Jackson PollockΗνωμένες Πολιτείες Αμερικής, 1912–1956Untitled
Μπορώ να το δω;
Δεν εκτίθεται αυτή την περίοδο
Πού βρίσκεται τώρα το έργο «Untitled»; Συλλογή: Art Institute of Chicago, Σικάγο. Δεν εκτίθεται αυτή την περίοδο. Ελέγχθηκε 2 Νοεμβρίου 2026.
Σικάγο, Ηνωμένες Πολιτείες Αμερικής
Ανήκει στη συλλογή, αλλά δεν εκτίθεται αυτή την περίοδο.
- Ελέγχθηκε
- Σε αυτή την κατάσταση από
- Πηγή
- Το μουσείο
Για το έργο
In 1951, a pivotal year for Jackson Pollock, the artist made a body of work that reincorporated aspects of the natural world that were absent from his purely abstract work of the previous four years. Typical of this new style, Untitled exhibits vigorous, spiraling gestures, but also forms that suggest written language or pictograms.
That same year, Pollock was given a supply of highly absorbent handmade paper made of pure fiber, with no sizing or glues. The ink he used to make Untitled, which he applied with an eyedropper, spread out in all directions as it seeped into the paper, in a manner that mimicked his famous drip paintings.
Art Institute of ChicagoCC BY 4.0
Στοιχεία
- Αριθμός καταλόγου
- 2019.859
Στον κατάλογο
Πηγές
- Art Institute of Chicago
- Εικόνα: Art Institute of Chicago — © the artist or rights holder
Στη ζωή του καλλιτέχνη: Jackson Pollock
Όλη η ζωή8 August 1949
Life asks if he is the greatest living US painter
On 8 August 1949 Life published an article on Pollock under a headline asking whether he was the greatest living painter in the United States.
1950
Hans Namuth photographs and films Pollock at work
In 1950 the young photographer Hans Namuth photographed and filmed Pollock at work. Pollock had promised to start a new painting for the session but said it was already finished — then, as if realising it was not, he flung paint onto the canvas for about half an hour in an almost dancelike movement.
1950
“No. 12, 1949” at the Venice Biennale
Pollock's “No. 12, 1949”, a medium-sized drip painting, was shown in the United States Pavilion at the 1950 Venice Biennale.
after 1951
Abandons the drip style: the “black pourings”
At the peak of his fame Pollock abruptly abandoned the drip style: after 1951 his work grew darker, including a group painted in black on unprimed canvas. These “black pourings” were shown at the Betty Parsons Gallery in New York, and none of them sold.
from 7 March 1952
First Paris exhibition at Paul Facchetti's
From 7 March 1952 the first exhibition of Pollock's works of 1948–1951 in Paris and in Europe was held at Paul Facchetti's studio, arranged through the mediation of Pollock's close friend Alfonso Ossorio and the art historian Michel Tapié.
9 Απριλίου 1952 – 27 Ιουλίου 1952
Exhibition: 15 Americans
