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Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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130.252 Werke aus 146 Museen133 jetzt ausgestelltAlle löschen

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Plate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto), Goya, 1799Francisco de GoyaPlate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto)1799Metropolitan Museum of Art
Plate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia)ca. 1810 (published 1863)Metropolitan Museum of Art
'Folly of Fear' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 72 from "Los Caprichos": You will not escape (No te escaparàs), Goya, 1799Francisco de GoyaPlate 72 from "Los Caprichos": You will not escape (No te escaparàs)1799Metropolitan Museum of Art
Plate 37 from "Los Caprichos": Might not the pupil know more? (Si Sabrá mas el discipulo?), Goya, 1799Francisco de GoyaPlate 37 from "Los Caprichos": Might not the pupil know more? (Si Sabrá mas el discipulo?)1799Metropolitan Museum of Art
Plate 61 from "Los Caprichos": They have flown (Volaverunt), Goya, 1799Francisco de GoyaPlate 61 from "Los Caprichos": They have flown (Volaverunt)1799Metropolitan Museum of Art
Loyalty, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaLoyalty, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiértan), Goya, 1799Francisco de GoyaPlate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiértan)1799Metropolitan Museum of Art
Plate 28 from "The Disasters of War" (Los Desastres de la Guerra): 'Rabble' (Populacho), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 28 from "The Disasters of War" (Los Desastres de la Guerra): 'Rabble' (Populacho)ca. 1810 (published 1863)Metropolitan Museum of Art
The cloaked man, Goya, 1859Francisco de GoyaThe cloaked man1859Metropolitan Museum of Art
'Dancing Giant' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 3 from "The Disasters of War" (Los Desastres de la Guerra): 'The same' (Lo mismo), Goya, 1810 (published 1863)Francisco de GoyaPlate 3 from "The Disasters of War" (Los Desastres de la Guerra): 'The same' (Lo mismo)1810 (published 1863)Metropolitan Museum of Art
Dancing Giant, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaDancing Giant, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 68 from "The Disasters of War" (Los Desastres de la Guerra): 'What madness!' (Que locura!), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 68 from "The Disasters of War" (Los Desastres de la Guerra): 'What madness!' (Que locura!)1814–15 (published 1863)Metropolitan Museum of Art
Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño), Goya, 1799Francisco de GoyaPlate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)1799Metropolitan Museum of Art
Plate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra), Goya, 1810–11Francisco de GoyaPlate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra)1810–11Metropolitan Museum of Art
Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): 'Nothing. The event will tell' (Nada. Ello dirá), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 69 from "The Disasters of War" (Los Desastres de la Guerra): 'Nothing. The event will tell' (Nada. Ello dirá)1814–15 (published 1863)Metropolitan Museum of Art
Plate 80 from "Los Caprichos": It is time (Ya es hora), Goya, 1799Francisco de GoyaPlate 80 from "Los Caprichos": It is time (Ya es hora)1799Metropolitan Museum of Art
Menippus, after Velázquez, Goya, 1778Francisco de GoyaMenippus, after Velázquez1778Metropolitan Museum of Art
Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 54 from "The Disasters of War" (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano)1811–12 (published 1863)Metropolitan Museum of Art
Plate 57  from "The Disasters of War" (Los Desastres de la Guerra): 'The healthy and the sick' (Sanos y enfermos), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 57 from "The Disasters of War" (Los Desastres de la Guerra): 'The healthy and the sick' (Sanos y enfermos)1811–12 (published 1863)Metropolitan Museum of Art
Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas), Goya, ca. 1810Francisco de GoyaPlate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)ca. 1810Metropolitan Museum of Art
The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia", Goya, 1816Francisco de GoyaThe agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"1816Metropolitan Museum of Art
Plate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, Goya, 1816Francisco de GoyaPlate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open1816Metropolitan Museum of Art
The Exhortations, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaThe Exhortations, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 66 from "The Disasters of War" (Los Desastres de la Guerra): 'Strange devotion!' (Extraña devocion!), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 66 from "The Disasters of War" (Los Desastres de la Guerra): 'Strange devotion!' (Extraña devocion!)1814–15 (published 1863)Metropolitan Museum of Art
Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse, Goya, 1816Francisco de GoyaPlate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse1816Metropolitan Museum of Art
Plate 8 from "Tauromaquia": A moor caught by the bull in the ring, Goya, ca. 1816Francisco de GoyaPlate 8 from "Tauromaquia": A moor caught by the bull in the ringca. 1816Metropolitan Museum of Art
Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas), Goya, 1810Francisco de GoyaPlate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas)1810Metropolitan Museum of Art
Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): I saw it (Yo lo vi), Goya, 1810 (published 1863)Francisco de GoyaPlate 44 from "The Disasters of War" (Los Desastres de la Guerra): I saw it (Yo lo vi)1810 (published 1863)Metropolitan Museum of Art
Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull, Goya, 1816Francisco de GoyaPlate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull1816Metropolitan Museum of Art
A Way of Flying, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–16 (published 1864)Francisco de GoyaA Way of Flying, from "The Disparates" (Follies / Irrationalities)ca. 1815–16 (published 1864)Metropolitan Museum of Art
Tantalus (Tantalo), plate 9 from "Los Caprichos", Goya, 1799Francisco de GoyaTantalus (Tantalo), plate 9 from "Los Caprichos"1799Metropolitan Museum of Art
Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)ca. 1810 (published 1863)Metropolitan Museum of Art
'Dancing Giant' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published between 1854–63)Francisco de Goya'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published between 1854–63)Metropolitan Museum of Art
Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos), Goya, 1799Francisco de GoyaPlate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)1799Metropolitan Museum of Art
Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza, Goya, 1816Francisco de GoyaPlate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza1816Metropolitan Museum of Art
Plate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar), Goya, 1810Francisco de GoyaPlate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)1810Metropolitan Museum of Art
Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), Goya, 1799Francisco de GoyaPlate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega)1799Metropolitan Museum of Art
Plate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los socorra), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los socorra)1811–12 (published 1863)Metropolitan Museum of Art
Plate 29 of  "La Tauromaquia": Pepe Illo making the pass of the 'recorte', Goya, 1816Francisco de GoyaPlate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'1816Metropolitan Museum of Art
Men in Sacks, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaMen in Sacks, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Isabel of Bourbon, Queen of Spain on horseback, after Veláquez, Goya, 1778Francisco de GoyaIsabel of Bourbon, Queen of Spain on horseback, after Veláquez1778Metropolitan Museum of Art
'Loyalty' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (private printing ca.1854)Francisco de Goya'Loyalty' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (private printing ca.1854)Metropolitan Museum of Art
Garroted Man, Goya, ca. 1775–78Francisco de GoyaGarroted Manca. 1775–78Metropolitan Museum of Art
Plate 40 from "The Disasters of War" (Los Desastres de La Guerra): 'He gets something out of it' (Algun partido saca), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 40 from "The Disasters of War" (Los Desastres de La Guerra): 'He gets something out of it' (Algun partido saca)ca. 1810 (published 1863)Metropolitan Museum of Art
Plate 14 from "Los Caprichos": What a sacrifice! (Que sacrificio!), Goya, 1799Francisco de GoyaPlate 14 from "Los Caprichos": What a sacrifice! (Que sacrificio!)1799Metropolitan Museum of Art
Plate 6 from "Los Caprichos":  Nobody knows himself (Nadie se conoce), Goya, 1799Francisco de GoyaPlate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce)1799Metropolitan Museum of Art
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