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Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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114.143 Werke aus 146 Museen133 jetzt ausgestelltAlle löschen

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Las mugeres [sic] dan valor (The Women Give Courage), pl. 4 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863Francisco de GoyaLas mugeres [sic] dan valor (The Women Give Courage), pl. 4 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery
Encounter in Space (Møte i verdensrommet), Edvard Munch, 1902Edvard MunchEncounter in Space (Møte i verdensrommet)1902National Gallery of Art
Muertos recogidos (Harvest of the Dead), Plate 63 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaMuertos recogidos (Harvest of the Dead), Plate 63 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Temeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaTemeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La tauromaquia1816Yale University Art Gallery
Y esto tambien. (And This Too.), pl. 45 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaY esto tambien. (And This Too.), pl. 45 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Disparate general (General Folly), pl. 9  from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–1823, published 1864Francisco de GoyaDisparate general (General Folly), pl. 9 from the series Los disparates (The Follies/Irrationalities)ca. 1816–1823, published 1864Yale University Art Gallery
Dios los cria y ellos se juntan (God Creates Them and They Join Up Together), plate18 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864Francisco de GoyaDios los cria y ellos se juntan (God Creates Them and They Join Up Together), plate18 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Yale University Art Gallery
Beach Landscape, Edvard Munch, 1902Edvard MunchBeach Landscape1902National Gallery of Art
Jealousy (Sjalusi), Edvard Munch, 1914Edvard MunchJealousy (Sjalusi)1914National Gallery of Art
Kristiania Bohemians I (Kristiania-Boheme I), Edvard Munch, 1895Edvard MunchKristiania Bohemians I (Kristiania-Boheme I)1895National Gallery of Art
Norwegian Landscape (Norwegische Landschaft), Edvard Munch, 1908/1909Edvard MunchNorwegian Landscape (Norwegische Landschaft)1908/1909National Gallery of Art
Amarga presencia (Bitter to Be Present), pl. 13 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863Francisco de GoyaAmarga presencia (Bitter to Be Present), pl. 13 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery
The Beggar (Tiggeren), Edvard Munch, 1908Edvard MunchThe Beggar (Tiggeren)1908National Gallery of Art
The Cat (Katten), Edvard Munch, 1913Edvard MunchThe Cat (Katten)1913National Gallery of Art
Y son fieras (And They Are Like Wild Beasts), pl. 5 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863Francisco de GoyaY son fieras (And They Are Like Wild Beasts), pl. 5 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery
Half-Length Portrait of a Man (Brustbild eines bartlosen Mannes), Edvard Munch, 1913Edvard MunchHalf-Length Portrait of a Man (Brustbild eines bartlosen Mannes)1913National Gallery of Art
Ligereza y atrevimiento de Juanito Apiñani en la de Madrid (The Agility and Audacity of Juanito Apinani in [the Ring] at Madrid), Plate 20 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaLigereza y atrevimiento de Juanito Apiñani en la de Madrid (The Agility and Audacity of Juanito Apinani in [the Ring] at Madrid), Plate 20 from La tauromaquia1876Yale University Art Gallery
Y esto tambien (And This Too), Plate 45 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaY esto tambien (And This Too), Plate 45 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Portrait of Tulla Larsen, Edvard Munch, 1898Edvard MunchPortrait of Tulla Larsen1898National Gallery of Art
Si resucitará? (Will She Rise Again?), pl. 80 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaSi resucitará? (Will She Rise Again?), pl. 80 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
No hay que dar voces (It’s No Use Crying Out), Plate 58 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaNo hay que dar voces (It’s No Use Crying Out), Plate 58 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Nada. Ello dirá. (Nothing. The Event Will Tell.), pl. 69 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaNada. Ello dirá. (Nothing. The Event Will Tell.), pl. 69 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Cheval renverse par un taureau (Horse Thrown by a Bull), Plate B from La tauromaquia (third edition), Francisco Goya, 1876Francisco de GoyaCheval renverse par un taureau (Horse Thrown by a Bull), Plate B from La tauromaquia (third edition)1876Yale University Art Gallery
No hay quien los socorra. (There Is No One to Help Them.), pl. 60 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaNo hay quien los socorra. (There Is No One to Help Them.), pl. 60 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Duro es el paso! (It's a Hard Step!), pl. 14 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaDuro es el paso! (It's a Hard Step!), pl. 14 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
El célebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique), Plate 27 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaEl célebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique), Plate 27 from La tauromaquia1816Yale University Art Gallery
Estragos de la guerra (Ravages of War), Plate 30 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEstragos de la guerra (Ravages of War), Plate 30 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaEl mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia1816Yale University Art Gallery
The Kiss, Edvard Munch, 1895Edvard MunchThe Kiss1895National Gallery of Art
Dr. Max Asch, Edvard Munch, 1895Edvard MunchDr. Max Asch1895National Gallery of Art
Para eso habeis nacido (This Is What You Were Born For), pl. 12 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863Francisco de GoyaPara eso habeis nacido (This Is What You Were Born For), pl. 12 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery
Enterrar y callar (Bury Them and Keep Quiet), Plate 18 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEnterrar y callar (Bury Them and Keep Quiet), Plate 18 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Cruel lástima! (Cruel Tale of Woe!), Plate 48 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaCruel lástima! (Cruel Tale of Woe!), Plate 48 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Temeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaTemeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La tauromaquia1876Yale University Art Gallery
Aesopus, Francisco Goya, 1778Francisco de GoyaAesopus1778Yale University Art Gallery
Algun partido saca (He Gets Something Out of It), Plate 40 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaAlgun partido saca (He Gets Something Out of It), Plate 40 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
La lealtad (Loyalty), also known as El que no te ama, burlando te difama (He Who Does Not Like Thee Will Defame Thee in Jest), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)Francisco de GoyaLa lealtad (Loyalty), also known as El que no te ama, burlando te difama (He Who Does Not Like Thee Will Defame Thee in Jest), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Yale University Art Gallery
Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863Francisco de GoyaLos desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery
Curarlos, y á otra. (Get Them Well, and on to the Next.), pl. 20 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaCurarlos, y á otra. (Get Them Well, and on to the Next.), pl. 20 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Disparate pobre (Poor Folly), also known as Two Heads Are Better Than One, from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)Francisco de GoyaDisparate pobre (Poor Folly), also known as Two Heads Are Better Than One, from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Yale University Art Gallery
Duendecitos (Hobgoblins), Plate 49 from Los Caprichos, Francisco Goya, 1797–98, later printingFrancisco de GoyaDuendecitos (Hobgoblins), Plate 49 from Los Caprichos1797–98, later printingYale University Art Gallery
Tal para qual (Two of a Kind), pl. 5 from Los caprichos, Francisco Goya, 1797–98Francisco de GoyaTal para qual (Two of a Kind), pl. 5 from Los caprichos1797–98Yale University Art Gallery
El animoso moro Gazul es el primero que lanceó toros en regla (The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules), Plate 5 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaEl animoso moro Gazul es el primero que lanceó toros en regla (The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules), Plate 5 from La tauromaquia1816Yale University Art Gallery
Se defiende bien (He Defends Himself Well), Plate 78 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaSe defiende bien (He Defends Himself Well), Plate 78 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Un enano (A Dwarf), Francisco Goya, 1778Francisco de GoyaUn enano (A Dwarf)1778Yale University Art Gallery
Esto es lo peor! (That Is the Worst of It!), Plate 74 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEsto es lo peor! (That Is the Worst of It!), Plate 74 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
The Dead Mother and Her Child (Die tote Mutter und das Kind), Edvard Munch, 1901Edvard MunchThe Dead Mother and Her Child (Die tote Mutter und das Kind)1901National Gallery of Art
Tampoco (Nor [Do These] Either), pl. 10 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863Francisco de GoyaTampoco (Nor [Do These] Either), pl. 10 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery
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