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ART WIKI

Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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60.822 Werke aus 131 Museen44 jetzt ausgestelltAlle löschen

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Technik
  • Alle
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The Pottery, Arthur William Devis, 1792–1795Arthur William DevisThe Pottery1792–1795Yale Center for British Art
Bar Americain, Adolf Arthur Dehn, 1928Adolf Arthur DehnBar Americain1928National Gallery of Art
Farmyard Near Waterville, Minnesota, Adolf Arthur Dehn, 1930Adolf Arthur DehnFarmyard Near Waterville, Minnesota1930National Gallery of Art
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, 1917Abraham WalkowitzDance Abstraction: Isadora Duncan.1917Yale University Art Gallery
Tabarin, Wien, Adolf Arthur Dehn, 1922Adolf Arthur DehnTabarin, Wien1922National Gallery of Art
Blind Beggar, Adolf Arthur Dehn, c. 1926Adolf Arthur DehnBlind Beggarc. 1926National Gallery of Art
Dance Abstraction: Isadora Duncan, Abraham Walkowitz, ca. 1917Abraham WalkowitzDance Abstraction: Isadora Duncanca. 1917Yale University Art Gallery
Luxembourg Poeme Printemps, Adolf Dehn, 1924Adolf Arthur DehnLuxembourg Poeme Printemps1924Yale University Art Gallery
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, 1931Abraham WalkowitzDance Abstraction: Isadora Duncan.1931Yale University Art Gallery
Hogarth at Old Slaughter's Hobbing with Highmore the Painter, John Thomas Smith, 1817John Thomas SmithHogarth at Old Slaughter's Hobbing with Highmore the Painter1817Yale Center for British Art
The Smock Exposed, John Thomas Smith, 1817John Thomas SmithThe Smock Exposed1817Yale Center for British Art
Hogarth Engraving His Master's Shop-bill the Sign of the Angel, John Thomas Smith, 1817John Thomas SmithHogarth Engraving His Master's Shop-bill the Sign of the Angel1817Yale Center for British Art
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances, John Thomas Smith, 1817John Thomas SmithHogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances1817Yale Center for British Art
Studies for Two Book Illustrations, Carl Alexander von Heideloff, 1809–65Carl Alexander von HeideloffStudies for Two Book Illustrations1809–65Metropolitan Museum of Art
Study for Two Book Illustrations, Carl Alexander von Heideloff, early to mid-19th centuryCarl Alexander von HeideloffStudy for Two Book Illustrationsearly to mid-19th centuryMetropolitan Museum of Art
Study for a Title Page, Carl Alexander von Heideloff, early to mid-19th centuryCarl Alexander von HeideloffStudy for a Title Pageearly to mid-19th centuryMetropolitan Museum of Art
Study for a Title Page, Carl Alexander von Heideloff, 1809–65Carl Alexander von HeideloffStudy for a Title Page1809–65Metropolitan Museum of Art
Design for a Tudoresque Country House, Joseph Michael Gandy, undatedJoseph GandyDesign for a Tudoresque Country HouseundatedYale Center for British Art
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance, John Thomas Smith, 1817John Thomas SmithHogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance1817Yale Center for British Art
Hogarth Drawing Sarah Malcolm, John Thomas Smith, 1817John Thomas SmithHogarth Drawing Sarah Malcolm1817Yale Center for British Art
Hogarth Carrying his Master's Sick Child Round Leicester Fields.  The Spot of Ground Leicester House., John Thomas Smith, 1817John Thomas SmithHogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.1817Yale Center for British Art
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers, John Thomas Smith, 1817John Thomas SmithHogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers1817Yale Center for British Art
Original Drawings Illustrating the Life of Hogarth by J. T. Smith, John Thomas Smith, 1817John Thomas SmithOriginal Drawings Illustrating the Life of Hogarth by J. T. Smith1817Yale Center for British Art
Joseph Nollekens R.A. and Mrs. Nollekens: The pair of compasses and the pair of callipers side by side, John Thomas Smith, undatedJohn Thomas SmithJoseph Nollekens R.A. and Mrs. Nollekens: The pair of compasses and the pair of callipers side by sideundatedYale Center for British Art
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e, John Thomas Smith, 1817John Thomas SmithHogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e1817Yale Center for British Art
The Covered Bridge at Fribourg, Claude Louis Châtelet, 18th centuryClaude-Louis ChateletThe Covered Bridge at Fribourg18th centuryMetropolitan Museum of Art
Design for a Frontispiece, Claude Louis Châtelet, 1782Claude-Louis ChateletDesign for a Frontispiece1782Metropolitan Museum of Art
Road Leading to the Grotto of Posillipo, Claude Louis Châtelet, 18th centuryClaude-Louis ChateletRoad Leading to the Grotto of Posillipo18th centuryMetropolitan Museum of Art
Design for a Farm House. Elevations of Two Fronts, Joseph Michael Gandy, between 1794 and 1797Joseph GandyDesign for a Farm House. Elevations of Two Frontsbetween 1794 and 1797Yale Center for British Art
The Eleventh Hour, John Thomas Smith, 1817John Thomas SmithThe Eleventh Hour1817Yale Center for British Art
Spired Gothic Monument, Joseph Michael Gandy, 1797 (?)Joseph GandySpired Gothic Monument1797 (?)Metropolitan Museum of Art
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, 1917Abraham WalkowitzDance Abstraction: Isadora Duncan.1917Yale University Art Gallery
Isadora Duncan, Abraham Walkowitz, 1931Abraham WalkowitzIsadora Duncan1931Yale University Art Gallery
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, ca. 1917Abraham WalkowitzDance Abstraction: Isadora Duncan.ca. 1917Yale University Art Gallery
The Reconcilation, John Thomas Smith, 1817John Thomas SmithThe Reconcilation1817Yale Center for British Art
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont, John Thomas Smith, 1817John Thomas SmithHogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont1817Yale Center for British Art
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill, John Thomas Smith, 1817John Thomas SmithSir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill1817Yale Center for British Art
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, 1917Abraham WalkowitzDance Abstraction: Isadora Duncan.1917Yale University Art Gallery
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, 1931Abraham WalkowitzDance Abstraction: Isadora Duncan.1931Yale University Art Gallery
Shop on 14th Street (NYC), Adolf Arthur Dehn, 1929Adolf Arthur DehnShop on 14th Street (NYC)1929National Gallery of Art
Isadora Duncan, Abraham Walkowitz, 1931Abraham WalkowitzIsadora Duncan1931Yale University Art Gallery
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, 1917Abraham WalkowitzDance Abstraction: Isadora Duncan.1917Yale University Art Gallery
Untitled [Woman seated at table], Adolf Dehn, 1923Adolf Arthur DehnUntitled [Woman seated at table]1923Yale University Art Gallery
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, 1917Abraham WalkowitzDance Abstraction: Isadora Duncan.1917Yale University Art Gallery
Dance Abstraction: Isadora Duncan., Abraham Walkowitz, 1917Abraham WalkowitzDance Abstraction: Isadora Duncan.1917Yale University Art Gallery
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends, John Thomas Smith, 1817John Thomas SmithHogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends1817Yale Center for British Art
Hogarth Sitting to Roubiliac for His Bust, John Thomas Smith, 1817John Thomas SmithHogarth Sitting to Roubiliac for His Bust1817Yale Center for British Art
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital, John Thomas Smith, 1817John Thomas SmithHogarth Painting His Picture of Captain Coram for the Foundling Hospital1817Yale Center for British Art
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