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Posthumous portrait of Emperor Jahangir under a canopy (recto), c. 1650Posthumous portrait of Emperor Jahangir under a canopy (recto)c. 1650Cleveland Museum of Art
Text, Folio 38 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 38 (verso), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Text, folio 164 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 164 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, folio 167 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 167 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 92 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 92 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
World's Fair, Charles James Prendergast, 1939Charles James PrendergastWorld's Fair1939Whitney Museum of American Art
Khujasta kills the pet mynah who advises her not to be unfaithful to Maymun, her husband, from a Tuti-nama (Tales of the Parrot): First Night, c. 1560Khujasta kills the pet mynah who advises her not to be unfaithful to Maymun, her husband, from a Tuti-nama (Tales of the Parrot): First Nightc. 1560Cleveland Museum of Art
Khalis repays the prince for his kindness by changing into a snake and sucking the poison from the king’s daughter, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560Khalis repays the prince for his kindness by changing into a snake and sucking the poison from the king’s daughter, from a Tuti-nama (Tales of a Parrot): Eighteenth Nightc. 1560Cleveland Museum of Art
Akrura and Kritavarma flee Dvaraka, page from the "Large Basohli Bhagavata Purana", c. 1760–65Akrura and Kritavarma flee Dvaraka, page from the "Large Basohli Bhagavata Purana"c. 1760–65242B Indian PaintingCleveland Museum of Art
Krishna fighting the sons of King Bana, from an Usha-Aniruddha, c. 1840Krishna fighting the sons of King Bana, from an Usha-Aniruddhac. 1840Cleveland Museum of Art
The young man of Baghdad joins the Hashimi’s boat as a sailor to find his slave-girl on board, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night, c. 1560The young man of Baghdad joins the Hashimi’s boat as a sailor to find his slave-girl on board, from a Tuti-nama (Tales of a Parrot): Forty-eighth Nightc. 1560Cleveland Museum of Art
Mural Sketch, Pastoral Study, No. 1, Henry Keller, before 1950Henry George KellerMural Sketch, Pastoral Study, No. 1before 1950Cleveland Museum of Art
Text, Folio 11 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 11 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, folio 175 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 175 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, folio 172 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 172 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 25 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 25 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
The Nativity, Perugino, 1500/05Pietro PeruginoThe Nativity1500/05Saal 205Art Institute of Chicago
Untitled Composition, Bruce Goff, c. 1960sBruce GoffUntitled Compositionc. 1960sArt Institute of Chicago
Untitled (Rites of Spring), Charles Prendergast, c. 1916–18Charles PrendergastUntitled (Rites of Spring)c. 1916–18Saal 272Art Institute of Chicago
Enthroned Rama and Sita receive homage from their monkey and bear Allies, from the Yuddha Kanda (Book of the War) of a Ramayana (Rama’s Journey), c. 1765Enthroned Rama and Sita receive homage from their monkey and bear Allies, from the Yuddha Kanda (Book of the War) of a Ramayana (Rama’s Journey)c. 1765Cleveland Museum of Art
Worship of Shiva and Devi, early 1700sWorship of Shiva and Deviearly 1700sCleveland Museum of Art
Leaf from a Kalighat album: Jatayu hinders Ravana’s chariot, trying to prevent the abduction of Sita (recto); Dushyanta watching his son Bharat playing with the tiger at the end of the Abhijnanashakuntalam (verso), c. 1890Leaf from a Kalighat album: Jatayu hinders Ravana’s chariot, trying to prevent the abduction of Sita (recto); Dushyanta watching his son Bharat playing with the tiger at the end of the Abhijnanashakuntalam (verso)c. 1890Cleveland Museum of Art
Portrait of Asaf Khan (1569–1641), from the Late Shah Jahan Album, c. 1653Portrait of Asaf Khan (1569–1641), from the Late Shah Jahan Albumc. 1653Cleveland Museum of Art
Text, Folio 45 (verso), from a Kalpa-sutra, c. 1500Text, Folio 45 (verso), from a Kalpa-sutrac. 1500Cleveland Museum of Art
Kamsa deploys Akrura and Keshi to Braj, from a Bhagavata Purana, c. 1830Kamsa deploys Akrura and Keshi to Braj, from a Bhagavata Puranac. 1830242B Indian PaintingCleveland Museum of Art
Text, Folio 114 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 114 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 59 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 59 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 15 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 15 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 21 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 21 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Pravira Kneeling at the Feet of Jana, c. 1890Pravira Kneeling at the Feet of Janac. 1890Cleveland Museum of Art
Tattoo and Haircut, Reginald Marsh, 1932Reginald MarshTattoo and Haircut1932Art Institute of Chicago
Skt. Benedikt - Bebudelsen - En knælende nonne, Lippo di Andrea, 1418-1422Pseudo-Ambrodigio di BaldeseSkt. Benedikt - Bebudelsen - En knælende nonne1418-1422Saal 201BStatens Museum for Kunst
Painting from a Kalpa-sutra: Queen Trishala Reclining, c. 1450–75Painting from a Kalpa-sutra: Queen Trishala Recliningc. 1450–75Cleveland Museum of Art
Shiva Seated on a Throne in a Landscape, c. 1755Shiva Seated on a Throne in a Landscapec. 1755Cleveland Museum of Art
Dushyanta watching his son Bharat playing with the tiger at the end of the Abhijnanashakuntalam (verso), from a Kalighat album, c. 1890Dushyanta watching his son Bharat playing with the tiger at the end of the Abhijnanashakuntalam (verso), from a Kalighat albumc. 1890Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Maharaja Chattarsol of Kota Shooting Lions, c. 1860Maharaja Chattarsol of Kota Shooting Lionsc. 1860Cleveland Museum of Art
Sheetaladevi: The Smallpox Goddess (recto), from a Kalighat album, c. 1890Sheetaladevi: The Smallpox Goddess (recto), from a Kalighat albumc. 1890Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 58 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 58 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Salome Asking Herod for the Head of Saint John the Baptist, Giovanni di Paolo, c. 1455Giovanni di PaoloSalome Asking Herod for the Head of Saint John the Baptistc. 1455Saal 204Art Institute of Chicago
A Paramount Picture, Reginald Marsh, 1934Reginald MarshA Paramount Picture1934226B American ModernCleveland Museum of Art
The parrot addresses Khujasta at the beginning of the thirty-first night, from a Tuti-nama (Tales of a Parrot), c. 1560The parrot addresses Khujasta at the beginning of the thirty-first night, from a Tuti-nama (Tales of a Parrot)c. 1560Cleveland Museum of Art
Lovers Parting, Page from a Book of Fables, c. 1590–95Lovers Parting, Page from a Book of Fablesc. 1590–95Cleveland Museum of Art
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