John Gray, John Singleton Copley, 1766
John Singleton Copley, πορτρέτοJohn Singleton CopleyΗνωμένες Πολιτείες Αμερικής, 1738–1815

John Gray

1766 · Painting

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Detroit Institute of Arts

Ντιτρόιτ, Ηνωμένες Πολιτείες Αμερικής

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  • Wikidata
  • Εικόνα: Detroit Institute of Arts — John Singleton Copley · Public domain · Wikimedia Commons

Στη ζωή του καλλιτέχνη: John Singleton Copley

Όλη η ζωή
  1. 1753–1774 · Τόπος εργασίας

    Boston

  2. 1760s

    A needy tobacconist’s son among Boston’s elite

    The income Copley earned by painting in the 1760s was extraordinary for his town and time and raised the son of a needy tobacconist into the local aristocracy. The foremost personages of New England came to his painting-room as sitters.

  3. 1766

    “A Boy with a Flying Squirrel” at the London exhibition

    The exhibition of 1766 establishes Copley’s fame in England. Joshua Reynolds speaks warmly of the picture, saying that with a proper artistic education Copley could become a master of world stature.

  4. 4 August 1766

    West urges Copley to study in Europe

    By one account, on receiving the picture without the painter’s name West exclaimed that its colouring was worthy of Titian, and he got it into the exhibition; on 4 August he writes to Copley of Reynolds’s interest and advises a visit to Europe of three or four years. In October and November Copley gladly agrees to send more pictures but laments that no portrait worthy of the name of a picture has been brought to Boston within his memory.

  5. 3 September 1766

    Elected to the Society of Artists of Great Britain

    By vote of 3 September 1766, “A Boy with a Flying Squirrel” makes the young Boston painter a Fellow of the Society of Artists of Great Britain.

  6. 17 June 1768

    Explains to West why he is not yet coming to Europe

    Copley writes that he would go only with a very good prospect of doing as well there as at home: his present income of 300 guineas a year is a fair living in America, and his mother and young brother depend on him. West replies on 20 September that he has talked over Copley’s prospects with London artists, who agree that he has nothing to hazard.

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Από τη συλλογή: Detroit Institute of Arts

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