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Das Mittelalter, 1000–1400

7.883 Werke aus 176 Museen1.565 jetzt ausgestellt Löschen

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Miniature Excised from a Gospel Book with Initial L[iber generationis]: The Symbol of Saint Matthew (recto), c. 1125–50

Miniature Excised from a Gospel Book with Initial L[iber generationis]: The Symbol of Saint Matthew (recto)c. 1125–50Cleveland Museum of Art

Text, folio 73 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array), 1000–1100s

Text, folio 73 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array)1000–1100sCleveland Museum of Art

Text, Folio 125 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Text, Folio 125 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art

Text, Folio 105 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Text, Folio 105 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art

Royal Female Figure, late 1000s

Royal Female Figurelate 1000s243 Indian and Southeast AsianCleveland Museum of Art

Fol. 350r, Hosea, historiated initial V, Hosea preaching to three men.
, c. 1275–1300

Fol. 350r, Hosea, historiated initial V, Hosea preaching to three men. c. 1275–1300Cleveland Museum of Art

Historiated Initial (P) Excised from a Gradual: The Nativity, Lippo Vanni, c. 1350–75

Lippo VanniHistoriated Initial (P) Excised from a Gradual: The Nativityc. 1350–75Cleveland Museum of Art

Guardian Kings: Dhrtarastra and Virupaksa, 1st half of 1300s

Guardian Kings: Dhrtarastra and Virupaksa1st half of 1300sCleveland Museum of Art

Panel from a Casket with Scenes from Courtly Romances, c. 1330–50 or later

Panel from a Casket with Scenes from Courtly Romancesc. 1330–50 or later106C Medieval TreasuryCleveland Museum of Art

Enthroned Virgin and Child, 1225–50

Enthroned Virgin and Child1225–50106C Medieval TreasuryCleveland Museum of Art

Portrait of Phagmo Drupa Dorje Gyalpo (1110–1170), 1200s

Portrait of Phagmo Drupa Dorje Gyalpo (1110–1170)1200s237 HimalayanCleveland Museum of Art

The Gotha Missal: Fol. 64r, Christ in Majesty, Master of the Boqueteaux, c. 1375

Master of the BoqueteauxThe Gotha Missal: Fol. 64r, Christ in Majestyc. 1375Cleveland Museum of Art

The Gotha Missal: Fol. 65r, The Church and the Synagogue, Master of the Boqueteaux, c. 1375

Master of the BoqueteauxThe Gotha Missal: Fol. 65r, The Church and the Synagoguec. 1375Cleveland Museum of Art

Text, Folio 140 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Text, Folio 140 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art

Water and Moon (Potala) Guanyin, 900–1100

Water and Moon (Potala) Guanyin900–1100241C Chinese Buddhist SculpturesCleveland Museum of Art

Leaf from a Gradual: Initial (R) with the Three Marys at the Tomb and "Noli me Tangere", c. 1270–1300

Leaf from a Gradual: Initial (R) with the Three Marys at the Tomb and "Noli me Tangere"c. 1270–1300Cleveland Museum of Art

Miroku (Maitreya), 1300s

Miroku (Maitreya)1300sCleveland Museum of Art

Text, Folio 45 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Text, Folio 45 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art

Text, Folio 91 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Text, Folio 91 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art

Text, Folio 83 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Text, Folio 83 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art

Seated Buddha (sculpture), 1100s

Seated Buddha (sculpture)1100s235B JapaneseCleveland Museum of Art

Qur'an Manuscript Folio (verso), 1300s

Qur'an Manuscript Folio (verso)1300sCleveland Museum of Art

Vishnu Attended by Chakrapurusa and Shankhapurusa, 1000s–1100s

Vishnu Attended by Chakrapurusa and Shankhapurusa1000s–1100sCleveland Museum of Art

Recumbent Horse, 960–1279

Recumbent Horse960–1279Cleveland Museum of Art

Text, folio 169 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Text, folio 169 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art

Nine Songs, Zhang Wo, 1361

Zhang WoNine Songs1361Cleveland Museum of Art

Portrait of Nushirwan the Just (verso) from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), 1330–35

Portrait of Nushirwan the Just (verso) from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025)1330–35Cleveland Museum of Art

Water Buffalo and Herdboys, late 1200s–early 1300s

Water Buffalo and Herdboyslate 1200s–early 1300sCleveland Museum of Art

Leaves from a Volume of Johannes Andrea's "Lectura super arboris consanguinitatis et affinitatis: Table of Affinity and Table of Consanguinity", Master of the Register of 1328, c. 1331

Master of the Register of 1328Leaves from a Volume of Johannes Andrea's "Lectura super arboris consanguinitatis et affinitatis: Table of Affinity and Table of Consanguinity"c. 1331Cleveland Museum of Art

Text, Folio 8 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Text, Folio 8 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art

Text, Folio 7 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Text, Folio 7 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art

Text, Folio 144 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Text, Folio 144 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art

Text, Folio 127 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Text, Folio 127 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art

Head of a Bearded Man, French, 1300/25

FrenchHead of a Bearded Man1300/25Saal 236Art Institute of Chicago

Title Page of Abbot Berno's "Tonarius:" Initial D[omino], c.1030

Title Page of Abbot Berno's "Tonarius:" Initial D[omino]c.1030Cleveland Museum of Art

Sacrificer, 400–1000

Sacrificer400–1000232 AndeanCleveland Museum of Art

Palace Landscape, 1000s

Palace Landscape1000sCleveland Museum of Art

Swinging Gibbon, Xia Gui, late 1100s–early 1200s

Xia GuiSwinging Gibbonlate 1100s–early 1200sCleveland Museum of Art

Animal Palma, 600–1000

Animal Palma600–1000Cleveland Museum of Art

Buddha's Conversion of Five Bhiksu, Li Sheng, mid-1300s

Li ShengBuddha's Conversion of Five Bhiksumid-1300s240A Chinese Paintings and CalligraphyCleveland Museum of Art

Two nuns teaching lay women, colophon page of folio 167 (recto) from a Kalpa-sutra and Story of Kalakacharya, 1278

Two nuns teaching lay women, colophon page of folio 167 (recto) from a Kalpa-sutra and Story of Kalakacharya1278Cleveland Museum of Art

Fol. 148v, Chronicles I, historiated initial A, three descendants of Adam, c. 1275–1300

Fol. 148v, Chronicles I, historiated initial A, three descendants of Adamc. 1275–1300Cleveland Museum of Art

Old Trees by a Cool Spring, Li Shixing, 1326

Li ShixingOld Trees by a Cool Spring1326Cleveland Museum of Art

Text, folio 156 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Text, folio 156 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art

Text, Folio 131 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Text, Folio 131 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art

Text, folio 178 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)

Text, folio 178 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art

Illumination Excised from a Choir Book: Two Female Angels, Niccolo di ser Sozzo Tegliacci, c. 1332

Niccolo di ser Sozzo TegliacciIllumination Excised from a Choir Book: Two Female Angelsc. 1332Cleveland Museum of Art

The Crucifixion, c. 1290–1320

The Crucifixionc. 1290–1320106C Medieval TreasuryCleveland Museum of Art

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