Bass, Georges Braque, 1911, printed 1950
Georges Braque, πορτρέτοGeorges BraqueΓαλλία, 1882–1963

Bass

1911, printed 1950 · Print

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Πού βρίσκεται τώρα το έργο «Bass»; Συλλογή: Art Institute of Chicago, Σικάγο. Δεν εκτίθεται αυτή την περίοδο. Ελέγχθηκε 2 Νοεμβρίου 2026.

Art Institute of Chicago

Σικάγο, Ηνωμένες Πολιτείες Αμερικής

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Για το έργο

One of the more frequently depicted objects in Braque's limited stock of subjects is a bottle of liquor. Here, Braque provides the brand name for what must have been a bottle of Bass Ale, produced in England since 1777.

Art Institute of ChicagoCC BY 4.0

Στοιχεία

Αριθμός καταλόγου
1955.605

Στον κατάλογο

Πηγές

Στη ζωή του καλλιτέχνη: Georges Braque

Όλη η ζωή
  1. 1909–1912

    Creates Cubism together with Picasso

    From 1909 to 1912 (other accounts say from as early as 1908) Braque worked with Picasso on the theoretical foundations of Cubism and became one of the movement's founders; for many years their paintings of the period were indistinguishable. Braque likened their partnership to being roped together on a mountain.

  2. summer 1911

    Summer in Céret, side by side with Picasso

    The summer of 1911 was decisive for Cubism: Braque and Picasso painted side by side in Céret in the French Pyrenees, and their canvases of that time are hard, sometimes virtually impossible, to tell apart.

  3. 1912

    Invents papier collé

    In 1912 Braque and Picasso began experimenting with collage, and Braque invented the technique of papier collé — pasted paper.

  4. 1914

    Goes to war, ending the partnership with Picasso

    Braque and Picasso worked closely together until the outbreak of the First World War in 1914, when Braque enlisted in the French Army.

  5. 1915

    Severe head wound at Carency

    In battle at Carency Braque suffered a severe head wound and temporary blindness. He was trepanned and needed a long period of recuperation.

  6. late 1916

    Returns to painting

    At the end of 1916 (other accounts say only in 1917) Braque took up painting again. Working alone now, he softened the harsh abstraction of Cubism; in these years still life almost entirely dominates his work.

Όλα τα έργα

Εκτίθενται: Art Institute of Chicago

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