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Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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60.822 Werke aus 131 Museen44 jetzt ausgestelltAlle löschen

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Spectators Amazed, Battista Franco, early 1540sBattista FrancoSpectators Amazedearly 1540sNational Gallery of Art
Two Female Figures, study for the Baptism of Christ in S. Francesco della Vigna, Venice, Giovanni Battista Franco Il Semolei, 1552Battista FrancoTwo Female Figures, study for the Baptism of Christ in S. Francesco della Vigna, Venice1552Yale University Art Gallery
Final Instructions, Philip William May, undatedPhilip William MayFinal InstructionsundatedYale Center for British Art
Sketches of Dancers and Heads of Putti, Gabriel Jacques de Saint-Aubin, 1748Gabriel Jacques de Saint-AubinSketches of Dancers and Heads of Putti1748National Gallery of Art
The Penitent Thief on the Cross, Battista Franco, 1510–61Battista FrancoThe Penitent Thief on the Cross1510–61Metropolitan Museum of Art
Figure Sketches, Gabriel Jacques de Saint-AubinGabriel Jacques de Saint-AubinFigure SketchesNational Gallery of Art
Design for a Fountain with Sea Horses and Triton Base, Basin, Dolphins and Tritons, Three Grotesque heads and Neptune, Battista Franco, ca. 1550Battista FrancoDesign for a Fountain with Sea Horses and Triton Base, Basin, Dolphins and Tritons, Three Grotesque heads and Neptuneca. 1550Metropolitan Museum of Art
Design for the Decoration of the Semi-Dome of a Church Apse, Battista Franco, ca. 1545–55Battista FrancoDesign for the Decoration of the Semi-Dome of a Church Apseca. 1545–55Metropolitan Museum of Art
Three Allegorical Figures in a Roundel, Battista Franco, 1530–61Battista FrancoThree Allegorical Figures in a Roundel1530–61Metropolitan Museum of Art
Head and Front Quarters of a Bull, Battista Franco, 1510–61Battista FrancoHead and Front Quarters of a Bull1510–61Metropolitan Museum of Art
Design for the Decoration of a Lunette with a Large Central Cartouche, Battista Franco, 1498–1561Battista FrancoDesign for the Decoration of a Lunette with a Large Central Cartouche1498–1561Metropolitan Museum of Art
Skull in Profile, Battista Franco, ca. 1538Battista FrancoSkull in Profileca. 1538Metropolitan Museum of Art
Saint Andrew, Apostle, with Transverse Cross, Book, and Fish, (recto); Architectural sketch (verso), Fabrizio Santafede, 1576–1623Fabrizio SantafedeSaint Andrew, Apostle, with Transverse Cross, Book, and Fish, (recto); Architectural sketch (verso)1576–1623Metropolitan Museum of Art
Ballet from "The Rival Fairies", Gabriel Jacques de Saint-Aubin, 1748Gabriel Jacques de Saint-AubinBallet from "The Rival Fairies"1748National Gallery of Art
Drawing of Cartouche with Bearded Man Left, Young man crowned with Laurels Right, and Four Putti, Battista Franco, 1498–1561Battista FrancoDrawing of Cartouche with Bearded Man Left, Young man crowned with Laurels Right, and Four Putti1498–1561Metropolitan Museum of Art
Allegory with a Flying Victory and a Seated Bearded Man with a Book, Battista Franco, 1510–61Battista FrancoAllegory with a Flying Victory and a Seated Bearded Man with a Book1510–61Metropolitan Museum of Art
Woman in Turn-of-the-Century Dress, Philip William May, ca. 1900Philip William MayWoman in Turn-of-the-Century Dressca. 1900Yale Center for British Art
Nature morte, Gilles-Marie Oppenord, 1ère moitié 18e siècleGilles Marie OppenortNature morte1ère moitié 18e siècleMusée des Beaux-Arts
Costume Drawing for Little John, Phil May, late 19th centuryPhilip William MayCostume Drawing for Little Johnlate 19th centuryMetropolitan Museum of Art
"Phil May's Bust. Has he?", Phil May, ca. 1882Philip William May"Phil May's Bust. Has he?"ca. 1882Metropolitan Museum of Art
Study of a Lady in a Riding Habit, Phil May, late 19th–early 20th centuryPhilip William MayStudy of a Lady in a Riding Habitlate 19th–early 20th centuryMetropolitan Museum of Art
Roman Telamones in the Egyptian Style, Battista Franco, 1510–61Battista FrancoRoman Telamones in the Egyptian Style1510–61Metropolitan Museum of Art
Figure Studies: Three Sketches of Cain Killing Abel, with an Altar of Sacrifice at Center, Two Standing Women, a Hand, and a Seated Child with a Squirrel, Battista Franco, 1510–61Battista FrancoFigure Studies: Three Sketches of Cain Killing Abel, with an Altar of Sacrifice at Center, Two Standing Women, a Hand, and a Seated Child with a Squirrel1510–61Metropolitan Museum of Art
Study for a Cartouche, Gilles-Marie OppenordGilles Marie OppenortStudy for a CartoucheMetropolitan Museum of Art
Design for an Altar Surmounted by a Crucifix in Four Different Views, Vincenzo de' Rossi, 1546–47Vincenzo de' RossiDesign for an Altar Surmounted by a Crucifix in Four Different Views1546–47Metropolitan Museum of Art
The Dog Cart, Philip William May, undatedPhilip William MayThe Dog CartundatedYale Center for British Art
Allegorical Frame with a Bat, Gabriel Jacques de Saint-Aubin, c. 1769Gabriel Jacques de Saint-AubinAllegorical Frame with a Batc. 1769National Gallery of Art
A Man and a Boy Riding on a Beach, Philip William May, undatedPhilip William MayA Man and a Boy Riding on a BeachundatedYale Center for British Art
Maniere d'exposer les nobles apres leur mort, Gabriel Jacques de Saint-AubinGabriel Jacques de Saint-AubinManiere d'exposer les nobles apres leur mortNational Gallery of Art
Le temps et les médecins, Gilles-Marie Oppenord, 1ère moitié 18e siècleGilles Marie OppenortLe temps et les médecins1ère moitié 18e siècleMusée des Beaux-Arts
The Hoffman House Saloon, New York, Phil May, ca. 1895Philip William MayThe Hoffman House Saloon, New Yorkca. 1895Metropolitan Museum of Art
Ornamental panel with Father Time, Gilles-Marie Oppenord, ca. 1700Gilles Marie OppenortOrnamental panel with Father Timeca. 1700Yale University Art Gallery
Designs for a Picture Frame, Gilles-Marie Oppenord, ca. 1730–40Gilles Marie OppenortDesigns for a Picture Frameca. 1730–40Metropolitan Museum of Art
Study for a Garden Capriccio, Gilles-Marie Oppenord, n.d.Gilles Marie OppenortStudy for a Garden Capriccion.d.Metropolitan Museum of Art
Study for a Cartouche, Gilles-Marie OppenordGilles Marie OppenortStudy for a CartoucheMetropolitan Museum of Art
Design for the Wrought-Iron Entrance Grille of a Chapel, Gilles-Marie Oppenord, ca. 1700–1720Gilles Marie OppenortDesign for the Wrought-Iron Entrance Grille of a Chapelca. 1700–1720Metropolitan Museum of Art
Study for a Cartouche, Gilles-Marie OppenordGilles Marie OppenortStudy for a CartoucheMetropolitan Museum of Art
Christ on the Cross between the Virgin and St. John with Scenes of the Passion in the Background, Hendrik de Clerck, n.d.Hendrik de ClerckChrist on the Cross between the Virgin and St. John with Scenes of the Passion in the Backgroundn.d.Yale University Art Gallery
Virgin and Child with Two Angels, Hendrik de Clerck, n.d.Hendrik de ClerckVirgin and Child with Two Angelsn.d.Yale University Art Gallery
Eurydice Bitten by a Serpent, Hendrick de Clerck, n.d.Hendrik de ClerckEurydice Bitten by a Serpentn.d.Metropolitan Museum of Art
The Destruction of the Pharaoh’s Army, Hendrick de Clerck, late 16th–early 17th centuryHendrik de ClerckThe Destruction of the Pharaoh’s Armylate 16th–early 17th centuryMetropolitan Museum of Art
Standing Virgin with Child, Two Heads at Upper Right (recto); Sketch of Steps (verso), Battista Franco, 1530Battista FrancoStanding Virgin with Child, Two Heads at Upper Right (recto); Sketch of Steps (verso)1530Metropolitan Museum of Art
Allegory of the Marriage of the Dauphin and Marie-Antoinette in 1770, Gabriel de Saint-Aubin, 1770Gabriel Jacques de Saint-AubinAllegory of the Marriage of the Dauphin and Marie-Antoinette in 17701770Metropolitan Museum of Art
Revelers at a Table in the Countryside, Gabriel de Saint-Aubin, 1760sGabriel Jacques de Saint-AubinRevelers at a Table in the Countryside1760sMetropolitan Museum of Art
Figures in the portico of the church of Saint Genevieve, Paris, Gabriel de Saint-Aubin, 1776–79Gabriel Jacques de Saint-AubinFigures in the portico of the church of Saint Genevieve, Paris1776–79Metropolitan Museum of Art
Coronation Regalia Carried in Procession at Saint-Denis, Gabriel de Saint-Aubin, 1775Gabriel Jacques de Saint-AubinCoronation Regalia Carried in Procession at Saint-Denis1775Metropolitan Museum of Art
Design for a  Monument, Gabriel de Saint-Aubin, 18th centuryGabriel Jacques de Saint-AubinDesign for a Monument18th centuryMetropolitan Museum of Art
The Unrepentant Thief on the Cross, Study of a Child's Head at Lower Left, and of an Ear at Lower Right Border, Battista Franco, 1510–61Battista FrancoThe Unrepentant Thief on the Cross, Study of a Child's Head at Lower Left, and of an Ear at Lower Right Border1510–61Metropolitan Museum of Art
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