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Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (16 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

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Composition [Untitled], Bruce Goff, 1956Bruce GoffComposition [Untitled]1956Art Institute of Chicago
Bahram Gur Visits the Princess of India in the Black Pavilion (recto): Illustration and Text, Persian Verses, from a manuscript of the Khamsa of Nizami, Haft Paykar [Seven Portraits], c. 1400–1410Bahram Gur Visits the Princess of India in the Black Pavilion (recto): Illustration and Text, Persian Verses, from a manuscript of the Khamsa of Nizami, Haft Paykar [Seven Portraits]c. 1400–1410Cleveland Museum of Art
Portræt af Caroline Walter?, Ubekendt, 1940UbekendtPortræt af Caroline Walter?1940Statens Museum for Kunst
Animals, Precious Stones, Coins, and Musical Instruments (recto); Animals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s), c. 1341Animals, Precious Stones, Coins, and Musical Instruments (recto); Animals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s)c. 1341Cleveland Museum of Art
Formernes kontraster, Franciska Clausen, 1927Franciska ClausenFormernes kontraster1927Statens Museum for Kunst
Hindol Raga, page from a Garland of Musical Ragas (Ragamala) Set, India, c. 1750-1770IndiaHindol Raga, page from a Garland of Musical Ragas (Ragamala) Setc. 1750-1770Art Institute of Chicago
Tughra:  Shah Muhammad bin Ibrahim Khan, al-muzaffar daima (Sultan Mehmed, son of Ibrahim Khan, the eternally victorious; Calligraphy (Ottoman Turkish Signature), Single Page Manuscript, 1648–87Tughra: Shah Muhammad bin Ibrahim Khan, al-muzaffar daima (Sultan Mehmed, son of Ibrahim Khan, the eternally victorious; Calligraphy (Ottoman Turkish Signature), Single Page Manuscript1648–87Cleveland Museum of Art
Album Page with Calligraphic Specimen, Mughal, First Half of the 16th century (calligraphy);
17th/18th century (borders)MughalAlbum Page with Calligraphic SpecimenFirst Half of the 16th century (calligraphy); 17th/18th century (borders)Art Institute of Chicago
The Tale of the Twelve Faces. "Bizhan Addresses the Army": Illustration from the Firdausi Shahnama (recto), 1341The Tale of the Twelve Faces. "Bizhan Addresses the Army": Illustration from the Firdausi Shahnama (recto)1341Cleveland Museum of Art
Double Page from the Qur'an, Islamic, Safavid dynasty (1501–1722), 16th centuryIslamicDouble Page from the Qur'anSafavid dynasty (1501–1722), 16th centuryArt Institute of Chicago
Bhairavi Ragini, Page from a Bundi Ragamala Set, India, c. 1765-1780IndiaBhairavi Ragini, Page from a Bundi Ragamala Setc. 1765-1780Art Institute of Chicago
An Episode from the Story of the Sasanian King Khusrau and His Beloved Shirin, from a Khamsa (Quintet) of Nizami (1141–1209) (verso), 1540–70An Episode from the Story of the Sasanian King Khusrau and His Beloved Shirin, from a Khamsa (Quintet) of Nizami (1141–1209) (verso)1540–70Cleveland Museum of Art
Portrait of Prince Azam Shah, Mughal, Late 17th/early 18th centuryMughalPortrait of Prince Azam ShahLate 17th/early 18th centuryArt Institute of Chicago
Herreportræt, Cornelius Høyer, 1756-1804Cornelius HoeyerHerreportræt1756-1804Statens Museum for Kunst
Portrait of an Aged Courtier, Mughal, c. 1680MughalPortrait of an Aged Courtierc. 1680Art Institute of Chicago
Raga Malkaushika, Page from a Jaipur Ragamala Set, India, c. 1750-1770IndiaRaga Malkaushika, Page from a Jaipur Ragamala Setc. 1750-1770Art Institute of Chicago
Courtyard of a Palace, Islamic, Safavid dynasty (1501–1722), 16th centuryIslamicCourtyard of a PalaceSafavid dynasty (1501–1722), 16th centuryArt Institute of Chicago
Bakkantisk ofring, Richard van Orley, 1678-1732Richard van OrleyBakkantisk ofring1678-1732Statens Museum for Kunst
Ragini Gujari, Page from a Jaipur Ragamala Set, India, c. 1750-1770IndiaRagini Gujari, Page from a Jaipur Ragamala Setc. 1750-1770Art Institute of Chicago
Page from a Qur'an, Sura al-Nisa 4, Verses 157–58, 1100sPage from a Qur'an, Sura al-Nisa 4, Verses 157–581100sCleveland Museum of Art
Herreportræt, George Lethbridge Saunders, 1802George Lethbridge SaundersHerreportræt1802Statens Museum for Kunst
Young Woman Smoking a Huqqa, India, 18th centuryIndiaYoung Woman Smoking a Huqqa18th centuryArt Institute of Chicago
Imperial Framed Miniature of Grand Duchess Olga Nicolaievna, Johannes Zehngraf, 1896Johannes ZehngrafImperial Framed Miniature of Grand Duchess Olga Nicolaievna1896Cleveland Museum of Art
The Birth of Rustam, page from a copy of the Shahnama of Firdausi, Islamic, Safavid dynasty (1501–1722)، dated c.1620IslamicThe Birth of Rustam, page from a copy of the Shahnama of FirdausiSafavid dynasty (1501–1722)، dated c.1620Art Institute of Chicago
Herkules og Omfale, Johann Harper, 1703-1746Johann HarperHerkules og Omfale1703-1746Statens Museum for Kunst
Ragini Khambavati, Page from a Jaipur Ragamala Set, India, c. 1750-1770IndiaRagini Khambavati, Page from a Jaipur Ragamala Setc. 1750-1770Art Institute of Chicago
Lalita Ragini, Page from a Jaipur Ragamala Set, India, c. 1750-1770IndiaLalita Ragini, Page from a Jaipur Ragamala Setc. 1750-1770Art Institute of Chicago
Raga Dipak, Page from a Jaipur Ragamala Set, India, c. 1750-1770IndiaRaga Dipak, Page from a Jaipur Ragamala Setc. 1750-1770Art Institute of Chicago
Woman Grasping Tree Branch, India, 18th/19th centuryIndiaWoman Grasping Tree Branch18th/19th centuryArt Institute of Chicago
Left side of a double-page album folio: Outside a Royal Encampment (recto), Bihzad, c. 1485BihzadLeft side of a double-page album folio: Outside a Royal Encampment (recto)c. 1485Cleveland Museum of Art
Højfjeld, Gerhard Munthe, 1864-1906Gerhard Peter Frantz Vilhelm MuntheHøjfjeld1864-1906Statens Museum for Kunst
Portræt af en ung dame, Ubekendt, 1932UbekendtPortræt af en ung dame1932Statens Museum for Kunst
Bahram Visits the White Domed Pavilion on Friday, illustrated with text in Khamsa of Nizami (verso), from a Haft Paykar (Seven Portraits) of Nizami, c. 1560–80Bahram Visits the White Domed Pavilion on Friday, illustrated with text in Khamsa of Nizami (verso), from a Haft Paykar (Seven Portraits) of Nizamic. 1560–80Cleveland Museum of Art
The Courtesans, Leon Golub, c. 1950Leon GolubThe Courtesansc. 1950Art Institute of Chicago
Ragini Gaund, Page from a Jaipur Ragamala Set, India, c. 1750-1770IndiaRagini Gaund, Page from a Jaipur Ragamala Setc. 1750-1770Art Institute of Chicago
A scene of the life of Alexander from the Sharaf-nameh, 1500sA scene of the life of Alexander from the Sharaf-nameh1500sCleveland Museum of Art
Portrait of a Man, Isaac Oliver, the elder, late 16th/early 17th centuryIsaac OliverPortrait of a Manlate 16th/early 17th centuryArt Institute of Chicago
Four Princes in Procession Visit a Sage, page from a copy of the Ramayana, India, c. 1820-1840IndiaFour Princes in Procession Visit a Sage, page from a copy of the Ramayanac. 1820-1840Art Institute of Chicago
King Luhrasp Ascends the Throne: a Processon Arrives at Court (recto); the Story of King Luhrasp (verso) from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025), c. 1560–90King Luhrasp Ascends the Throne: a Processon Arrives at Court (recto); the Story of King Luhrasp (verso) from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025)c. 1560–90Cleveland Museum of Art
Experiment No. 9, Wucius Wong, 2002Wuxie WangExperiment No. 92002Art Institute of Chicago
Portræt af kunstnerens broder, Francois Louis Arlaud, Louis Ami Arlaud, 1818Louis Ami ArlaudPortræt af kunstnerens broder, Francois Louis Arlaud1818Statens Museum for Kunst
Ryttere ved to telte i kuperet terræn, F.C. van Bracht, 1735-1759F.C. van BrachtRyttere ved to telte i kuperet terræn1735-1759Statens Museum for Kunst
Four Recruits in White Dhotis, page from the Fraser Album, India, Company School, c. 1815-1816IndiaFour Recruits in White Dhotis, page from the Fraser AlbumCompany School, c. 1815-1816Art Institute of Chicago
King Luhrasp Ascends the Throne: a Processon Arrives at Court, recto of the left folio of a double-page composition from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025), c. 1560–90King Luhrasp Ascends the Throne: a Processon Arrives at Court, recto of the left folio of a double-page composition from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025)c. 1560–90Cleveland Museum of Art
Animals, Precious Stones, Coins, and Musical Instruments (recto) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s), c. 1341Animals, Precious Stones, Coins, and Musical Instruments (recto) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s)c. 1341Cleveland Museum of Art
Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), known as the Great Mongol Shahnama, 1330–35Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), known as the Great Mongol Shahnama1330–35Cleveland Museum of Art
The Forty-Eighth Year of Nushirwan's Reign: the Combat of the Khaqan of China with the Haithalians (verso) from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), c. 1482The Forty-Eighth Year of Nushirwan's Reign: the Combat of the Khaqan of China with the Haithalians (verso) from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025)c. 1482Cleveland Museum of Art
Beauty Holding a Flower, Mughal, Mid–17th centuryMughalBeauty Holding a FlowerMid–17th centuryArt Institute of Chicago
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