Honoré Daumier in Chicago
646 works in 1 collection of the city · 46 on view today
Where the works hang
- Art Institute of Chicago
646 works · 46 on view
Gallery 225
On view today
Auguste-Hippolyte Ganneron
Modeled c. 1832/35, cast 1929/50 · Art Institute of Chicago
Alexandre-Simon Pataille
Modeled c. 1832/35, cast 1929/30 · Art Institute of Chicago
Charles Henry Verhuel, Comte de Sevenaar, Admiral and Peer
Modeled c. 1835, cast 1935/52 · Art Institute of Chicago
Comte Horace-François Sébastiani
Modeled c. 1832/35, cast 1929/40 · Art Institute of Chicago
Antoine Odier
Modeled c. 1832/35, cast 1929/40 · Art Institute of Chicago
Auguste-Hilarion, comte de Kératry
Modeled c. 1832/35; cast 1929/50 · Art Institute of Chicago
Antoine-Maurice-Apollinaire, comte d'Argout
Modeled c. 1832/35, cast 1929/50 · Art Institute of Chicago
Félix Barthe
Modeled c. 1832/35, cast 1929/30 · Art Institute of Chicago
Alexandre Lecomte
Modeled c. 1832/35, cast 1929/40 · Art Institute of Chicago
Hippolyte-Abraham Dubois
Modeled c. 1832/35, cast 1929/30 · Art Institute of Chicago
François-Pierre-Guillaume Guizot
Modeled c. 1832/35, cast 1929/50 · Art Institute of Chicago
Le Ratapoil
Modeled 1851, cast c. 1925 · Art Institute of Chicago
L'Homme à Large Perruque (Louis XIV)
Modeled 1828/79, cast 1959/60 · Art Institute of Chicago
Claude Bailliot
Modeled c. 1832/35, cast 1929/40 · Art Institute of Chicago
Jean-Pons-Guillaume Viennet
Modeled c. 1832/35, cast 1929/30 · Art Institute of Chicago
The Smiling Man (Tete d'homme souriant)
Modeled possibly 1830s, cast after 1944/50 · Art Institute of Chicago
Jacques-Antoine-Adrien, baron Delort
Modeled c. 1832/35, cast 1929/50 · Art Institute of Chicago
Charles Philipon
Modeled c. 1832/35, cast 1929/30 · Art Institute of Chicago
Clément-François-Victor-Gabriel Prunelle
Modeled c. 1832/35, cast 1929/30 · Art Institute of Chicago
Charles-Guillaume Ètienne
Modeled c. 1832/35, cast 1929/50 · Art Institute of Chicago
Jean Vatout
Modeled c. 1832/35, cast 1927/40 · Art Institute of Chicago
Charles Leonard Galleis
Modeled c. 1832/35 or c. 1849, cast 1929/40 · Art Institute of Chicago
Man in a Tall Hat (Tete d'homme en chapeau haut de forme)
Modeled possibly 1830s, cast 1944/50 · Art Institute of Chicago
Jean-Charles Persil
Modeled c. 1832/35, cast 1929/30 · Art Institute of Chicago
Benjamin Delessert
Modeled c. 1832/35, cast 1929/30 · Art Institute of Chicago
Laurent Cunin, called Cunin-Gridaine
Modeled c. 1832/35, cast 1929/50 · Art Institute of Chicago
Jacques Lefèbvre
Modeled c. 1832/35, cast 1953/65 · Art Institute of Chicago
Jean-Marie Harlé, Père
Modeled c. 1832/35, possibly cast c. 1940 · Art Institute of Chicago
Comte Alfred-Pierre de Falloux
Modeled possibly 1848/50, cast 1929/40 · Art Institute of Chicago
Pierre-Paul Royer-Collard
Modeled c. 1832/35, cast 1929/30 · Art Institute of Chicago
Comte Charles-Louis Huguer de Sémonville (?)
Modeled c. 1832/35, cast 1929/50 · Art Institute of Chicago
Jean-Auguste Chevandier de Valdrome
Modeled c. 1832/35, cast 1929/40 · Art Institute of Chicago
Jean Claude Fulchiron
Modeled c. 1832/35, cast 1929/50 · Art Institute of Chicago
Joseph, baron de Podenas
Modeled c. 1832/36; cast c. 1965 · Art Institute of Chicago
Comte Charles-François Malo de Lameth
Modeled c. 1832/35, cast 1929/40 · Art Institute of Chicago
Marthe-Camille Bachasson, Comte de Montalivet, Minister
Modeled c. 1832/35, cast 1935/52 · Art Institute of Chicago
Hippolyte-Lucien-Joseph Lucas (?)
Modeled c. 1832/35, cast 1929/40 · Art Institute of Chicago
Auguste Gady, Magistrate
Modeled c. 1833, cast 1935/52 · Art Institute of Chicago
Jean-Marie Fruchard
Modeled c. 1832/35, cast 1929/30 · Art Institute of Chicago
Marie-Jean-Jacques Dupin, Ainé
c. 19th century · Art Institute of Chicago
Fugitives
Modeled c. 1850, cast after 1893 · Art Institute of Chicago
Another way to make use of the new petticoats that have lately become fashionable, plate 294 from Actualités
1856 · Art Institute of Chicago
The Week Before The Opening Of The Art Exhibition. Chorus: “- courage, let's finish the work! That's what friends are here for,” plate 399 from Actualités
1857 · Art Institute of Chicago
The usefulness of the crinoline when cheating the customs, plate 414 from Actualités
1857 · Art Institute of Chicago
The Print Collector
c. 1860 · Art Institute of Chicago
Self-Portrait
Cast 1956 · Art Institute of Chicago
