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ART WIKI

Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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130.252 Werke aus 146 Museen133 jetzt ausgestelltAlle löschen

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  • Radierung130.252
  • Lithografie89.179
  • Kupferstich63.364
  • Holzschnitt56.703
  • Kaltnadel9.308
  • Siebdruck8.459
  • Aquatinta7.452
  • Fotomechanischer Druck6.933
  • Schabkunst6.751
  • Linolschnitt2.658
Battersea Dawn (Cadogan Pier), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1861James Abbott McNeill WhistlerBattersea Dawn (Cadogan Pier), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1861Yale University Art Gallery
Fumette Standing from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerFumette Standing from an album of impressions of cancelled plates by Whistlerca. 1897Yale University Art Gallery
The Little Venice, from the First Venice Set (Venice, A Series of Twelve Etchings), James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Little Venice, from the First Venice Set (Venice, A Series of Twelve Etchings)1879–80Yale University Art Gallery
Title plate for Douze Eaux-Fortes d'après Nature (Twelve Etchings from Nature), known as the French Set, James McNeill Whistler, 1858James Abbott McNeill WhistlerTitle plate for Douze Eaux-Fortes d'après Nature (Twelve Etchings from Nature), known as the French Set1858Yale University Art Gallery
The Village Sweet Shop, James McNeill Whistler, 1886James Abbott McNeill WhistlerThe Village Sweet Shop1886Yale University Art Gallery
Eagle Wharf (Tyzac, Whiteley & Co.), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1859James Abbott McNeill WhistlerEagle Wharf (Tyzac, Whiteley & Co.), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1859Yale University Art Gallery
Two Sketchesfrom an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerTwo Sketchesfrom an album of impressions of cancelled plates by Whistlerca. 1897Yale University Art Gallery
Nocturne, from the First Venice Set (Venice, A Series of Twelve Etchings), James McNeill Whistler, 1879–80James Abbott McNeill WhistlerNocturne, from the First Venice Set (Venice, A Series of Twelve Etchings)1879–80Yale University Art Gallery
Vauxhall Bridge, James McNeill Whistler, 1861James Abbott McNeill WhistlerVauxhall Bridge1861Yale University Art Gallery
Nocturne Furnace, from the Second Venice Set (A Set of Twenty-six Etchings), James McNeill Whistler, 1880, published 1886James Abbott McNeill WhistlerNocturne Furnace, from the Second Venice Set (A Set of Twenty-six Etchings)1880, published 1886Yale University Art Gallery
Rotherhithe K. 66 III from "The Thames Set", James McNeill Whistler, 1860James Abbott McNeill WhistlerRotherhithe K. 66 III from "The Thames Set"1860Yale University Art Gallery
The Doorway, from the First Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Doorway, from the First Venice Set1879–80Yale University Art Gallery
Buildings from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerBuildings from an album of impressions of cancelled plates by Whistlerca. 1897Yale University Art Gallery
Alderney Street, James McNeill Whistler, 1881James Abbott McNeill WhistlerAlderney Street1881Yale University Art Gallery
Woman Standing from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerWoman Standing from an album of impressions of cancelled plates by Whistlerca. 1897Yale University Art Gallery
The Fish Shop, Venice, from the Second Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Fish Shop, Venice, from the Second Venice Set1879–80Yale University Art Gallery
Black Lion Wharf, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1859James Abbott McNeill WhistlerBlack Lion Wharf, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1859Yale University Art Gallery
The Desk from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerThe Desk from an album of impressions of cancelled plates by Whistlerca. 1897Yale University Art Gallery
The Kitchen, from the French Set (Douze Eaux-Fortes d'après Nature or Twelve Etchings from Nature), James McNeill Whistler, 1858James Abbott McNeill WhistlerThe Kitchen, from the French Set (Douze Eaux-Fortes d'après Nature or Twelve Etchings from Nature)1858Yale University Art Gallery
Irving as Phillip of Spain, No. 1, from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerIrving as Phillip of Spain, No. 1, from an album of impressions of cancelled plates by Whistlerca. 1897Yale University Art Gallery
Black Lion Wharf, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1859James Abbott McNeill WhistlerBlack Lion Wharf, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1859Yale University Art Gallery
Nocturne Palaces, from the Second Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerNocturne Palaces, from the Second Venice Set1879–80Yale University Art Gallery
La Marchande de Moutarde (The Mustard Seller), from the French Set (Douze Eaux-Fortes d'après Nature or Twelve Etchings from Nature), James McNeill Whistler, 1858James Abbott McNeill WhistlerLa Marchande de Moutarde (The Mustard Seller), from the French Set (Douze Eaux-Fortes d'après Nature or Twelve Etchings from Nature)1858Yale University Art Gallery
Billingsgate, James McNeill Whistler, 1859James Abbott McNeill WhistlerBillingsgate1859Yale University Art Gallery
The Miserfrom an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerThe Miserfrom an album of impressions of cancelled plates by Whistlerca. 1897Yale University Art Gallery
Resting from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerResting from an album of impressions of cancelled plates by Whistlerca. 1897Yale University Art Gallery
Fruit Stall, from the Second Venice Set ( A Set of Twenty-six Etchings), James McNeill Whistler, 1879–80James Abbott McNeill WhistlerFruit Stall, from the Second Venice Set ( A Set of Twenty-six Etchings)1879–80Yale University Art Gallery
Becquet (The Fiddler), from the "Thames set", also called "Sixteen etchings", James McNeill Whistler, 1859James Abbott McNeill WhistlerBecquet (The Fiddler), from the "Thames set", also called "Sixteen etchings"1859Yale University Art Gallery
Seated Figure from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerSeated Figure from an album of impressions of cancelled plates by Whistlerca. 1897Yale University Art Gallery
Billingsgate, James McNeill Whistler, 1859James Abbott McNeill WhistlerBillingsgate1859Yale University Art Gallery
Billingsgate, James McNeill Whistler, 1859James Abbott McNeill WhistlerBillingsgate1859Yale University Art Gallery
Young Woman Lying on Couch from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerYoung Woman Lying on Couch from an album of impressions of cancelled plates by Whistlerca. 1897Yale University Art Gallery
Traghetto, no. 2, from the First Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerTraghetto, no. 2, from the First Venice Set1879–80Yale University Art Gallery
Thames Warehouse, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1859James Abbott McNeill WhistlerThames Warehouse, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1859Yale University Art Gallery
Nocturne: Salute, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerNocturne: Salute1879–80Yale University Art Gallery
La Salute Dawn, from the Second Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerLa Salute Dawn, from the Second Venice Set1879–80Yale University Art Gallery
The Palaces, from the First Venice Set (Venice, A Series of Twelve Etchings), James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Palaces, from the First Venice Set (Venice, A Series of Twelve Etchings)1879–80Yale University Art Gallery
La Vielle aux Loques, from the French Set (Douze Eaux-Fortes d'après Nature or Twelve Etchings from Nature), James McNeill Whistler, 1858James Abbott McNeill WhistlerLa Vielle aux Loques, from the French Set (Douze Eaux-Fortes d'après Nature or Twelve Etchings from Nature)1858Yale University Art Gallery
The Muff from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerThe Muff from an album of impressions of cancelled plates by Whistlerca. 1897Yale University Art Gallery
J. Becquet, sculptor (The Fiddler), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1859James Abbott McNeill WhistlerJ. Becquet, sculptor (The Fiddler), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1859Yale University Art Gallery
Tillie: A Model from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerTillie: A Model from an album of impressions of cancelled plates by Whistlerca. 1897Yale University Art Gallery
Two Figures from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerTwo Figures from an album of impressions of cancelled plates by Whistlerca. 1897Yale University Art Gallery
The Pool, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1859James Abbott McNeill WhistlerThe Pool, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1859Yale University Art Gallery
The Little Putney No. 1, James McNeill Whistler, 1879James Abbott McNeill WhistlerThe Little Putney No. 11879Yale University Art Gallery
The Model Resting from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerThe Model Resting from an album of impressions of cancelled plates by Whistlerca. 1897Yale University Art Gallery
San Giorgio, from the Second Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerSan Giorgio, from the Second Venice Set1879–80Yale University Art Gallery
The Garden, from the Second Venice Set (A Set of Twenty-six Etchings), James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Garden, from the Second Venice Set (A Set of Twenty-six Etchings)1879–80Yale University Art Gallery
Battersea Dawn (Cadogan Pier), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1861James Abbott McNeill WhistlerBattersea Dawn (Cadogan Pier), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1861Yale University Art Gallery
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