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ART WIKI

Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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114.143 Werke aus 146 Museen133 jetzt ausgestelltAlle löschen

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  • Radierung114.143
  • Lithografie84.657
  • Kupferstich55.555
  • Holzschnitt49.710
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  • Aquatinta7.310
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  • Linolschnitt2.652
'We censure nature for a span too short' (Page 23), William Blake, 1797William Blake'We censure nature for a span too short' (Page 23)1797Yale Center for British Art
Alas! (Plate 9), William Blake, 1826William BlakeAlas! (Plate 9)1826Yale Center for British Art
'Till at Death's toll, whose restless iron tongue' (Page 7), William Blake, 1797William Blake'Till at Death's toll, whose restless iron tongue' (Page 7)1797Yale Center for British Art
Trundling a Hoop &c., William Blake, 1800William BlakeTrundling a Hoop &c.1800Yale Center for British Art
"I want! I want!" (Plate 11), William Blake, 1826William Blake"I want! I want!" (Plate 11)1826Yale Center for British Art
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows, William Blake, 1793William BlakeVisions of the Daughters of Albion: The Eye Sees More than the Heart Knows1793Yale Center for British Art
Fire (Plate 7), William Blake, 1826William BlakeFire (Plate 7)1826Yale Center for British Art
Death's Door (Plate 17), William Blake, 1826William BlakeDeath's Door (Plate 17)1826Yale Center for British Art
Night the Third. Narcissa; Title Page, William Blake, 1797William BlakeNight the Third. Narcissa; Title Page1797Yale Center for British Art
Love Songs, Class III. Headpiece, William Blake, 1783William BlakeLove Songs, Class III. Headpiece1783Yale Center for British Art
For Children. The Gates of Paradise, London, by William Blake, William Blake, 1793William BlakeFor Children. The Gates of Paradise, London, by William Blake1793Yale Center for British Art
'Swift on his downy pinion flies from woe' (Page 1), William Blake, 1797William Blake'Swift on his downy pinion flies from woe' (Page 1)1797Yale Center for British Art
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18), William Blake, 1793William BlakeI Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)1793Yale Center for British Art
Water (Plate 4), William Blake, 1826William BlakeWater (Plate 4)1826Yale Center for British Art
Earth (Plate 5), William Blake, 1793William BlakeEarth (Plate 5)1793Yale Center for British Art
Fear & Hope Are -- Vision (Plate 15), William Blake, 1793William BlakeFear & Hope Are -- Vision (Plate 15)1793Yale Center for British Art
William Cowper, William Blake, 1803-1804William BlakeWilliam Cowper1803-1804Yale Center for British Art
'The vale of death! that hush'd cimmerian vale' (Page 54), William Blake, 1797William Blake'The vale of death! that hush'd cimmerian vale' (Page 54)1797Yale Center for British Art
'Love, and love only, is the loan for love' (Page 37), William Blake, 1797William Blake'Love, and love only, is the loan for love' (Page 37)1797Yale Center for British Art
Epicurus, William Blake, 1821William BlakeEpicurus1821Yale Center for British Art
The Dog; Frontispiece, William Blake, 1805William BlakeThe Dog; Frontispiece1805Yale Center for British Art
Octavius Augustus Cæsar, William Blake, 1821William BlakeOctavius Augustus Cæsar1821Yale Center for British Art
"My son! my Son!" (Plate 10), William Blake, 1826William Blake"My son! my Son!" (Plate 10)1826Yale Center for British Art
'Teaching, we learn; and giving, we retain' (Page 35), William Blake, 1797William Blake'Teaching, we learn; and giving, we retain' (Page 35)1797Yale Center for British Art
For the Sexes: The Gates of Paradise, Title Page (Plate 1), William Blake, 1826William BlakeFor the Sexes: The Gates of Paradise, Title Page (Plate 1)1826Yale Center for British Art
'The goddess bursts in thunder and in flame' (Page 95), William Blake, 1797William Blake'The goddess bursts in thunder and in flame' (Page 95)1797Yale Center for British Art
Preservation of Equilibrium, William Blake, 1800William BlakePreservation of Equilibrium1800Yale Center for British Art
Psyche Disobeys, William Blake, 1794William BlakePsyche Disobeys1794Yale Center for British Art
Canto VI. Verse 294, William Blake, 1803William BlakeCanto VI. Verse 2941803Yale Center for British Art
'Till death, that mighty hunter, earths them all' (Page 70), William Blake, 1797William Blake'Till death, that mighty hunter, earths them all' (Page 70)1797Yale Center for British Art
The Argument. "Man has no notion of moral fitness..." (Plate 2", William Blake, ca. 1788William BlakeThe Argument. "Man has no notion of moral fitness..." (Plate 2"ca. 1788Yale Center for British Art
The Trance of Juliet, William Blake, 1799William BlakeThe Trance of Juliet1799Yale Center for British Art
The Peasants' Nest: Cowper's tame Hares, William Blake, 1802William BlakeThe Peasants' Nest: Cowper's tame Hares1802Yale Center for British Art
Aristophanes Clouds. Scene I, William Blake, 1795William BlakeAristophanes Clouds. Scene I1795Yale Center for British Art
I Want! I Want! (Plate 11), William Blake, 1793William BlakeI Want! I Want! (Plate 11)1793Yale Center for British Art
Air (Plate 6), William Blake, 1793William BlakeAir (Plate 6)1793Yale Center for British Art
V. "Mans desires are limited by his perceptions..." (Plate 7), William Blake, ca. 1788William BlakeV. "Mans desires are limited by his perceptions..." (Plate 7)ca. 1788Yale Center for British Art
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq., William Blake, 1804William BlakeA Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.1804Yale Center for British Art
'Emblem of that which shall awake the dead' (Page 19), William Blake, 1797William Blake'Emblem of that which shall awake the dead' (Page 19)1797Yale Center for British Art
Fire (Plate 7), William Blake, 1793William BlakeFire (Plate 7)1793Yale Center for British Art
Psyche Repents, William Blake, 1794William BlakePsyche Repents1794Yale Center for British Art
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4), William Blake, 1827William BlakeThe Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)1827Yale Center for British Art
Ancient Ballads, Tailpiece, William Blake, 1783William BlakeAncient Ballads, Tailpiece1783Yale Center for British Art
Aged Ignorance (Plate 13), William Blake, 1826William BlakeAged Ignorance (Plate 13)1826Yale Center for British Art
Earth (Plate 5), William Blake, 1826William BlakeEarth (Plate 5)1826Yale Center for British Art
The Conjugal Union of Cupid, William Blake, 1794William BlakeThe Conjugal Union of Cupid1794Yale Center for British Art
"Therefore God becomes as we are..." (Plate 9), William Blake, ca. 1788William Blake"Therefore God becomes as we are..." (Plate 9)ca. 1788Yale Center for British Art
Ciampolo the Barrator Tormented by the Devils (Plate 2), William Blake, 1827William BlakeCiampolo the Barrator Tormented by the Devils (Plate 2)1827Yale Center for British Art
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