Edwin Austin AbbeySketch of three men (study for 1937.1072?), from Merchant of VeniceEdwin Austin AbbeySketch of three men (study for 1937.1072?), from Merchant of Venice
Edwin Austin AbbeyThe Parson's Wicket, sketch for "The Vicar," from The Quiet Life
Edwin Austin AbbeyAmaryllis dancing
Edwin Austin AbbeyStudy for "Spanish and Italian Folk Songs"
Edwin Austin AbbeySketch for "To Master Anthony Stafford," from The Quiet Life
Edwin Austin AbbeySheet of sketches of medieval figures
Edwin Austin AbbeyStudy for "His looks adorned..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 47
Edwin Austin AbbeySketch of figures around a table - unidentified illustration for a play (?)
Edwin Austin AbbeyStudy of an angel (for stained glass? for a ceiling?)
Edwin Austin AbbeyLucentio: "Pardon, sweet father," from Act V, Scene i, Taming of the Shrew
Edwin Austin AbbeyLear, Kent, Fool, and Edgar - Act III, Scene IV, King Lear
Edwin Austin AbbeyStudy for Mariana, from Measure for Measure
Edwin Austin AbbeyPetruchio Overturns the Trencher, from Act IV, Scene i, Taming of the Shrew
Edwin Austin AbbeyBefore the Princess's Pavilion, from Act V, Scene II, Love's Labour's Lost
Edwin Austin AbbeyLady with Hands Clasped, from King Richard II
Edwin Austin Abbey"Tony Lumpkin is his own man again," illustration for Oliver Goldsmith's She Stoops to Conquer
Edwin Austin AbbeySketch for a greeting card: A Happy New Year; study of a man reading a sign
Edwin Austin AbbeyStudy of back of a seated man in XV century costume, for a Shakespearean scene.
Edwin Austin AbbeyPreliminary study for Othello (?)
Edwin Austin AbbeyIsabella at the Nunnery (study for .1103), Act I, Scene V, Measure for Measure
Edwin Austin AbbeyEarly study for "The Trial of Queen Katherine"
Edwin Austin AbbeyStudies for an unidentified Shakespearean play (Falstaff?) (recto and verso)
Edwin Austin AbbeySheet of sketches
Edwin Austin AbbeyMistress Quickly: "Have not your worship a wart above your eye?" - Act I, Scene IV, Merry Wives of Windsor
Edwin Austin Abbey"His house was known to all the vagrant train," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 43
Edwin Austin AbbeyIllustration for "Phillada Flouts Me," from Old Songs
Edwin Austin AbbeyCaptain Sandy
Edwin Austin AbbeyStudy of a Tankard
Edwin Austin AbbeyThe Re-entrance of the Players, illustration for Act V, Scene I, A Midsummer Night's Dream
Edwin Austin AbbeySketch: two women in garden
Edwin Austin Abbey"Ah me!...," study for illustration to Oliver Goldsmith's She Stoops To Conquer
Edwin Austin AbbeyFigure in a toga, sketch for an unidentified Shakespeare play
Edwin Austin AbbeyCostume study for Two Gentlemen of Verona (?)
Edwin Austin AbbeyEnter Time, as Chorus - Act IV, Scene I, The Winter's Tale
Edwin Austin AbbeyEarly study for King - Act II, Scene III, All's Well That Ends Well
Edwin Austin AbbeyThe King on the wall of Flint Castle; "Yet know my master, God omnipotent and threat the glory of my precious crown"-Act III, Scene III, Richard II
Edwin Austin AbbeyThe Spell, illustration for Act V, Scene i, The Tempest
Edwin Austin AbbeySketch of a young man at window - unidentified illustration
Edwin Austin AbbeyThe Good-natured Man. Miss Richland and the Bailiff
Edwin Austin AbbeyStudy for Dull, from Love's Labour's Lost
Edwin Austin AbbeyBroken Pots, from "Kitty of Coleraine", Old Songs
Edwin Austin Abbey"While words of learned length and thundering sound," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57
Edwin Austin AbbeyBefore the walls of Algiers: "Come to thy Grandam, child" - Act II, Scene I, King John
Edwin Austin Abbey"The swain responsive as the milkmaid sung," illustration to Oliver Goldsmith's The Deserted Village
Edwin Austin AbbeyFriar Laurence: "Till holy church incorporate two as one" - Act II, Scene VI, Romeo and Juliet
Edwin Austin AbbeyStudy of an unidentified young woman
Edwin Austin Abbey"Sweet as the primrose..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 99
Edwin Austin Abbey"There from the tree we'll cherries pluck," sketch for "To Master Anthony Stafford," from The Quiet Life