Max BeckmannΓερμανία, 1884–1950The Last Ones, plate ten from Die Hölle
Μπορώ να το δω;
Δεν εκτίθεται αυτή την περίοδο
Πού βρίσκεται τώρα το έργο «The Last Ones, plate ten from Die Hölle»; Συλλογή: Art Institute of Chicago, Σικάγο. Δεν εκτίθεται αυτή την περίοδο. Ελέγχθηκε 2 Νοεμβρίου 2026.
Σικάγο, Ηνωμένες Πολιτείες Αμερικής
Ανήκει στη συλλογή, αλλά δεν εκτίθεται αυτή την περίοδο.
- Ελέγχθηκε
- Σε αυτή την κατάσταση από
- Πηγή
- Το μουσείο
Για το έργο
Although Max Beckmann did not take a clear stand on the November Revolution (1918), in this image he seems to have been supporting the revolutionaries, just as he appeared to mourn Rosa Luxemburg as a revolutionary martyr in the fourth plate of this series. That said, the print shares the cramped and awkward space and the schematic and blunt depiction of forms and male types that make the image less than an unambiguous heroic work. As Beckmann stated, in general he preferred the role of the observer.
Art Institute of ChicagoCC BY 4.0
Στοιχεία
- Αριθμός καταλόγου
- 1989.685.10
Τι απεικονίζει
Στον κατάλογο
Πηγές
- Art Institute of Chicago
- Εικόνα: Art Institute of Chicago — © the artist or rights holder
Στη ζωή του καλλιτέχνη: Max Beckmann
Όλη η ζωήduring the First World War
A nervous breakdown and discharge from the army
His traumatic experience of the war coincides with a dramatic change of style, from academically correct depictions to a distortion of both figure and space. He is discharged from the military after a nervous breakdown.
during the First World War
Volunteers as a medical orderly in the First World War
Beckmann volunteers for the war and serves as a medical orderly, working in a hospital.
1921
A contract with the Berlin print dealer J. B. Neumann
In 1921 Beckmann signs an exclusive contract with the Berlin print dealer J. B. Neumann.
