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Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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52.001 Werke aus 131 Museen44 jetzt ausgestelltAlle löschen

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Key to "The Sortie of the Garrison of Gibraltar", John Trumbull, ca. 1781John TrumbullKey to "The Sortie of the Garrison of Gibraltar"ca. 1781Yale University Art Gallery
Sketchbook, Paul Delvaux, c. 1939-44Paul DelvauxSketchbookc. 1939-44Museum of Modern Art
Sketchbook, Paul Delvaux, (c. 1939-44)Paul DelvauxSketchbook(c. 1939-44)Museum of Modern Art
Design for Gothic Ornamentation, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginDesign for Gothic OrnamentationundatedYale Center for British Art
Untitled, Donald Judd, 1966Donald JuddUntitled1966Museum of Modern Art
Untitled, Donald Judd, 1965Donald JuddUntitled1965Museum of Modern Art
Design for a Cope, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginDesign for a CopeundatedYale Center for British Art
Tribunal House, Glastonbury, Somerset: Ground Floor Plan, Augustus Welby Northmore Pugin, 1832Augustus Welby Northmore PuginTribunal House, Glastonbury, Somerset: Ground Floor Plan1832Yale Center for British Art
Bishop's Palace, Wells, Somerset: Elevation of Fireplace in Cloisters, Augustus Welby Northmore Pugin, 1832Augustus Welby Northmore PuginBishop's Palace, Wells, Somerset: Elevation of Fireplace in Cloisters1832Yale Center for British Art
Bishop's Palace, Wells, Somerset: Elevation of the Great Hall, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginBishop's Palace, Wells, Somerset: Elevation of the Great HallundatedYale Center for British Art
Christ Preaching in the Temple, Guercino, about 1625–1627Giovanni Francesco Barbieri, called GuercinoChrist Preaching in the Templeabout 1625–1627J. Paul Getty Museum
Paesaggio con monaci, Guercino, secc. XVI/ XVIIGiovanni Francesco Barbieri, called GuercinoPaesaggio con monacisecc. XVI/ XVIIAccademia
Sacra Famiglia, Guercino, secc. XVI/ XVIIGiovanni Francesco Barbieri, called GuercinoSacra Famigliasecc. XVI/ XVIIAccademia
Untitled, Donald Judd, 1971Donald JuddUntitled1971Museum of Modern Art
Seated Nude Boy Seen from the Back, Giovanni Francesco Barbieri, called GuercinoGiovanni Francesco Barbieri, called GuercinoSeated Nude Boy Seen from the BackNational Gallery of Art
Personification of Justice, Guercino, c. 1640Giovanni Francesco Barbieri, called GuercinoPersonification of Justicec. 1640National Gallery of Art
Landscape with a Waterfall, Giovanni Francesco Barbieri, called GuercinoGiovanni Francesco Barbieri, called GuercinoLandscape with a WaterfallNational Gallery of Art
Elevation of a Baptismal Font, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginElevation of a Baptismal FontundatedYale Center for British Art
Bishop's Palace, Wells, Somerset: Section and Elevation of the Conduit in the Garden, Augustus Welby Northmore Pugin, 1832Augustus Welby Northmore PuginBishop's Palace, Wells, Somerset: Section and Elevation of the Conduit in the Garden1832Yale Center for British Art
Design for a Stained Glass Window, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginDesign for a Stained Glass WindowundatedYale Center for British Art
Design for Branch for the Speaker's Chair, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginDesign for Branch for the Speaker's ChairundatedYale Center for British Art
Bishop's Palace, Wells, Somerset: Plan, Elevations and Details of Window, Augustus Welby Northmore Pugin, 1832Augustus Welby Northmore PuginBishop's Palace, Wells, Somerset: Plan, Elevations and Details of Window1832Yale Center for British Art
Hercules Slaying the Hydra, Giovanni Francesco Barbieri, called Guercino, c. 1618Giovanni Francesco Barbieri, called GuercinoHercules Slaying the Hydrac. 1618National Gallery of Art
Caricature of a Man Wearing a Large Hat, Giovanni Guercino, ca. 1630–40Giovanni Francesco Barbieri, called GuercinoCaricature of a Man Wearing a Large Hatca. 1630–40Yale University Art Gallery
Angelo, Guercino, secc. XVI/ XVIIGiovanni Francesco Barbieri, called GuercinoAngelosecc. XVI/ XVIIAccademia
Putti reggistemma, Guercino, secc. XVI/ XVIIGiovanni Francesco Barbieri, called GuercinoPutti reggistemmasecc. XVI/ XVIIAccademia
Venus, Cupid, and Mars, Giovanni Francesco Barbieri, called Guercino, 1633/1634Giovanni Francesco Barbieri, called GuercinoVenus, Cupid, and Mars1633/1634National Gallery of Art
Untitled, Donald Judd, 1970Donald JuddUntitled1970Museum of Modern Art
Drawing for Untitled 1973 Structure, Donald Judd, 1972Donald JuddDrawing for Untitled 1973 Structure1972Museum of Modern Art
Sketchbook, Paul Delvaux, (c. 1939-44)Paul DelvauxSketchbook(c. 1939-44)Museum of Modern Art
The Return of the Prodigal Son, Giovanni Francesco Barbieri, called Guercino, c. 1640Giovanni Francesco Barbieri, called GuercinoThe Return of the Prodigal Sonc. 1640National Gallery of Art
The Rest on the Flight into Egypt, Giovanni Francesco Barbieri, called Guercino, c. 1626Giovanni Francesco Barbieri, called GuercinoThe Rest on the Flight into Egyptc. 1626National Gallery of Art
Shepherds Peering into a Chasm, Giovanni Francesco Barbieri, called Guercino, 1620sGiovanni Francesco Barbieri, called GuercinoShepherds Peering into a Chasm1620sNational Gallery of Art
Design for a Gothic Screen, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginDesign for a Gothic ScreenundatedYale Center for British Art
Landscape with Figures, Follower of Guercino, 18th centuryGiovanni Francesco Barbieri, called GuercinoLandscape with Figures18th centuryNational Gallery of Art
Caricature of Two Men Seen in Profile, Guercino, about 1635Giovanni Francesco Barbieri, called GuercinoCaricature of Two Men Seen in Profileabout 1635J. Paul Getty Museum
Testa d'uomo di profilo, Guercino, secc. XVI/ XVIIGiovanni Francesco Barbieri, called GuercinoTesta d'uomo di profilosecc. XVI/ XVIIAccademia
Busto di bambino, Guercino, secc. XVI/ XVIIGiovanni Francesco Barbieri, called GuercinoBusto di bambinosecc. XVI/ XVIIAccademia
St. Peter's Church, Woolwich, Augustus Welby Northmore Pugin, 1842Augustus Welby Northmore PuginSt. Peter's Church, Woolwich1842Yale Center for British Art
Designs for Gothic Ornamentation, Augustus Welby Northmore Pugin, 1831Augustus Welby Northmore PuginDesigns for Gothic Ornamentation1831Yale Center for British Art
Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginSketch of a Small Gothic Church, with a Design for Gothic OrnamentationundatedYale Center for British Art
Tribunal House, Glastonbury, Somerset: Molding Details, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginTribunal House, Glastonbury, Somerset: Molding DetailsundatedYale Center for British Art
Title page for volume of drawings, Augustus Welby Northmore Pugin, undatedAugustus Welby Northmore PuginTitle page for volume of drawingsundatedYale Center for British Art
The Angel of the Annunciation, Giovanni Francesco Barbieri, called Guercino, c. 1638/1639Giovanni Francesco Barbieri, called GuercinoThe Angel of the Annunciationc. 1638/1639National Gallery of Art
Landscape with the Taming of a Horse, Giovanni Francesco Barbieri, called Guercino, 1620/1630Giovanni Francesco Barbieri, called GuercinoLandscape with the Taming of a Horse1620/1630National Gallery of Art
Landscape with a View of a Fortified Port, Guercino, about 1635Giovanni Francesco Barbieri, called GuercinoLandscape with a View of a Fortified Portabout 1635J. Paul Getty Museum
Busto femminile velato, Guercino, secc. XVI/ XVIIGiovanni Francesco Barbieri, called GuercinoBusto femminile velatosecc. XVI/ XVIIAccademia
Paesaggio con architetture, Guercino, secc. XVI/ XVIIGiovanni Francesco Barbieri, called GuercinoPaesaggio con architetturesecc. XVI/ XVIIAccademia
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