
John Singer SargentΗνωμένες Πολιτείες Αμερικής, 1856–1925Untitled
Μπορώ να το δω;
Άγνωστο
Πού βρίσκεται τώρα το έργο «Untitled»; Συλλογή: Yale University Art Gallery, Νιου Χέιβεν. Δεν γνωρίζουμε αν εκτίθεται σήμερα.
Νιου Χέιβεν, Ηνωμένες Πολιτείες Αμερικής
Ο κάτοχος είναι γνωστός· δεν γνωρίζουμε αν το έργο εκτίθεται σήμερα.
- Σε αυτή την κατάσταση από
- Πηγή
- Το μουσείο
Στοιχεία
- Αριθμός καταλόγου
- 1929.263
Στον κατάλογο
Πηγές
- Yale University Art Gallery
- Εικόνα: Yale University Art Gallery — Image: Yale University Art Gallery
Στη ζωή του καλλιτέχνη: John Singer Sargent
Όλη η ζωή12 Ιανουαρίου 1856
Born
1874–1877 · Σπουδές
Beaux-Arts de Paris
1884
“Madame X” at the Salon: a scandal
Sargent himself pursued Virginie Gautreau for the opportunity to paint her and worked on the portrait for well over a year; unveiled at the 1884 Salon it arouses such a negative reaction that it likely prompts his move to London, and repainting the dress strap does not undo the damage: French commissions dry up.
1885
A visit to Monet at Giverny
On a visit to Claude Monet at Giverny in 1885 Sargent paints one of his most Impressionistic portraits, “Claude Monet Painting at the Edge of a Wood”, with Monet's new bride nearby; after that visit he begins to paint outdoors in the plein-air manner and buys four Monet works for his own collection.
1886
Moving to London, to artistic Chelsea
The portrait commissions that follow his Royal Academy showings encourage Sargent to complete his move to London in 1886, where he settles in the artistic community of Chelsea. English critics are not warm at first, faulting his “Frenchified” handling of paint, but with the help of Mrs. White, and with Henry James's push, he soon gains the admiration of English patrons and critics.
1887–1888
His first solo exhibition in Boston
In Boston Sargent is honoured with his first solo exhibition, which presents 22 of his paintings; there he becomes friends with the painter Dennis Miller Bunker.














