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Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

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The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, Basavana, c. 1560BasavanaThe donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Nightc. 1560Cleveland Museum of Art
Radha Awaiting Reconciliation with Krishna, from a Gita Govinda of Jayadeva, c. 1680Radha Awaiting Reconciliation with Krishna, from a Gita Govinda of Jayadevac. 1680Cleveland Museum of Art
Hanuman attacks Indrajit holding an apparition of Sita by the hair, c. 1890Hanuman attacks Indrajit holding an apparition of Sita by the hairc. 1890Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page (blank), c. 1560Page from Tales of a Parrot (Tuti-nama): text page (blank)c. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Fourteenth Street, Edward Laning, 1931Edward LaningFourteenth Street1931Whitney Museum of American Art
Leaf from a Lectionary with St. Matthew, 1057–1063Leaf from a Lectionary with St. Matthew1057–1063105 ByzantineCleveland Museum of Art
Historisk billede. Danmarksbillede i ni afsnit, Stig Brøgger, 1975Stig BrøggerHistorisk billede. Danmarksbillede i ni afsnit1975Statens Museum for Kunst
Pinnacle with Angel (pair), Niccolò di Segna, c. 1340Niccolò di SegnaPinnacle with Angel (pair)c. 1340110A Italian GothicCleveland Museum of Art
A Disconsolate Lady on a Terrace with Attendants, c. 1730A Disconsolate Lady on a Terrace with Attendantsc. 1730Cleveland Museum of Art
The Approach of Krishna.  Page from a Rasamanjari, c. 1660–70The Approach of Krishna. Page from a Rasamanjaric. 1660–70Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
The young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night, Suraju, c. 1560SurajuThe young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Cleveland Museum of Art
The four destitute friends go to a wise man who gives each one of them a magic shell to be placed on top of the turban, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night, c. 1560The four destitute friends go to a wise man who gives each one of them a magic shell to be placed on top of the turban, from a Tuti-nama (Tales of a Parrot): Forty-seventh Nightc. 1560Cleveland Museum of Art
Text, Folio 143 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 143 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 30 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 30 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 44 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 44 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Historisk billede. Danmarksbillede i ni afsnit, Stig Brøgger, 1975Stig BrøggerHistorisk billede. Danmarksbillede i ni afsnit1975Statens Museum for Kunst
Historisk billede. Danmarksbillede i ni afsnit, Stig Brøgger, 1975Stig BrøggerHistorisk billede. Danmarksbillede i ni afsnit1975Statens Museum for Kunst
The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4Cleveland Museum of Art
Bodhisattva Manjushri with two forms of Avalokiteshvara, folio 348 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100sBodhisattva Manjushri with two forms of Avalokiteshvara, folio 348 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)1000–1100sCleveland Museum of Art
Illuminated opening page (folio 1 verso) and 131 folios with Persian text, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4; margins added with rebinding, about 1900Illuminated opening page (folio 1 verso) and 131 folios with Persian text, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4; margins added with rebinding, about 1900Cleveland Museum of Art
Text, Folio 116 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 116 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
The Parrot Addresses Khujasta at the Beginning of the Seventeenth Night, from a Tuti-nama (Tales of a Parrot), Sravana, c. 1560SravanaThe Parrot Addresses Khujasta at the Beginning of the Seventeenth Night, from a Tuti-nama (Tales of a Parrot)c. 1560Cleveland Museum of Art
Miniature Excised from a Book of Hours: The Annunciation, c. 1280–1300Miniature Excised from a Book of Hours: The Annunciationc. 1280–1300Cleveland Museum of Art
Kali Enshrined (verso), from a Kalighat album, c. 1890Kali Enshrined (verso), from a Kalighat albumc. 1890Cleveland Museum of Art
Text, Folio 74 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 74 (recto), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 97 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 97 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
War Series: How Long?, Jacob Lawrence, 1947Jacob LawrenceWar Series: How Long?1947AusgestelltWhitney Museum of American Art
The Parrot Addresses Khujasta at the Beginning of the Seventh Night, from a Tuti-nama (Tales of a Parrot), c. 1560The Parrot Addresses Khujasta at the Beginning of the Seventh Night, from a Tuti-nama (Tales of a Parrot)c. 1560Cleveland Museum of Art
The king’s handmaiden takes the prince away to the harem, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560The king’s handmaiden takes the prince away to the harem, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Cleveland Museum of Art
Krishna and Consort on a Palace Balcony with Musicians: Vukharo Ragaputra of Bhairav, from the “Boston Ragamala”, 1770–75Krishna and Consort on a Palace Balcony with Musicians: Vukharo Ragaputra of Bhairav, from the “Boston Ragamala”1770–75Cleveland Museum of Art
Diana or Artemis, Goddess of the Hunt, c. 1890Diana or Artemis, Goddess of the Huntc. 1890Cleveland Museum of Art
Folio 2 from a Parshvanatha Charitra (Life and Stories of Lord Parshva) of Bhavadeva-suri: Monk preaching to a disciple with a lay audience (recto); Text (verso), c. 1275–1300Folio 2 from a Parshvanatha Charitra (Life and Stories of Lord Parshva) of Bhavadeva-suri: Monk preaching to a disciple with a lay audience (recto); Text (verso)c. 1275–1300Cleveland Museum of Art
The goldsmith judged; the bear cubs trained by the carpenter as though they were his sons, from a Tuti-nama (Tales of a Parrot): Third Night, c. 1560The goldsmith judged; the bear cubs trained by the carpenter as though they were his sons, from a Tuti-nama (Tales of a Parrot): Third Nightc. 1560Cleveland Museum of Art
Vishnu and Lakshmi on Garuda, c. 1750
Vishnu and Lakshmi on Garudac. 1750 Cleveland Museum of Art
Text, Folio 70 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 70 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 20 (verso), from a Kalpa-sutra, c. 1475–1505Text, Folio 20 (verso), from a Kalpa-sutrac. 1475–1505Cleveland Museum of Art
Text, Folio 121 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 121 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 151 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 151 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Madonna med Barnet, Girolamo di Bernardino da Udine, 1506-1512Girolamo di Bernardino da UdineMadonna med Barnet1506-1512Statens Museum for Kunst
Heroine with attendant and a pair of deer, c. 1710–20Heroine with attendant and a pair of deerc. 1710–20Cleveland Museum of Art
Maru Ragini, from a Ragamala (Garland of Melodies), 1650–80Maru Ragini, from a Ragamala (Garland of Melodies)1650–80Cleveland Museum of Art
The merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560The merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Cleveland Museum of Art
Text, folio 6 (recto), from a Kalpa-sutra, c. 1475–1500Text, folio 6 (recto), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
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