ART WIKI37.788 ausgestellt
KarteSammlungKünstlerMuseenAusstellungenJournal
Anmelden

ART WIKI

Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

Rubriken

  • Karte
  • Suche
  • Sammlung
  • Meisterwerke
  • Gestohlen und verschollen
  • Werkstatus einbetten
  • Jetzt ausgestellt
  • Künstler

Mehr

  • Museen & Galerien
  • Ausstellungen
  • Journal
  • Woher die Daten stammen
  • Datenschutz & Cookies
  • Über uns
  • Nutzungsbedingungen
StartseiteKarteKatalog

Katalog

Radierung

130.252 Werke aus 146 Museen133 jetzt ausgestelltAlle löschen

/
Technik
  • Alle
  • Radierung130.252
  • Lithografie89.179
  • Kupferstich63.364
  • Holzschnitt56.703
  • Kaltnadel9.308
  • Siebdruck8.459
  • Aquatinta7.452
  • Fotomechanischer Druck6.933
  • Schabkunst6.751
  • Linolschnitt2.658
The Pool, James McNeill Whistler, 1859James Abbott McNeill WhistlerThe Pool1859Metropolitan Museum of Art
The Unsafe Tenement (The Old Farm), James McNeill Whistler, 1858James Abbott McNeill WhistlerThe Unsafe Tenement (The Old Farm)1858Metropolitan Museum of Art
Precipice (Précipice) (plate, folio 18) from Towards Infinite White (Vers le blanc infini), Jean (Hans) Arp, 1960Jean ArpPrecipice (Précipice) (plate, folio 18) from Towards Infinite White (Vers le blanc infini)1960Museum of Modern Art
Towards the Infinite White (Vers le blanc infini) (plate, folio 12) from Towards Infinite White (Vers le blanc infini), Jean (Hans) Arp, 1960Jean ArpTowards the Infinite White (Vers le blanc infini) (plate, folio 12) from Towards Infinite White (Vers le blanc infini)1960Museum of Modern Art
Bead Stringers, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerBead Stringers1879–80Metropolitan Museum of Art
Through the Myrtles of the Dream (A travers les myrtes du rêve) (plate, folio 14) from Towards Infinite White (Vers le blanc infini), Jean (Hans) Arp, 1960Jean ArpThrough the Myrtles of the Dream (A travers les myrtes du rêve) (plate, folio 14) from Towards Infinite White (Vers le blanc infini)1960Museum of Modern Art
The Kitchen, James McNeill Whistler, 1858James Abbott McNeill WhistlerThe Kitchen1858Metropolitan Museum of Art
A White Wave (Une onde Blanche) (plate, folio 22) from Towards Infinite White (Vers le blanc infini), Jean (Hans) Arp, 1960Jean ArpA White Wave (Une onde Blanche) (plate, folio 22) from Towards Infinite White (Vers le blanc infini)1960Museum of Modern Art
Black Lion Wharf, James McNeill Whistler, 1859James Abbott McNeill WhistlerBlack Lion Wharf1859Metropolitan Museum of Art
Composition with Seven Elements (plate, folio 5) from 23 Gravures, Jean (Hans) Arp, 1935Jean ArpComposition with Seven Elements (plate, folio 5) from 23 Gravures1935Museum of Modern Art
Nocturne: Palaces, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerNocturne: Palaces1879–80Metropolitan Museum of Art
Forma astratta, Jean Arp, sec. XXJean ArpForma astrattasec. XXPinacoteca Nazionale di Bologna
The Master Nailer (Le maître cloueur) (plate, folio 16) from Towards Infinite White (Vers le blanc infini), Jean (Hans) Arp, 1960Jean ArpThe Master Nailer (Le maître cloueur) (plate, folio 16) from Towards Infinite White (Vers le blanc infini)1960Museum of Modern Art
Standing Philosopher and Two Other Figures, Giovanni Battista Tiepolo, published 1785Giovanni Battista TiepoloStanding Philosopher and Two Other Figurespublished 1785National Gallery of Art
The Bridge, Santa Marta, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Bridge, Santa Marta1879–80Metropolitan Museum of Art
Longshore Men, James McNeill Whistler, 1859James Abbott McNeill WhistlerLongshore Men1859Metropolitan Museum of Art
Vauxhall Bridge, James McNeill Whistler, 1861James Abbott McNeill WhistlerVauxhall Bridge1861Metropolitan Museum of Art
La Vielle aux Loques, James McNeill Whistler, 1858James Abbott McNeill WhistlerLa Vielle aux Loques1858Metropolitan Museum of Art
Fumette, James McNeill Whistler, 1858James Abbott McNeill WhistlerFumette1858Metropolitan Museum of Art
Lobster Pots (Lobster Pots – Selsea Bill), James McNeill Whistler, [1880–81]James Abbott McNeill WhistlerLobster Pots (Lobster Pots – Selsea Bill)[1880–81]Metropolitan Museum of Art
Landscape with the Horse (Landscape with Horses), James McNeill Whistler, 1859James Abbott McNeill WhistlerLandscape with the Horse (Landscape with Horses)1859Metropolitan Museum of Art
The Embroidered Curtain, James McNeill Whistler, 1889James Abbott McNeill WhistlerThe Embroidered Curtain1889Metropolitan Museum of Art
Glass Furnace: Murano (Murano – Glass Furnace), James McNeill Whistler, 1879–80James Abbott McNeill WhistlerGlass Furnace: Murano (Murano – Glass Furnace)1879–80Metropolitan Museum of Art
Becquet (J. Becquet, Sculptor), James McNeill Whistler, 1859James Abbott McNeill WhistlerBecquet (J. Becquet, Sculptor)1859Metropolitan Museum of Art
The Madonna del Carmelo Appearing to Saint Simon Stock, Giovanni Domenico Tiepolo after Giovanni Battista Tiepolo, 1759Giovanni Battista TiepoloThe Madonna del Carmelo Appearing to Saint Simon Stock1759National Gallery of Art
Black Lion Wharf, James McNeill Whistler, 1859James Abbott McNeill WhistlerBlack Lion Wharf1859Metropolitan Museum of Art
C. L. Drouet, Sculptor, James McNeill Whistler, 1859James Abbott McNeill WhistlerC. L. Drouet, Sculptor1859Metropolitan Museum of Art
Swan and Iris (sketch after Cecil Lawson's "Swan and Iris"), James McNeill Whistler, 1883James Abbott McNeill WhistlerSwan and Iris (sketch after Cecil Lawson's "Swan and Iris")1883Metropolitan Museum of Art
La Rétameuse, James McNeill Whistler, 1858James Abbott McNeill WhistlerLa Rétameuse1858Metropolitan Museum of Art
Two Female Heads and Standing Figure (from Sketches on the Coast Survey Plate), James McNeill Whistler, 1854–55James Abbott McNeill WhistlerTwo Female Heads and Standing Figure (from Sketches on the Coast Survey Plate)1854–55Metropolitan Museum of Art
San Biagio, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerSan Biagio1879–80Metropolitan Museum of Art
Free Trade Wharf, James McNeill Whistler, 1877James Abbott McNeill WhistlerFree Trade Wharf1877Metropolitan Museum of Art
The Lime-Burner (W. Jones, Lime-Burner, Thames Street), James McNeill Whistler, 1859James Abbott McNeill WhistlerThe Lime-Burner (W. Jones, Lime-Burner, Thames Street)1859Metropolitan Museum of Art
The Dyer, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Dyer1879–80Metropolitan Museum of Art
Fulham (Chelsea), James McNeill Whistler, 1879James Abbott McNeill WhistlerFulham (Chelsea)1879Metropolitan Museum of Art
T. A. Nash's Fruit Shop (T. A. Nash's Greengrocer's Shop), James McNeill Whistler, 1887James Abbott McNeill WhistlerT. A. Nash's Fruit Shop (T. A. Nash's Greengrocer's Shop)1887Metropolitan Museum of Art
Cutler Street, Houndsditch, James McNeill Whistler, [1886–88]James Abbott McNeill WhistlerCutler Street, Houndsditch[1886–88]Metropolitan Museum of Art
What's That? (Qu'est-ce que c'est que ça ?) (plate, folio 9) from Towards Infinite White (Vers le blanc infini), Jean (Hans) Arp, 1960Jean ArpWhat's That? (Qu'est-ce que c'est que ça ?) (plate, folio 9) from Towards Infinite White (Vers le blanc infini)1960Museum of Modern Art
Upright Venice, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerUpright Venice1879–80Metropolitan Museum of Art
Two Doorways, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerTwo Doorways1879–80Metropolitan Museum of Art
Doll (Poupée) (plate, folio 20) from Towards Infinite White (Vers le blanc infini), Jean (Hans) Arp, 1960Jean ArpDoll (Poupée) (plate, folio 20) from Towards Infinite White (Vers le blanc infini)1960Museum of Modern Art
Limehouse, James McNeill Whistler, 1859James Abbott McNeill WhistlerLimehouse1859Metropolitan Museum of Art
Towards Infinite White (Vers le blanc infini), Jean (Hans) Arp, 1960Jean ArpTowards Infinite White (Vers le blanc infini)1960Museum of Modern Art
Little Court, James McNeill Whistler, [1880–81]James Abbott McNeill WhistlerLittle Court[1880–81]Metropolitan Museum of Art
The Cathedral is a Heart (La Cathédral est un coeur) (plate, folio 7) from Towards Infinite White (Vers le blanc infini), Jean (Hans) Arp, 1960Jean ArpThe Cathedral is a Heart (La Cathédral est un coeur) (plate, folio 7) from Towards Infinite White (Vers le blanc infini)1960Museum of Modern Art
The Pool, James McNeill Whistler, 1859James Abbott McNeill WhistlerThe Pool1859Metropolitan Museum of Art
Nude, Jean (Hans) Arp, 1914Jean ArpNude1914Museum of Modern Art
Sketching No. 1, James McNeill Whistler, 1861James Abbott McNeill WhistlerSketching No. 11861Metropolitan Museum of Art
179