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Μεταπολεμική τέχνη, 1945–1975

223.274 έργα από 458 μουσεία1.980 εκτίθενται τώραΚαθαρισμός

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Á toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958Joan MiróÁ toute épreuve (Proof Against All)1947–58, published 1958Μουσείο Μοντέρνας Τέχνης
Woman and Bird in Front of the Moon (Femme et oiseau devant la lune), Joan Miró, 1947Joan MiróWoman and Bird in Front of the Moon (Femme et oiseau devant la lune)1947Μουσείο Μοντέρνας Τέχνης
Untitled from Flight, Joan Miró, 1966, published 1971Joan MiróUntitled from Flight1966, published 1971Μουσείο Μοντέρνας Τέχνης
Plate (folio 27 verso) from Le Lézard aux plumes d'or (The Lizard with Golden Feathers), Joan Miró, 1971Joan MiróPlate (folio 27 verso) from Le Lézard aux plumes d'or (The Lizard with Golden Feathers)1971Μουσείο Μοντέρνας Τέχνης
Plate (page 37) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróPlate (page 37) from Parler seul (Speaking Alone)1948–50, published 1950Μουσείο Μοντέρνας Τέχνης
In-text plate (page 97) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróIn-text plate (page 97) from Parler seul (Speaking Alone)1948–50, published 1950Μουσείο Μοντέρνας Τέχνης
Rebecca Ginsberg, Buba, wife of Pincus, laundry-man later tobacco store owner, my paternal grandmother (b. Russia near Kaminetz-Podolska May 1869–d. July 1962) visiting her elder son Louis’ house, here 84 years old at table for Seder preparations. She’d attended Adult Education English classes in Newark 14 years earlier, written patriotic essay declaring “God Blast America!” Younger son Uncle Abe & daughters Aunt Rose, Clara & H.S. teacher Hannah were her children. Dining room 428 East 34th Street, Paterson New Jersey April 1953., Allen Ginsberg, 1953, printed laterAllen GinsbergRebecca Ginsberg, Buba, wife of Pincus, laundry-man later tobacco store owner, my paternal grandmother (b. Russia near Kaminetz-Podolska May 1869–d. July 1962) visiting her elder son Louis’ house, here 84 years old at table for Seder preparations. She’d attended Adult Education English classes in Newark 14 years earlier, written patriotic essay declaring “God Blast America!” Younger son Uncle Abe & daughters Aunt Rose, Clara & H.S. teacher Hannah were her children. Dining room 428 East 34th Street, Paterson New Jersey April 1953.1953, printed laterΕθνική Πινακοθήκη της Ουάσιγκτον
In-text plate (page 74) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróIn-text plate (page 74) from Parler seul (Speaking Alone)1948–50, published 1950Μουσείο Μοντέρνας Τέχνης
Louis Marker, Jacksonville Florida. Bill Burroughs friend from Mexico City. I visited December 1953., Allen Ginsberg, 1953, printed laterAllen GinsbergLouis Marker, Jacksonville Florida. Bill Burroughs friend from Mexico City. I visited December 1953.1953, printed laterΕθνική Πινακοθήκη της Ουάσιγκτον
In-text plate (page 93) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróIn-text plate (page 93) from Parler seul (Speaking Alone)1948–50, published 1950Μουσείο Μοντέρνας Τέχνης
William Burroughs, kitchen table, burlap bag of Yage brought back from Amazonas, 206 E. 7 St. NY. 1953. That's the bedroom standing closet through door behind his shoulder-- we slept there, time of _Yage Letters_ & _Queer_ mss., Allen Ginsberg, 1953, printed laterAllen GinsbergWilliam Burroughs, kitchen table, burlap bag of Yage brought back from Amazonas, 206 E. 7 St. NY. 1953. That's the bedroom standing closet through door behind his shoulder-- we slept there, time of _Yage Letters_ & _Queer_ mss.1953, printed laterΕθνική Πινακοθήκη της Ουάσιγκτον
Donald Cook and his son Michael, an apartment near Columbia University, Francis Mechner in background, young psychology grad students. Later they proposed innovating Basic Systems Computer teaching machines. New York, Fall 1953., Allen Ginsberg, 1953, printed 1990Allen GinsbergDonald Cook and his son Michael, an apartment near Columbia University, Francis Mechner in background, young psychology grad students. Later they proposed innovating Basic Systems Computer teaching machines. New York, Fall 1953.1953, printed 1990Εθνική Πινακοθήκη της Ουάσιγκτον
Title page from Album 13, Joan Miró, 1948Joan MiróTitle page from Album 131948Μουσείο Μοντέρνας Τέχνης
Lafcadio, 17, and Peter Orlovsky, 22, at door their apartment 5 Turner Terrace, S.F. 1956, Lafcadio looking for a job was cutting school, Peter was worried. These were new-built cheap rent veteran's apartments on Potrero Hill dominated by a giant gas tank., Allen Ginsberg, 1956, printed 1995Allen GinsbergLafcadio, 17, and Peter Orlovsky, 22, at door their apartment 5 Turner Terrace, S.F. 1956, Lafcadio looking for a job was cutting school, Peter was worried. These were new-built cheap rent veteran's apartments on Potrero Hill dominated by a giant gas tank.1956, printed 1995Εθνική Πινακοθήκη της Ουάσιγκτον
Monument, Joan Miró, Gallifa, 1956Joan MiróMonumentGallifa, 1956Μουσείο Μοντέρνας Τέχνης
Neal Cassady New York 1964 on visit with Ken Kesey's bus., Allen Ginsberg, 1964, printed laterAllen GinsbergNeal Cassady New York 1964 on visit with Ken Kesey's bus.1964, printed laterΕθνική Πινακοθήκη της Ουάσιγκτον
Carl Solomon in his Prince Street apartment several years after we were locked up together in residence on Sixth Floor ward, New York State Psychiatric Institute. He got shock treatments, introduced me to Jean Genet’s _Miracle of the Rose_ and Antonin Artaud’s _Van Gogh, The Man Suicided by Society_ translations, I stayed eight months, weekends off. Afterwards, working mid-town at his uncle’s Ace Books publications, he gave Kerouac small advance on first _On the Road_ sketches (scroll later rejected), saw Jaime DeAngulo’s classic _Indian Tales_ first hard-back through press, & edited William Burroughs’ _Junkie_ paperback first edition. New York, 1953., Allen Ginsberg, 1953, printed 1995Allen GinsbergCarl Solomon in his Prince Street apartment several years after we were locked up together in residence on Sixth Floor ward, New York State Psychiatric Institute. He got shock treatments, introduced me to Jean Genet’s _Miracle of the Rose_ and Antonin Artaud’s _Van Gogh, The Man Suicided by Society_ translations, I stayed eight months, weekends off. Afterwards, working mid-town at his uncle’s Ace Books publications, he gave Kerouac small advance on first _On the Road_ sketches (scroll later rejected), saw Jaime DeAngulo’s classic _Indian Tales_ first hard-back through press, & edited William Burroughs’ _Junkie_ paperback first edition. New York, 1953.1953, printed 1995Εθνική Πινακοθήκη της Ουάσιγκτον
Double page plate (between pages 60 and 61) from King Roi (Ubu Roi), Joan Miró, 1966Joan MiróDouble page plate (between pages 60 and 61) from King Roi (Ubu Roi)1966Μουσείο Μοντέρνας Τέχνης
In-text plate (page 85) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróIn-text plate (page 85) from Parler seul (Speaking Alone)1948–50, published 1950Μουσείο Μοντέρνας Τέχνης
Young Girl, Joan Miró, 1948Joan MiróYoung Girl1948Μουσείο Μοντέρνας Τέχνης
Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995Allen GinsbergWise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_....1957, printed 1995Εθνική Πινακοθήκη της Ουάσιγκτον
Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957Joan MiróPlate IX from The Ring of Dawn Suite (Suite la bague d'aurore)1957Μουσείο Μοντέρνας Τέχνης
Beclouded Person, Joan Miró, 1955Joan MiróBeclouded Person1955Μουσείο Μοντέρνας Τέχνης
Colophon page from Album 13, Joan Miró, 1948Joan MiróColophon page from Album 131948Μουσείο Μοντέρνας Τέχνης
Gregory Corso on Boulevard Pasteur Tangier 1961. Psilocybin Days. Arab & French Posters., Allen Ginsberg, 1961, printed laterAllen GinsbergGregory Corso on Boulevard Pasteur Tangier 1961. Psilocybin Days. Arab & French Posters.1961, printed laterΕθνική Πινακοθήκη της Ουάσιγκτον
One of the most beautiful stranger's faces I ever saw. Lance Hendrickson, Tangier, Allen Ginsberg, 1961, printed laterAllen GinsbergOne of the most beautiful stranger's faces I ever saw. Lance Hendrickson, Tangier1961, printed laterΕθνική Πινακοθήκη της Ουάσιγκτον
In-text plate (page 24) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróIn-text plate (page 24) from Parler seul (Speaking Alone)1948–50, published 1950Μουσείο Μοντέρνας Τέχνης
In-text plate (page 16) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróIn-text plate (page 16) from Parler seul (Speaking Alone)1948–50, published 1950Μουσείο Μοντέρνας Τέχνης
Le Lézard aux plumes d'or (The Lizard with Golden Feathers), Joan Miró, 1971Joan MiróLe Lézard aux plumes d'or (The Lizard with Golden Feathers)1971Μουσείο Μοντέρνας Τέχνης
Frontispiece from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróFrontispiece from Parler seul (Speaking Alone)1948–50, published 1950Μουσείο Μοντέρνας Τέχνης
In-text plate (folio 25 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958Joan MiróIn-text plate (folio 25 verso) from À toute épreuve (Proof Against All)1947–58, published 1958Μουσείο Μοντέρνας Τέχνης
In-text plate (page 64) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróIn-text plate (page 64) from Parler seul (Speaking Alone)1948–50, published 1950Μουσείο Μοντέρνας Τέχνης
Headpiece (colophon) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróHeadpiece (colophon) from Parler seul (Speaking Alone)1948–50, published 1950Μουσείο Μοντέρνας Τέχνης
Tailpiece (page 58) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróTailpiece (page 58) from Parler seul (Speaking Alone)1948–50, published 1950Μουσείο Μοντέρνας Τέχνης
Frontispiece from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958Joan MiróFrontispiece from À toute épreuve (Proof Against All)1947–58, published 1958Μουσείο Μοντέρνας Τέχνης
Peter Orlovsky's clear inquiring eye in sunlight, Gregory Corso visiting our room, Tangier, Allen Ginsberg, 1961, printed laterAllen GinsbergPeter Orlovsky's clear inquiring eye in sunlight, Gregory Corso visiting our room, Tangier1961, printed laterΕθνική Πινακοθήκη της Ουάσιγκτον
Untitled, Joan Miró, 1947Joan MiróUntitled1947Μουσείο Μοντέρνας Τέχνης
Moonbird, Joan Miró, 1966Joan MiróMoonbird1966MoMA, 1ος όροφος, Sculpture GardenΜουσείο Μοντέρνας Τέχνης
Plate (folio 29) from Le Lézard aux plumes d'or (The Lizard with Golden Feathers), Joan Miró, 1971Joan MiróPlate (folio 29) from Le Lézard aux plumes d'or (The Lizard with Golden Feathers)1971Μουσείο Μοντέρνας Τέχνης
Plate (page 11) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróPlate (page 11) from Parler seul (Speaking Alone)1948–50, published 1950Μουσείο Μοντέρνας Τέχνης
Plate (page 99) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950Joan MiróPlate (page 99) from Parler seul (Speaking Alone)1948–50, published 1950Μουσείο Μοντέρνας Τέχνης
Double page plate (between pages 28 and 29) from King Ubu (Ubu Roi), Joan Miró, 1966Joan MiróDouble page plate (between pages 28 and 29) from King Ubu (Ubu Roi)1966Μουσείο Μοντέρνας Τέχνης
I met Lance Hendrickson by accident Tangier 1961 & took his picture, Allen Ginsberg, 1961, printed laterAllen GinsbergI met Lance Hendrickson by accident Tangier 1961 & took his picture1961, printed laterΕθνική Πινακοθήκη της Ουάσιγκτον
Variant of plate (page 45) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head), Joan Miró, 1947–49, published 1949Joan MiróVariant of plate (page 45) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)1947–49, published 1949Μουσείο Μοντέρνας Τέχνης
Untitled, Joan Miró, 1947, published 1952–53Joan MiróUntitled1947, published 1952–53Μουσείο Μοντέρνας Τέχνης
In-text plate (folio 18) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958Joan MiróIn-text plate (folio 18) from À toute épreuve (Proof Against All)1947–58, published 1958Μουσείο Μοντέρνας Τέχνης
In-text plate (folio 31) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958Joan MiróIn-text plate (folio 31) from À toute épreuve (Proof Against All)1947–58, published 1958Μουσείο Μοντέρνας Τέχνης
Plate 7 from Album 13, Joan Miró, 1948Joan MiróPlate 7 from Album 131948Μουσείο Μοντέρνας Τέχνης
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