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Karte Sammlung Künstler Museen Ausstellungen Journal

ART WIKI

Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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No quieren [sic] (They Don't Like It), pl. 9 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaNo quieren [sic] (They Don't Like It), pl. 9 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery

Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls Under the Bull), Plate 26 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaCaida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls Under the Bull), Plate 26 from La tauromaquia1876Yale University Art Gallery

Disparate general (General Folly), also known as Unas de Gato y Habito de Beato (The Claws of a Cat and the Dress of a Devotee), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate general (General Folly), also known as Unas de Gato y Habito de Beato (The Claws of a Cat and the Dress of a Devotee), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Yale University Art Gallery

Capean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaCapean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia1816Yale University Art Gallery

Extraña devocion! (Strange Devotion!), pl. 66 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaExtraña devocion! (Strange Devotion!), pl. 66 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Grande hazaña! Con muertos! (A Heroic Feat! With Dead Men!), Plate 39 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaGrande hazaña! Con muertos! (A Heroic Feat! With Dead Men!), Plate 39 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Amarga presencia. (Bitter To Be Present.), pl. 13 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaAmarga presencia. (Bitter To Be Present.), pl. 13 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Enterrar y callar. (Bury Them and Keep Quiet.), pl. 18 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaEnterrar y callar. (Bury Them and Keep Quiet.), pl. 18 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Modo con que los antiguos españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), pl. 1 from the series La tauromaquia, Francisco Goya, 1816

Francisco de GoyaModo con que los antiguos españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), pl. 1 from the series La tauromaquia1816Yale University Art Gallery

Disparate de bestia (Animal Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–1823, published late 19th century

Francisco de GoyaDisparate de bestia (Animal Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities)ca. 1816–1823, published late 19th centuryYale University Art Gallery

Bien te se está (It Serves You Right), pl. 6 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaBien te se está (It Serves You Right), pl. 6 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery

Con razon ó sin ella. (Rightly or Wrongly.), pl. 2 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaCon razon ó sin ella. (Rightly or Wrongly.), pl. 2 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Los moros hacen otro capeo en plaza con su albornoz (The Moors make a different play in the ring calling the bull with their burnous), Plate 6 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaLos moros hacen otro capeo en plaza con su albornoz (The Moors make a different play in the ring calling the bull with their burnous), Plate 6 from La tauromaquia1816Yale University Art Gallery

El esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from which Pass He Died in the Ring of Madrid), Plate 28 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEl esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from which Pass He Died in the Ring of Madrid), Plate 28 from La tauromaquia1816Yale University Art Gallery

Tambien esto. (This Too.), pl. 43 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaTambien esto. (This Too.), pl. 43 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Y no hai [sic] remedio (And There's No Help for It), pl. 15 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaY no hai [sic] remedio (And There's No Help for It), pl. 15 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery

Dos grupos de picadores arrolados de seguida por un solo toro (Two Teams of Picadors Thrown One After the Other by a Single Bull), Plate 32 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaDos grupos de picadores arrolados de seguida por un solo toro (Two Teams of Picadors Thrown One After the Other by a Single Bull), Plate 32 from La tauromaquia1876Yale University Art Gallery

El caballo raptor (The Horse Abductor), pl. 10 from the series Los proverbios, Francisco Goya, ca. 1816–1823, published 1864

Francisco de GoyaEl caballo raptor (The Horse Abductor), pl. 10 from the series Los proverbiosca. 1816–1823, published 1864Yale University Art Gallery

Para eso habeis nacido. (This Is What You Were Born For.), pl. 12 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaPara eso habeis nacido. (This Is What You Were Born For.), pl. 12 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Ya no hay tiempo. (There Isn't Time Now.), pl. 19 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaYa no hay tiempo. (There Isn't Time Now.), pl. 19 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Bien te se está (It Serves You Right), pl. 6 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaBien te se está (It Serves You Right), pl. 6 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery

Que [sic] hai que hacer mas? (What More Can Be Done?), Plate 33 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaQue [sic] hai que hacer mas? (What More Can Be Done?), Plate 33 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Los ensacados (Men in Sacks), pl. 8 from the series Los proverbios, Francisco Goya, ca. 1816–1823, published 1864

Francisco de GoyaLos ensacados (Men in Sacks), pl. 8 from the series Los proverbiosca. 1816–1823, published 1864Yale University Art Gallery

Disparate claro (Clear Folly), also known as Sin recomendarse a Dios ni al diablo (Without Commending Himself Either to God or the Devil), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate claro (Clear Folly), also known as Sin recomendarse a Dios ni al diablo (Without Commending Himself Either to God or the Devil), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Yale University Art Gallery

Valor varonil de la célebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in [the ring] at Saragossa), Plate 22 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaValor varonil de la célebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in [the ring] at Saragossa), Plate 22 from La tauromaquia1876Yale University Art Gallery

Disparate puntual (Punctual Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–1823, published late 19th century

Francisco de GoyaDisparate puntual (Punctual Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities)ca. 1816–1823, published late 19th centuryYale University Art Gallery

Title Page for Los desastres de la guerra (The Disasters of War), Francisco Goya, published 1863

Francisco de GoyaTitle Page for Los desastres de la guerra (The Disasters of War)published 1863Yale University Art Gallery

Disparate volante (Flying Folly), from the series Los disparates (Follies [Irrationalities]), Francisco Goya, ca. 1815–19, printed 1864

Francisco de GoyaDisparate volante (Flying Folly), from the series Los disparates (Follies [Irrationalities])ca. 1815–19, printed 1864Yale University Art Gallery

Tampoco (Nor [Do These] Either), pl. 10 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaTampoco (Nor [Do These] Either), pl. 10 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery

Los moros establecidos en España, prescindiendo de las supersticiones de su Alcorán, adoptaron esta caza y arte, y lancean un toro en el campo (The Moors Settled in Spain, Giving Up the Superstitions of the Koran, Adopted this Art of Hunting, and Spear a Bull in the Open), Plate 3 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaLos moros establecidos en España, prescindiendo de las supersticiones de su Alcorán, adoptaron esta caza y arte, y lancean un toro en el campo (The Moors Settled in Spain, Giving Up the Superstitions of the Koran, Adopted this Art of Hunting, and Spear a Bull in the Open), Plate 3 from La tauromaquia1816Yale University Art Gallery

Las resultas. (The Consequences.), pl. 72 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaLas resultas. (The Consequences.), pl. 72 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Que locura! (What Madness!), Plate 68 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaQue locura! (What Madness!), Plate 68 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Nada. [Ello dirá] (Nothing. The Event Will Tell), Plate 69 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaNada. [Ello dirá] (Nothing. The Event Will Tell), Plate 69 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Los encasados (The Men in Sacks), plate 8 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaLos encasados (The Men in Sacks), plate 8 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Yale University Art Gallery

Echan perros al toro (They Loose Dogs on the Bull), Plate 25 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEchan perros al toro (They Loose Dogs on the Bull), Plate 25 from La tauromaquia1816Yale University Art Gallery

Mort de Pepe Illo (Death of Pepe Illo, 2nd Composition), Plate E from La tauromaquia (third edition), Francisco Goya, 1876

Francisco de GoyaMort de Pepe Illo (Death of Pepe Illo, 2nd Composition), Plate E from La tauromaquia (third edition)1876Yale University Art Gallery

Al cementerio. (To the Cemetery.), pl. 56 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaAl cementerio. (To the Cemetery.), pl. 56 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Madre infeliz! (Unhappy Mother!), Plate 50 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaMadre infeliz! (Unhappy Mother!), Plate 50 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Un caballero español mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost his Horse), Plate 9 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaUn caballero español mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost his Horse), Plate 9 from La tauromaquia1816Yale University Art Gallery

Bobalicón (Simpleton), also known as Tras el vicio viene el fornicio (After Vice Comes Fornication), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaBobalicón (Simpleton), also known as Tras el vicio viene el fornicio (After Vice Comes Fornication), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Yale University Art Gallery

Mort de Pepe Illo (Death of Pepe Illo, 3rd Composition), Plate F from La tauromaquia (third edition), Francisco Goya, 1876

Francisco de GoyaMort de Pepe Illo (Death of Pepe Illo, 3rd Composition), Plate F from La tauromaquia (third edition)1876Yale University Art Gallery

No se puede saber por qué (One Can’t Tell Why.), pl. 35 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNo se puede saber por qué (One Can’t Tell Why.), pl. 35 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Todo va revuelto. (Everything is Topsy-Turvy.), pl. 42 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaTodo va revuelto. (Everything is Topsy-Turvy.), pl. 42 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

No saben el camino (They Do Not Know the Way), Plate 70 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaNo saben el camino (They Do Not Know the Way), Plate 70 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Que se rompe la cuerda (May the Cord Break), Plate 77 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaQue se rompe la cuerda (May the Cord Break), Plate 77 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Farándula de charlatanes. (Charlatans’ Show.), pl. 75 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaFarándula de charlatanes. (Charlatans’ Show.), pl. 75 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Caridad. (Charity.), pl. 27 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaCaridad. (Charity.), pl. 27 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

No se convienen. (They Do Not Agree.), pl. 17 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNo se convienen. (They Do Not Agree.), pl. 17 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

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