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ART WIKI

Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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Zeichnungen & Aquarelle

490.201 Werke aus 314 Museen703 jetzt ausgestelltLöschen

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Technik
  • Alle
  • Bleistift135.028
  • Aquarell57.038
  • Feder52.001
  • Tusche50.846
  • Kreide37.739
  • Gouache9.089
  • Kohle8.716
  • Pastell4.145
  • Öl2.355
  • Silberstift375
  • Mischtechnik297
Sugar Cane. Costume design for the ballet H.P. (Horsepower), Diego Rivera, 1927Diego RiveraSugar Cane. Costume design for the ballet H.P. (Horsepower)1927Museum of Modern Art
Angeline Beloff, Diego Rivera, 1917Diego RiveraAngeline Beloff1917Museum of Modern Art
An Armed Man Spurning a Woman [recto], William Blake, c. 1790/1795William BlakeAn Armed Man Spurning a Woman [recto]c. 1790/1795National Gallery of Art
Chiang Kai-shek and Soong Mei-ling, Diego Rivera, 1942Diego RiveraChiang Kai-shek and Soong Mei-ling1942Yale University Art Gallery
Los and His Spectre [verso], William Blake, c. 1804/1807William BlakeLos and His Spectre [verso]c. 1804/1807National Gallery of Art
Sketch for the Title-Page of the Engraved Illustrations to the Book of Job, William Blake, c. 1823/1826William BlakeSketch for the Title-Page of the Engraved Illustrations to the Book of Jobc. 1823/1826National Gallery of Art
The Descent of Peace [recto], William Blake, c. 1815William BlakeThe Descent of Peace [recto]c. 1815National Gallery of Art
Sketch of a Swordsman Standing Over His Defeated Opponent [verso], William Blake, c. 1780/1785William BlakeSketch of a Swordsman Standing Over His Defeated Opponent [verso]c. 1780/1785National Gallery of Art
Saint Augustine Converting King Ethelbert of Kent, William Blake, probably c. 1793William BlakeSaint Augustine Converting King Ethelbert of Kentprobably c. 1793National Gallery of Art
Wat Tyler's Daughter, William Blake, c. 1819William BlakeWat Tyler's Daughterc. 1819National Gallery of Art
"Appear to the Americans upon the cloudy night..." (Plate 6), William Blake, 1793William Blake"Appear to the Americans upon the cloudy night..." (Plate 6)1793Yale Center for British Art
A Long Story; Title Page, William Blake, between 1797 and 1798William BlakeA Long Story; Title Pagebetween 1797 and 1798Yale Center for British Art
Set design for scene three of the ballet H.P. (Horsepower), Diego Rivera, 1931Diego RiveraSet design for scene three of the ballet H.P. (Horsepower)1931Museum of Modern Art
May Day, Moscow, Diego Rivera, 1928Diego RiveraMay Day, Moscow1928Museum of Modern Art
Swordfish. Costume design for the ballet H.P. (Horsepower), Diego Rivera, 1927Diego RiveraSwordfish. Costume design for the ballet H.P. (Horsepower)1927Museum of Modern Art
Set design for scene two of the ballet H.P. (Horsepower), Diego Rivera, c.1927–32Diego RiveraSet design for scene two of the ballet H.P. (Horsepower)c.1927–32Museum of Modern Art
An Ascending Spiral of Figures [recto], William Blake, probably c. 1820William BlakeAn Ascending Spiral of Figures [recto]probably c. 1820National Gallery of Art
The Last Judgment, William Blake, c. 1809William BlakeThe Last Judgmentc. 1809National Gallery of Art
A Crouching Figure Holding a Shield [verso], William Blake, probably c. 1793William BlakeA Crouching Figure Holding a Shield [verso]probably c. 1793National Gallery of Art
The Great Red Dragon and the Woman Clothed with the Sun, William Blake, c. 1805William BlakeThe Great Red Dragon and the Woman Clothed with the Sunc. 1805National Gallery of Art
A Figure Ascending in a Glory of Clouds (?), William Blake, probably c. 1805William BlakeA Figure Ascending in a Glory of Clouds (?)probably c. 1805National Gallery of Art
Queen Katherine's Dream, William Blake, c. 1825William BlakeQueen Katherine's Dreamc. 1825National Gallery of Art
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5), William Blake, 1793William BlakeA Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)1793Yale Center for British Art
May Day, Moscow, Diego Rivera, 1928Diego RiveraMay Day, Moscow1928Museum of Modern Art
May Day, Moscow, Diego Rivera, 1928Diego RiveraMay Day, Moscow1928Museum of Modern Art
May Day, Moscow, Diego Rivera, 1928Diego RiveraMay Day, Moscow1928Museum of Modern Art
May Day, Moscow, Diego Rivera, 1928Diego RiveraMay Day, Moscow1928Museum of Modern Art
A Man Seen from Behind, Rising on Clouds, William Blake, probably c. 1794William BlakeA Man Seen from Behind, Rising on Cloudsprobably c. 1794National Gallery of Art
Job and His Family Restored to Prosperity, William Blake, 1821William BlakeJob and His Family Restored to Prosperity1821National Gallery of Art
The Vision of the Lord of Spirits, William Blake, c. 1824/1827William BlakeThe Vision of the Lord of Spiritsc. 1824/1827National Gallery of Art
The Descent of the Angels to One of the Daughters of Men, William Blake, c. 1824/1827William BlakeThe Descent of the Angels to One of the Daughters of Menc. 1824/1827National Gallery of Art
Group of Men Seated in a Circle [recto], William Blake, c. 1780/1785William BlakeGroup of Men Seated in a Circle [recto]c. 1780/1785National Gallery of Art
"And Saul Said unto David, Go, and the Lord be with Thee" [recto], William Blake, c. 1780/1785William Blake"And Saul Said unto David, Go, and the Lord be with Thee" [recto]c. 1780/1785National Gallery of Art
The Daughter of Men Becomes a Siren, William Blake, c. 1824/1827William BlakeThe Daughter of Men Becomes a Sirenc. 1824/1827National Gallery of Art
King Canute, William Blake, c. 1819/1820William BlakeKing Canutec. 1819/1820National Gallery of Art
The Bard, A Pindaric Ode; Title Page, William Blake, between 1797 and 1798William BlakeThe Bard, A Pindaric Ode; Title Pagebetween 1797 and 1798Yale Center for British Art
Christian with the Shield of Faith, Taking Leave of His Companions, William Blake, 1824-1827William BlakeChristian with the Shield of Faith, Taking Leave of His Companions1824-1827National Gallery of Art
The Death of Saint Joseph, William Blake, 1803William BlakeThe Death of Saint Joseph1803National Gallery of Art
May Day, Moscow, Diego Rivera, 1928Diego RiveraMay Day, Moscow1928Museum of Modern Art
Gas Pump. Set design for the ballet H.P. (Horsepower), Diego Rivera, 1932Diego RiveraGas Pump. Set design for the ballet H.P. (Horsepower)1932Museum of Modern Art
A Warring Angel [recto], William Blake, c. 1780William BlakeA Warring Angel [recto]c. 1780National Gallery of Art
Los Supporting the Sun [recto], William Blake, probably c. 1793William BlakeLos Supporting the Sun [recto]probably c. 1793National Gallery of Art
Lady Torrens and Family, William Blake after John Linnell, c. 1825William BlakeLady Torrens and Familyc. 1825National Gallery of Art
Two Legs, William Blake, probably 1805/1810William BlakeTwo Legsprobably 1805/1810National Gallery of Art
The Belvedere Torso [verso], William Blake, probably c. 1779/1780William BlakeThe Belvedere Torso [verso]probably c. 1779/1780National Gallery of Art
Queen Katherine's Dream [recto], William Blake after Henry Fuseli, c. 1804William BlakeQueen Katherine's Dream [recto]c. 1804National Gallery of Art
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4), William Blake, 1794William Blake"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)1794Yale Center for British Art
Thomas Alphonso Hayley, Half-Length Drawing, William Blake, ca. 1800William BlakeThomas Alphonso Hayley, Half-Length Drawingca. 1800Yale Center for British Art
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