Mark RothkoΗνωμένες Πολιτείες Αμερικής, 1903–1970

Untitled

1963 · Painting

Μπορώ να το δω;

Δεν εκτίθεται αυτή την περίοδο

Πού βρίσκεται τώρα το έργο «Untitled»; Συλλογή: Εθνική Πινακοθήκη της Ουάσιγκτον, Ουάσινγκτον. Δεν εκτίθεται αυτή την περίοδο. Ελέγχθηκε 9 Νοεμβρίου 2026.

Εθνική Πινακοθήκη της Ουάσιγκτον

Ουάσινγκτον, Ηνωμένες Πολιτείες Αμερικής

Ανήκει στη συλλογή, αλλά δεν εκτίθεται αυτή την περίοδο.

Ελέγχθηκε: πριν από 5 ημέρες
Σε αυτή την κατάσταση από: 19 Αυγ 2026
Πηγή: Το μουσείο

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Ενσωμάτωση

Για τον πίνακα

Untitled, Mark Rothko's painting of 1963 in Washington's National Gallery, rises more than three metres high. The canvas measures 341.6 by 183.2 centimetres and combines oil and acrylic with other media. When Pace Gallery showed it in New York in 2016–2017, it carried the descriptive title Untitled (Dark Gray on Maroon). It is not currently on display.

Στοιχεία

Αριθμός καταλόγου: 1986.43.171

Τι απεικονίζει

Non-representational

Στον κατάλογο

Πίνακες Λάδι Αμερικανική ζωγραφική Μεταπολεμική τέχνη 20ός αιώνας American Abstract Expressionist

Πηγές

Εθνική Πινακοθήκη της Ουάσιγκτον
Εικόνα: Εθνική Πινακοθήκη της Ουάσιγκτον — © the artist or rights holder

Στη ζωή του καλλιτέχνη: Mark Rothko

Όλη η ζωή

1961
The retrospective at MoMA
In 1961 the Museum of Modern Art held a retrospective of Rothko’s work, to considerable commercial and critical success, though the art world was already turning its attention to pop art.
1962
Pop art: “Are the young artists plotting to kill us all?”
At a 1962 exhibition of pop art Rothko called the pop artists “charlatans and young opportunists” and wondered aloud whether the young artists were plotting to kill them all; looking at Jasper Johns’s flags he remarked that they had worked for years to get rid of all that.
1963
Son born: Christopher Rothko
autumn 1963
A contract with the Marlborough Gallery
In the autumn of 1963 Rothko signed with the Marlborough Gallery for sales of his work outside the United States; in New York he went on selling directly from his studio.
1964–1970
The Rothko Chapel: six years of work
The chapel for the oil millionaires John and Dominique de Menil in Houston was originally meant to be Roman Catholic, and for the first three years, until 1967, Rothko believed it would remain so; he took a close interest in its layout and insisted on a central cupola. Because of his health he hired two assistants to apply the layers of paint; on half of the works he applied none himself, calling the completion of the paintings “torment”.
1964–1970
The last studio on East 69th Street
In 1964 Rothko moved into his last New York studio at 157 East 69th Street. To simulate the lighting he wanted for the chapel he equipped it with pulleys carrying large walls of canvas material to regulate light from a central cupola.