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Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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Landscape, Goya, ca. 1807–10Francisco de GoyaLandscapeca. 1807–10Metropolitan Museum of Art
Plate 11 from "Los Caprichos": Lads Making Ready (Muchachos al Avío), Goya, 1799Francisco de GoyaPlate 11 from "Los Caprichos": Lads Making Ready (Muchachos al Avío)1799Metropolitan Museum of Art
Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes), Goya, 1810 (published 1863)Francisco de GoyaPlate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)1810 (published 1863)Metropolitan Museum of Art
Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi), Goya, 1810 (published 1863)Francisco de GoyaPlate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)1810 (published 1863)Metropolitan Museum of Art
'Clear Folly'  from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Clear Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
'Little Bulls' Folly' from the 'Disparates' (Follies / Irrationalities, Plate D), Goya, ca. 1815–19 (published before 1877)Francisco de Goya'Little Bulls' Folly' from the 'Disparates' (Follies / Irrationalities, Plate D)ca. 1815–19 (published before 1877)Metropolitan Museum of Art
Plate 48 from "Los Caprichos": Tale-Bearers--Blasts of Wind (Soplones), Goya, 1799Francisco de GoyaPlate 48 from "Los Caprichos": Tale-Bearers--Blasts of Wind (Soplones)1799Metropolitan Museum of Art
Plate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras), Goya, 1810 (published 1863)Francisco de GoyaPlate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras)1810 (published 1863)Metropolitan Museum of Art
Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body, Goya, 1816Francisco de GoyaPlate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body1816Metropolitan Museum of Art
Plate 44 from "Los Caprichos": They spin finely (Hilan delgado), Goya, 1799Francisco de GoyaPlate 44 from "Los Caprichos": They spin finely (Hilan delgado)1799Metropolitan Museum of Art
'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B), Goya, ca. 1815–19 (published before 1877)Francisco de Goya'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B)ca. 1815–19 (published before 1877)Metropolitan Museum of Art
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of war' (Estragos de la guerra), Goya, 1810 (published 1863)Francisco de GoyaPlate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of war' (Estragos de la guerra)1810 (published 1863)Metropolitan Museum of Art
Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous, Goya, 1816Francisco de GoyaPlate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous1816Metropolitan Museum of Art
Plate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!), Goya, 1799, posthumous impressionFrancisco de GoyaPlate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!)1799, posthumous impressionMetropolitan Museum of Art
Plate 77 from "Los Caprichos": What one does to another (Unos á otros), Goya, 1799Francisco de GoyaPlate 77 from "Los Caprichos": What one does to another (Unos á otros)1799Metropolitan Museum of Art
'The horse abductor' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'The horse abductor' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 31 from "Los Caprichos": She prays for her (Ruega por ella), Goya, 1799Francisco de GoyaPlate 31 from "Los Caprichos": She prays for her (Ruega por ella)1799Metropolitan Museum of Art
Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco), Goya, 1799Francisco de GoyaPlate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)1799Metropolitan Museum of Art
Plate 67 from "Los Caprichos": Wait till you've been anointed (Aguarda que te unten), Goya, 1799Francisco de GoyaPlate 67 from "Los Caprichos": Wait till you've been anointed (Aguarda que te unten)1799Metropolitan Museum of Art
A Maja standing against a dark background with figures, Goya, 1859Francisco de GoyaA Maja standing against a dark background with figures1859Metropolitan Museum of Art
Plate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?), Goya, 1799Francisco de GoyaPlate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)1799Metropolitan Museum of Art
Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid, Goya, 1816Francisco de GoyaPlate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid1816Metropolitan Museum of Art
Margaret of Austria on horseback, after Velázquez, Goya, 1778Francisco de GoyaMargaret of Austria on horseback, after Velázquez1778Metropolitan Museum of Art
Carnival Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaCarnival Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 58 from "The Disasters of War" (Los Desastres de la Guerra): 'It's no use crying out' (No hay que dar voces), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 58 from "The Disasters of War" (Los Desastres de la Guerra): 'It's no use crying out' (No hay que dar voces)1811–12 (published 1863)Metropolitan Museum of Art
Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan), Goya, ca. 1810 (published in 1863)Francisco de GoyaPlate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan)ca. 1810 (published in 1863)Metropolitan Museum of Art
Plate 31 from "The Disasters of War" (Los Desastres de la Guerra): 'That's tough!' (Fuerte cosa es!), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 31 from "The Disasters of War" (Los Desastres de la Guerra): 'That's tough!' (Fuerte cosa es!)ca. 1810 (published 1863)Metropolitan Museum of Art
A pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos", Goya, 1799Francisco de GoyaA pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos"1799Metropolitan Museum of Art
Plate 28 from "Los Caprichos": Hush (Chiton), Goya, 1799Francisco de GoyaPlate 28 from "Los Caprichos": Hush (Chiton)1799Metropolitan Museum of Art
The Custody of a Prisoner Does Not Call for Torture (La seguridad de un reo no exige tormento), Goya, ca. 1815; published ca. 1859Francisco de GoyaThe Custody of a Prisoner Does Not Call for Torture (La seguridad de un reo no exige tormento)ca. 1815; published ca. 1859Metropolitan Museum of Art
Self-Portrait; Plate 1 from "Los Caprichos", Goya, 1799Francisco de GoyaSelf-Portrait; Plate 1 from "Los Caprichos"1799Metropolitan Museum of Art
A Maja standing with hands on her hips, Goya, 19th century ?Francisco de GoyaA Maja standing with hands on her hips19th century ?Metropolitan Museum of Art
Plate 76 from "The Disasters of War" (Los Desastres de la Guerra): 'The carnivorous vulture' (El buitre carnívoro), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 76 from "The Disasters of War" (Los Desastres de la Guerra): 'The carnivorous vulture' (El buitre carnívoro)1814–15 (published 1863)Metropolitan Museum of Art
Plate 4 from "Los Caprichos": Nanny's boy (El de la rollona), Goya, 1799Francisco de GoyaPlate 4 from "Los Caprichos": Nanny's boy (El de la rollona)1799Metropolitan Museum of Art
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos), Goya, 1799 (published 1908–12)Francisco de GoyaPlate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)1799 (published 1908–12)Metropolitan Museum of Art
General Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaGeneral Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 16  from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), Goya, 1799Francisco de GoyaPlate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)1799Metropolitan Museum of Art
Plate 39 from "The Disasters of War" (Los Desastres de La Guerra): 'An heroic feat! With dead men!' (Grande hazaña! Con muertos!), Goya, 1810 (published 1863)Francisco de GoyaPlate 39 from "The Disasters of War" (Los Desastres de La Guerra): 'An heroic feat! With dead men!' (Grande hazaña! Con muertos!)1810 (published 1863)Metropolitan Museum of Art
Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está), Goya, 1799Francisco de GoyaPlate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)1799Metropolitan Museum of Art
The Caprices (Los Caprichos), plates 1-80, Goya, 1799Francisco de GoyaThe Caprices (Los Caprichos), plates 1-801799Metropolitan Museum of Art
Plate 70 from "Los Caprichos": Devout Profession (Devota profesion), Goya, 1799Francisco de GoyaPlate 70 from "Los Caprichos": Devout Profession (Devota profesion)1799Metropolitan Museum of Art
Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike, Goya, 1816Francisco de GoyaPlate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike1816Metropolitan Museum of Art
Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?), Goya, 1799Francisco de GoyaPlate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)1799Metropolitan Museum of Art
Mariano Ceballos riding a bull, from the 'Bulls of Bordeaux', Goya, 1825Francisco de GoyaMariano Ceballos riding a bull, from the 'Bulls of Bordeaux'1825Metropolitan Museum of Art
Plate C: The dogs let loose on the bull, from "Tauromaquia", Goya, ca. 1816Francisco de GoyaPlate C: The dogs let loose on the bull, from "Tauromaquia"ca. 1816Metropolitan Museum of Art
Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer), Goya, ca. 1815 (published 1863)Francisco de GoyaPlate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer)ca. 1815 (published 1863)Metropolitan Museum of Art
Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): It's a hard step! (Duro es el paso!), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 14 from "The Disasters of War" (Los Desastres de la Guerra): It's a hard step! (Duro es el paso!)ca. 1810 (published 1863)Metropolitan Museum of Art
Plate 19 of "La Tauromaquia": Another madness of his in the same ring, Goya, 1816Francisco de GoyaPlate 19 of "La Tauromaquia": Another madness of his in the same ring1816Metropolitan Museum of Art
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