum of Art

Pandora, Odilon Redon, ca. 1914

Pandora

ca. 1914 · The Metropolitan Museum of Art

In the collections

All works of Odilon Redon
I Am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil! My Fruit Is the Sun! (Je suis toujours la grande Isis! Nul n'a encore soulevé mon voile! Mon fruit est le soleil!) (plate XIV) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

I Am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil! My Fruit Is the Sun! (Je suis toujours la grande Isis! Nul n'a encore soulevé mon voile! Mon fruit est le soleil!) (plate XIV) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voutes) (plate V) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voutes) (plate V) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

. . . I Have Sometimes Seen in the Sky What Seemed like Forms of Spirits (. . . J'ai quelquefois aperçu dans le ciel comme des formes d'esprits) (plate III) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

. . . I Have Sometimes Seen in the Sky What Seemed like Forms of Spirits (. . . J'ai quelquefois aperçu dans le ciel comme des formes d'esprits) (plate III) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

The Old Woman: What Are You Afraid of? A Wide Black Hole! It Is Empty, Perhaps? (La Vieille: Que crains-tu? Un large trou noir! Il est vide, peut-être?) (plate XVII) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

The Old Woman: What Are You Afraid of? A Wide Black Hole! It Is Empty, Perhaps? (La Vieille: Que crains-tu? Un large trou noir! Il est vide, peut-être?) (plate XVII) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) (plate XI) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) (plate XI) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

Different Peoples Dwell in the Countries of the Ocean (Des peuples divers habitent les pays de l'océan) (plate XIX) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

Different Peoples Dwell in the Countries of the Ocean (Des peuples divers habitent les pays de l'océan) (plate XIX) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

. . . And Eyes without Heads Were Floating like Mollusks (. . . Et que des yeux sans tête flottait comme des mollusques) (plate XX) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

. . . And Eyes without Heads Were Floating like Mollusks (. . . Et que des yeux sans tête flottait comme des mollusques) (plate XX) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Forms (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régler les formes) (plate XII) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Forms (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régler les formes) (plate XII) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

Saint Anthony: Help Me, O My God! (Saint-Antoine: Au secours mon dieu!) (plate II) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

Saint Anthony: Help Me, O My God! (Saint-Antoine: Au secours mon dieu!) (plate II) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

Different Peoples Dwell in the Countries of the Ocean (Des peuples divers habitent les pays de l'océan), Odilon Redon, 1896, published 1938

Different Peoples Dwell in the Countries of the Ocean (Des peuples divers habitent les pays de l'océan)

1896, published 1938 · Not on view · The Museum of Modern Art

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le goût d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) (plate IV) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le goût d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) (plate IV) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

. . . The Beasts of the Sea, Round like Leather Bottles (. . . Les Bêtes de la mer rondes comme des outres) (plate XXI) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

. . . The Beasts of the Sea, Round like Leather Bottles (. . . Les Bêtes de la mer rondes comme des outres) (plate XXI) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

Helen (Ennoia) (Hélène [Ennoia]) (plate IX) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

Helen (Ennoia) (Hélène [Ennoia]) (plate IX) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) (plate X) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) (plate X) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

. . . I Plunged into Solitude. I Dwelt in the Tree behind Me (. . . Je me suis enfoncé dans la solitude. J'habitais l'arbre derrière moi) (plate VIII) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

. . . I Plunged into Solitude. I Dwelt in the Tree behind Me (. . . Je me suis enfoncé dans la solitude. J'habitais l'arbre derrière moi) (plate VIII) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

Anthony: What Is the Point of All This? The Devil: There Is No Point! (Antoine: Quel est le but de tout cela? Le Diable: Il n'y a pas de but!) (plate XVI) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

Anthony: What Is the Point of All This? The Devil: There Is No Point! (Antoine: Quel est le but de tout cela? Le Diable: Il n'y a pas de but!) (plate XVI) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) (plate VI) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) (plate VI) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) (plate VII) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) (plate VII) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

. . .And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse)) (plate I) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

. . .And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse)) (plate I) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

Day Appears at Last, . . . and in the Very Disk of the Sun Shines the Face of Jesus Christ (Le Jour enfin paraît, . . . et dans le disque même du soleil, rayonne la face de Jésus-Christ) (plate XXII) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

Day Appears at Last, . . . and in the Very Disk of the Sun Shines the Face of Jesus Christ (Le Jour enfin paraît, . . . et dans le disque même du soleil, rayonne la face de Jésus-Christ) (plate XXII) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

Fear (La Peur), Odilon Redon, 1866, printed 1922

Fear (La Peur)

1866, printed 1922 · Not on view · The Museum of Modern Art

Here Is the Good Goddess, the Idaean Mother of the Mountains (Voici la bonne-déesse, l'idéenne des montagnes) (plate XIII) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

Here Is the Good Goddess, the Idaean Mother of the Mountains (Voici la bonne-déesse, l'idéenne des montagnes) (plate XIII) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

He Falls Head Foremost into the Abyss (Il tombe dans l'abîme, la tête en bas) (plate XV) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

He Falls Head Foremost into the Abyss (Il tombe dans l'abîme, la tête en bas) (plate XV) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

Death: It Is I Who Makes You Serious; Let Us Embrace (La Mort: C'est moi qui te rends serieuse; enlaçons-nous) (plate XVIII) from La Tentation de Saint-Antoine, Odilon Redon, 1896, published 1938

Death: It Is I Who Makes You Serious; Let Us Embrace (La Mort: C'est moi qui te rends serieuse; enlaçons-nous) (plate XVIII) from La Tentation de Saint-Antoine

1896, published 1938 · Not on view · The Museum of Modern Art

The Battle, Odilon Redon, 1865

The Battle

1865 · Not on view · The Museum of Modern Art

Battle (Bataille), Odilon Redon, 1865

Battle (Bataille)

1865 · Not on view · The Museum of Modern Art

Trees, Odilon Redon, c. 1865-68

Trees

c. 1865-68 · Not on view · The Museum of Modern Art

Portrait of a Young Man (after Holbein), Odilon Redon, c. 1866

Portrait of a Young Man (after Holbein)

c. 1866 · Not on view · The Museum of Modern Art

Seated Woman Surrounded by Cliffs, Odilon Redon, 1866

Seated Woman Surrounded by Cliffs

1866 · Not on view · The Museum of Modern Art

The Head of Saint John the Baptist (after Andrea Solario), Odilon Redon, c. 1868

The Head of Saint John the Baptist (after Andrea Solario)

c. 1868 · Not on view · The Museum of Modern Art

Woman with Outstretched Arm, Odilon Redon, c. 1868

Woman with Outstretched Arm

c. 1868 · Not on view · The Museum of Modern Art

Descent into Hell, Odilon Redon, 1873

Descent into Hell

1873 · Not on view · The Museum of Modern Art

Centaur Aiming at the Clouds, Odilon Redon, c. 1875

Centaur Aiming at the Clouds

c. 1875 · Not on view · The Museum of Modern Art

Landscape with Rocks, near Royan, Odilon Redon, c. 1875

Landscape with Rocks, near Royan

c. 1875 · Not on view · The Museum of Modern Art

The Rocky Slope, Odilon Redon, c. 1875

The Rocky Slope

c. 1875 · Not on view · The Museum of Modern Art

Winged Horseman, Odilon Redon, c. 1875

Winged Horseman

c. 1875 · Not on view · The Museum of Modern Art

Apache (Man on Horseback II), Odilon Redon, (c. 1875)

Apache (Man on Horseback II)

(c. 1875) · Not on view · The Museum of Modern Art

Apache (Man on Horseback), Odilon Redon, c. 1875

Apache (Man on Horseback)

c. 1875 · Not on view · The Museum of Modern Art

Rocky Peak, Odilon Redon, c. 1875

Rocky Peak

c. 1875 · Not on view · The Museum of Modern Art

Fishing Boat, Odilon Redon, c. 1875

Fishing Boat

c. 1875 · Not on view · The Museum of Modern Art

Windmill, Odilon Redon, c. 1875

Windmill

c. 1875 · Not on view · The Museum of Modern Art

a) Mephistopheles, also known as Harlequin (recto) b) Winged Figure with Serpent (verso), Odilon Redon, a) (c. 1877) b) (c. 1876)

a) Mephistopheles, also known as Harlequin (recto) b) Winged Figure with Serpent (verso)

a) (c. 1877) b) (c. 1876) · Not on view · The Museum of Modern Art

Eye-Balloon (Œil-ballon), Odilon Redon, 1878

Eye-Balloon (Œil-ballon)

1878 · Not on view · The Museum of Modern Art