ART WIKI 37.788 ausgestellt

Karte Sammlung Künstler Museen Ausstellungen Journal

ART WIKI

Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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60.822 Werke aus 131 Museen44 jetzt ausgestellt Alle löschen

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Wandelend paar bij maanlicht, Gesina ter Borch, in or after c. 1654 - in or before c. 1659

Gesina ter BorchWandelend paar bij maanlichtin or after c. 1654 - in or before c. 1659Rijksmuseum Amsterdam

Allegory and Triumph of the Fine Arts (with dedication to Ignazio Martignoni), Felice Giani, 1784

Felice GianiAllegory and Triumph of the Fine Arts (with dedication to Ignazio Martignoni)1784Yale University Art Gallery

Untitled [&gm?] (recto and verso), James Castle, mid-20th century

James CastleUntitled [&gm?] (recto and verso)mid-20th centuryYale University Art Gallery

Three Herms: Pan, Flora, Aesculapius, Felice Giani, ca. 1790–1800

Felice GianiThree Herms: Pan, Flora, Aesculapiusca. 1790–1800Yale University Art Gallery

Capriccio with a Cemetery with a Foreshortened Corpse and Bizarre Creatures, Felice Giani, ca. 1800

Felice GianiCapriccio with a Cemetery with a Foreshortened Corpse and Bizarre Creaturesca. 1800Yale University Art Gallery

Two sculptures on pedestals, Felice Giani, 18th–19th century

Felice GianiTwo sculptures on pedestals18th–19th centuryMetropolitan Museum of Art

Design for a Vase with a Cross-section of its Neck (recto); Design for a Vase with studies of a Muscular Nude Male Figure and figures for a Baptism (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Vase with a Cross-section of its Neck (recto); Design for a Vase with studies of a Muscular Nude Male Figure and figures for a Baptism (verso)1672–1725Metropolitan Museum of Art

Design for the Frame of a Mirror or Fire Screen (recto); Various Sketches (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for the Frame of a Mirror or Fire Screen (recto); Various Sketches (verso)1672–1725Metropolitan Museum of Art

Design for a Frame Decorated with a Shell Motif, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Frame Decorated with a Shell Motif1672–1725Metropolitan Museum of Art

Studies for a Kneeling Figure of Christ and Altar Fronts, Giovanni Battista Foggini, 1652–1725

Giovanni Battista FogginiStudies for a Kneeling Figure of Christ and Altar Fronts1652–1725Metropolitan Museum of Art

Two Studies for Helmet Designs Presented En Profil, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiTwo Studies for Helmet Designs Presented En Profil1672–1725Metropolitan Museum of Art

Design for an Epitaph, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for an Epitaph1672–1725Metropolitan Museum of Art

Galatea with the Rape of Europa in the Background, Felice Giani, ca. 1770–80

Felice GianiGalatea with the Rape of Europa in the Backgroundca. 1770–80Yale University Art Gallery

Untitled [&gm?] (recto and verso), James Castle, mid-20th century

James CastleUntitled [&gm?] (recto and verso)mid-20th centuryYale University Art Gallery

Demetrio, Son of Antigono, Sick with Love, from the Opera Antigono with music by Christoph Willibald Gluck and libretto written by Pietro Metastasio, 1756, Felice Giani, 18th century

Felice GianiDemetrio, Son of Antigono, Sick with Love, from the Opera Antigono with music by Christoph Willibald Gluck and libretto written by Pietro Metastasio, 175618th centuryYale University Art Gallery

Untitled [PURSE!] (recto and verso), James Castle, mid-20th century

James CastleUntitled [PURSE!] (recto and verso)mid-20th centuryYale University Art Gallery

Garden at the Villa Aldini at Montmorency, France, Felice Giani, 1810

Felice GianiGarden at the Villa Aldini at Montmorency, France1810Yale University Art Gallery

Design for Vase with Eagles, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for Vase with Eagles1672–1725Metropolitan Museum of Art

Design for a Statue consisting of a Satyr and Satyress Lifting a Vase, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Statue consisting of a Satyr and Satyress Lifting a Vase1672–1725Metropolitan Museum of Art

Design for a Chalice (recto); Design for the Base of a Vase (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Chalice (recto); Design for the Base of a Vase (verso)1672–1725Metropolitan Museum of Art

Table or Basin Supported by Male Sirens (recto); Sketch for the same subject (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiTable or Basin Supported by Male Sirens (recto); Sketch for the same subject (verso)1672–1725Metropolitan Museum of Art

Design for a Console or Capital with a Cherub, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Console or Capital with a Cherub1672–1725Metropolitan Museum of Art

Design for Suspended Censer, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for Suspended Censer1672–1725Metropolitan Museum of Art

Design for a Decorative Oval Frame (recto); Half sketch for a Decorative Oval Frame (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Decorative Oval Frame (recto); Half sketch for a Decorative Oval Frame (verso)1672–1725Metropolitan Museum of Art

Designs for the Decoration of a Frieze and Corner Motifs (recto); Design for Two Frames Decorated with Volutes, Garlands and the Head of a Putto (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesigns for the Decoration of a Frieze and Corner Motifs (recto); Design for Two Frames Decorated with Volutes, Garlands and the Head of a Putto (verso)1672–1725Metropolitan Museum of Art

Ancient Scene with a Funeral Ceremony for an Actor, Louis Jean Desprez, ca. 1777

Louis Jean DesprezAncient Scene with a Funeral Ceremony for an Actorca. 1777Metropolitan Museum of Art

A Reliquary of Saint Sigismondo, Giovanni Battista Foggini, 1719

Giovanni Battista FogginiA Reliquary of Saint Sigismondo1719National Gallery of Art

Angelica and Medoro with Cupid from Orlando Furioso by Ludovico Ariosto, Felice Giani, 18th century

Felice GianiAngelica and Medoro with Cupid from Orlando Furioso by Ludovico Ariosto18th centuryYale University Art Gallery

Landscape Capriccio with the Villa d’Este, Tivoli, with Punchinelli and Other Figures, Felice Giani, 1788–1823

Felice GianiLandscape Capriccio with the Villa d’Este, Tivoli, with Punchinelli and Other Figures1788–1823Yale University Art Gallery

Design for the Decoration of a Wall and Ceiling of a 'Gabinetto' related to Virgil's Fourth Canto, Felice Giani, 1778–1823

Felice GianiDesign for the Decoration of a Wall and Ceiling of a 'Gabinetto' related to Virgil's Fourth Canto1778–1823Metropolitan Museum of Art

An Artist and His Model, Felice Giani, 1778–1823

Felice GianiAn Artist and His Model1778–1823Metropolitan Museum of Art

Design for a Fountain in a Niche flanked by Terms, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Fountain in a Niche flanked by Terms1672–1725Metropolitan Museum of Art

Design for a Sculptural Ornament With an Eagle, Volutes and Leaves, Giovanni Battista Foggini, 1652–1725

Giovanni Battista FogginiDesign for a Sculptural Ornament With an Eagle, Volutes and Leaves1652–1725Metropolitan Museum of Art

Design for a Helmet with a Dragon Presented in Frontal View, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Helmet with a Dragon Presented in Frontal View1672–1725Metropolitan Museum of Art

Design for a Vase with Handles, Decorated with a Festoon, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Vase with Handles, Decorated with a Festoon1672–1725Metropolitan Museum of Art

Design for an Altar with a Painting of the Adoration of the Shepherds and God the Father Above, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for an Altar with a Painting of the Adoration of the Shepherds and God the Father Above1672–1725Metropolitan Museum of Art

Design for a Proscenium or Monumental Alcove, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Proscenium or Monumental Alcove1672–1725Metropolitan Museum of Art

The British Order: Elevation of a Capital and Part of the Fluted Shaft, James Adam, 1762

James AdamThe British Order: Elevation of a Capital and Part of the Fluted Shaft1762Metropolitan Museum of Art

Mars and Venus, Felice Giani, ca. 1780–90

Felice GianiMars and Venusca. 1780–90Yale University Art Gallery

Studies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (recto); Studies for Figural Ornament (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiStudies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (recto); Studies for Figural Ornament (verso)1672–1725Metropolitan Museum of Art

Outline of Design for a Two-Handled Vase, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiOutline of Design for a Two-Handled Vase1672–1725Metropolitan Museum of Art

Study of Five Vases or Urns, Felice Giani, ca. 1790–1800

Felice GianiStudy of Five Vases or Urnsca. 1790–1800Metropolitan Museum of Art

Design for a Ceiling with Decoration Related to Virgil's Sixth Canto, Felice Giani, 1778–1823

Felice GianiDesign for a Ceiling with Decoration Related to Virgil's Sixth Canto1778–1823Metropolitan Museum of Art

Design for a Ewer with Neptune on his Chariot, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Ewer with Neptune on his Chariot1672–1725Metropolitan Museum of Art

Design for a Ewer with Bull Heads under the Handles and Spout, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Ewer with Bull Heads under the Handles and Spout1672–1725Metropolitan Museum of Art

A Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (recto); Sketch for a Funerary Monument (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiA Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (recto); Sketch for a Funerary Monument (verso)1672–1725Metropolitan Museum of Art

Design for a Pedestal (recto); Design for the Plan of a Monument (verso), Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Pedestal (recto); Design for the Plan of a Monument (verso)1672–1725Metropolitan Museum of Art

Design for a Sculpture consisting of a Satyr and Satyress holding a Vase, Giovanni Battista Foggini, 1672–1725

Giovanni Battista FogginiDesign for a Sculpture consisting of a Satyr and Satyress holding a Vase1672–1725Metropolitan Museum of Art

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