
Grant WoodΗνωμένες Πολιτείες Αμερικής, 1891–1942The Pump
Μπορώ να το δω;
Δεν εκτίθεται αυτή την περίοδο
Πού βρίσκεται τώρα το έργο «The Pump»; Συλλογή: Art Institute of Chicago, Σικάγο. Δεν εκτίθεται αυτή την περίοδο. Ελέγχθηκε 9 Νοεμβρίου 2026.
Σικάγο, Ηνωμένες Πολιτείες Αμερικής
Ανήκει στη συλλογή, αλλά δεν εκτίθεται αυτή την περίοδο.
- Ελέγχθηκε
- Σε αυτή την κατάσταση από
- Πηγή
- Το μουσείο
Για το έργο
Grant Wood, famous for his representations of the Midwest—of which the Art Institute’s American Gothic (1930.934) is his most recognizable example—intended The Pump to be an illustration for Sinclair Lewis’s novel Main Street (1920). This image of a contemporary water pump would have been a perfect fit for Lewis’s novel about life in a midwestern town. The drawing was given to the Art Institute by Carter Manny, Jr., who received it as a high school graduation gift from the artist in 1937.
Art Institute of ChicagoCC BY 4.0
Στοιχεία
- Αριθμός καταλόγου
- 1983.868
Στον κατάλογο
Πηγές
- Art Institute of Chicago
- Εικόνα: Art Institute of Chicago — © the artist or rights holder
Στη ζωή του καλλιτέχνη: Grant Wood
Όλη η ζωή1924–1935
“5 Turner Alley”: a studio in a carriage-house hayloft
From 1924 to 1935 Wood lived with his mother in the hayloft of a carriage house in Cedar Rapids that he had converted into his personal studio; it had no address until Wood made one up: “5 Turner Alley”.
1930s
Helps Curry and Benton return to the Midwest
John Steuart Curry and Thomas Hart Benton, who with Wood are the artists most associated with Regionalism, returned to the Midwest thanks to his encouragement; he helped them find teaching positions at colleges, Curry in Wisconsin and Benton in Missouri.
1934–1941
A colleague, Lester Longman, tries to get Wood fired
Wood was a closeted homosexual, and a colleague at the university, Lester Longman, made an unsuccessful attempt to have him fired on explicit moral grounds and for his advocacy of regionalism. The university administration dismissed the allegations.
1934–1941
Mentor to students, among them Elizabeth Catlett
At the university Wood supervised mural-painting projects, mentored students including Elizabeth Catlett, produced works of his own and became a key part of the university’s cultural community.
1935
“Revolt Against the City” is published
In 1935 Clio Press of Iowa City published Wood’s “Revolt Against the City”.
1935–1938
Marriage to Sara Sherman Maxon
From 1935 to 1938 Wood was married to Sara Sherman Maxon; friends considered the marriage a mistake for him.

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