Eduard Bernstein, Max Liebermann, 1919
Max Liebermann, πορτρέτοMax LiebermannΓερμανία, 1847–1935

Eduard Bernstein

1919 · Print

Μπορώ να το δω;

Δεν εκτίθεται αυτή την περίοδο

Πού βρίσκεται τώρα το έργο «Eduard Bernstein»; Συλλογή: Harvard Art Museums, Κέιμπριτζ. Δεν εκτίθεται αυτή την περίοδο. Ελέγχθηκε 2 Νοεμβρίου 2026.

Harvard Art Museums

Κέιμπριτζ, Ηνωμένες Πολιτείες Αμερικής

Ανήκει στη συλλογή, αλλά δεν εκτίθεται αυτή την περίοδο.

Ελέγχθηκε
Σε αυτή την κατάσταση από
Πηγή
Το μουσείο
Ενσωμάτωση

Στοιχεία

Αριθμός καταλόγου
M12038

Στον κατάλογο

Πηγές

  • Harvard Art Museums
  • Εικόνα: Harvard Art Museums — © President and Fellows of Harvard College

Στη ζωή του καλλιτέχνη: Max Liebermann

Όλη η ζωή
  1. 1917

    Retrospective for his 70th birthday at the Prussian Academy

    The Academy showed almost 200 paintings; the director of the National Gallery, Ludwig Justi, promised Liebermann a cabinet of his own, and Wilhelm II approved the exhibition and awarded him the Order of the Red Eagle, 3rd class. The honoree noted with satisfaction that the Kaiser had buried the hatchet against modern art.

  2. 18 January 1918

    The Max Liebermann Cabinet opens at the National Gallery

    The cabinet promised by the director Ludwig Justi opened on 18 January; the Minister of Education, Friedrich Schmidt-Ott, gave the inauguration speech.

  3. 1918

    The November Revolution: machine guns in his house

    Monarchists installed machine guns in Liebermann's house on Pariser Platz, so revolutionary soldiers stormed the palace; when a bullet passed through the wall into the drawing room, the defenders surrendered. Liebermann brought his valuable picture collection to safety and moved with his wife into their daughter's house for a few weeks.

  4. 1920

    Elected president of the Academy of Arts

    After the war and revolution Liebermann took over the Academy and tried to unite the various currents beneath its roof, Expressionism included: under him Max Pechstein, Karl Hofer, Heinrich Zille, Otto Dix and Karl Schmidt-Rottluff were admitted. He gave it a democratic structure and a free system of education.

  5. 1920s

    Defends Otto Dix's “Trench”

    Liebermann supported Dix's emotional depiction of the horror of the world war, which was accused of being tendentious, calling it one of the most important works of the post-war period. At the same time, despite his basically tolerant views, he polemicized against Ludwig Justi, who brought Expressionists to the National Gallery.

Όλα τα έργα

Εκτίθενται: Harvard Art Museums

Σελίδα μουσείου