Adelphi Wharf

1821 · Print

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Πού βρίσκεται τώρα το έργο «Adelphi Wharf»; Συλλογή: Εθνική Πινακοθήκη της Ουάσιγκτον, Ουάσινγκτον. Δεν εκτίθεται αυτή την περίοδο. Ελέγχθηκε 9 Νοεμβρίου 2026.

Εθνική Πινακοθήκη της Ουάσιγκτον

Ουάσινγκτον, Ηνωμένες Πολιτείες Αμερικής

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Ελέγχθηκε: πριν από 8 ώρες
Σε αυτή την κατάσταση από: 19 Αυγ 2026
Πηγή: Το μουσείο

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Ενσωμάτωση

Για το έργο

Adelphi Wharf, Théodore Géricault's print of 1821, belongs to the National Gallery of Art in Washington. The subject is a London waterfront, with horses among its subjects. An arch is included in the harbour scene, whose location is identified by the name of the wharf.

Στοιχεία

Αριθμός καταλόγου: 1994.60.20

Τι απεικονίζει

Mammal United Kingdom Harbor Horse London Arch

Στον κατάλογο

Χαρακτικά Λιθογραφία Νεοκλασικισμός Ρομαντισμός 19ος αιώνας French

Πηγές

Εθνική Πινακοθήκη της Ουάσιγκτον
Εικόνα: Εθνική Πινακοθήκη της Ουάσιγκτον — Museum open access

Στη ζωή του καλλιτέχνη: Théodore Géricault

Όλη η ζωή

c. 1818 – 1819
Delacroix poses for a dying figure
The painter Eugène Delacroix posed for one of the dying figures in “The Raft of the Medusa”.
1819
“The Raft of the Medusa” sparks a political controversy at the Salon
When first exhibited at the Paris Salon of 1819, “The Raft of the Medusa” ignited political controversy: it indicted a corrupt establishment, in which the captain had left the crew and passengers to die, but also dramatized the eternal struggle of man against nature.
12 June – 30 December 1820
London: 50,000 visitors and 20,000 francs
The entrepreneur Bullock exhibited “The Raft of the Medusa” in London from 12 June to 30 December 1820; about 50,000 people saw it, critics called it a masterpiece, and its author was compared to Michelangelo and Caravaggio. Géricault was entitled to a third of the ticket receipts and received 20,000 francs.
1820–1821
London: urban poverty and friendship with Charlet
In London Géricault witnessed urban poverty, made drawings of his impressions and published lithographs based on these observations, free of sentimentality. He associated much there with Charlet, the lithographer and caricaturist.
1821–1824
Illness and falls from horses after his return from England
After returning to Paris from England Géricault was often ill, and his condition was made worse by several falls during horseback rides.