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ART WIKI

Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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52.001 Werke aus 131 Museen45 jetzt ausgestelltAlle löschen

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Scena biblica, Guido Reni, secc. XVI/ XVIIGuido ReniScena biblicasecc. XVI/ XVIIAccademia
The Fall of the Rebel Angels, Giovanni Battista Tiepolo, 1712/1715Giovanni Battista TiepoloThe Fall of the Rebel Angels1712/1715National Gallery of Art
Scene of the Tribunal (The Verdict), Honoré Daumier, c. 1865-1867Honoré DaumierScene of the Tribunal (The Verdict)c. 1865-1867National Gallery of Art
Figure aux cheveux hirsutes et reprise partielle de l'hercule du recto, Daumier, HonoréHonoré DaumierFigure aux cheveux hirsutes et reprise partielle de l'hercule du rectoLouvre
The Imaginary Invalid, Honoré Daumier, 1860–63Honoré DaumierThe Imaginary Invalid1860–63Yale University Art Gallery
Bacchus and Ariadne, Giovanni Battista Tiepolo, c. 1745Giovanni Battista TiepoloBacchus and Ariadnec. 1745National Gallery of Art
A Standing Oriental Holding a Rod, Giovanni Battista Tiepolo, 1753/1762Giovanni Battista TiepoloA Standing Oriental Holding a Rod1753/1762National Gallery of Art
The Sacrifice of Iphigenia (recto) / Study of a Male Nude (verso), Giovanni Battista Tiepolo, c. 1726Giovanni Battista TiepoloThe Sacrifice of Iphigenia (recto) / Study of a Male Nude (verso)c. 1726National Gallery of Art
Capitulation of a Town, Giovanni Battista TiepoloGiovanni Battista TiepoloCapitulation of a TownNational Gallery of Art
Reclining male figure seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloReclining male figure seen from belowca. 1740–50Yale University Art Gallery
Walking male figure seen obliquely from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloWalking male figure seen obliquely from belowca. 1740–50Yale University Art Gallery
Standing female figure seen from the back and from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloStanding female figure seen from the back and from belowca. 1740–50Yale University Art Gallery
Wooded Landscape with Figures on Horseback Crossing a Bridge, Thomas Gainsborough, between 1775 and 1780Thomas GainsboroughWooded Landscape with Figures on Horseback Crossing a Bridgebetween 1775 and 1780Yale Center for British Art
Wooded Landscape with Shepherd and Sheep, Thomas Gainsborough, between 1765 and 1770Thomas GainsboroughWooded Landscape with Shepherd and Sheepbetween 1765 and 1770Yale Center for British Art
The Grandmother, Honoré DaumierHonoré DaumierThe GrandmotherNational Gallery of Art
The Prodigal Son, Honoré DaumierHonoré DaumierThe Prodigal SonNational Gallery of Art
Classical Figures Gathered around an Urn, Giovanni Battista Tiepolo, 1724/1729Giovanni Battista TiepoloClassical Figures Gathered around an Urn1724/1729National Gallery of Art
A Standing Oriental Wearing a Greatcoat, Giovanni Battista Tiepolo, 1753/1762Giovanni Battista TiepoloA Standing Oriental Wearing a Greatcoat1753/1762National Gallery of Art
Angelica and Medoro, Giovanni Battista Tiepolo, 1740/1745Giovanni Battista TiepoloAngelica and Medoro1740/1745National Gallery of Art
Two Monks with a Prostrate Man, Giovanni Battista Tiepolo, c. 1725Giovanni Battista TiepoloTwo Monks with a Prostrate Manc. 1725National Gallery of Art
Reclining female figure, left hand resting on globe, right arm raised in front of face, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloReclining female figure, left hand resting on globe, right arm raised in front of face, seen from belowca. 1740–50Yale University Art Gallery
Study for the fresco Industry Triumphing over Idleness, at the Villa Lochi al Biron, Giovanni Battista Tiepolo, ca. 1734Giovanni Battista TiepoloStudy for the fresco Industry Triumphing over Idleness, at the Villa Lochi al Bironca. 1734Yale University Art Gallery
Seated figure with head turned to the left and right arm raised, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloSeated figure with head turned to the left and right arm raised, seen from belowca. 1740–50Yale University Art Gallery
Male figure carrying a tray with fowl, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloMale figure carrying a tray with fowl, seen from belowca. 1740–50Yale University Art Gallery
The Prodigal Son, Honoré DaumierHonoré DaumierThe Prodigal SonNational Gallery of Art
Three Costumes, Ogdred Weary, 1950Edward GoreyThree Costumes1950Yale University Art Gallery
Centaur Carrying Off a Woman, Honoré DaumierHonoré DaumierCentaur Carrying Off a WomanNational Gallery of Art
Le Défenseur (Counsel for the Defense), Honoré Daumier, c. 1862/1865Honoré DaumierLe Défenseur (Counsel for the Defense)c. 1862/1865National Gallery of Art
A Venetian Lawyer at His Desk, Giovanni Battista Tiepolo, 1755/1760Giovanni Battista TiepoloA Venetian Lawyer at His Desk1755/1760National Gallery of Art
Standing Man in Sixteenth-Century Costume, Giovanni Battista TiepoloGiovanni Battista TiepoloStanding Man in Sixteenth-Century CostumeNational Gallery of Art
Figure Studies (recto), Giovanni Battista Tiepolo, c. 1744Giovanni Battista TiepoloFigure Studies (recto)c. 1744National Gallery of Art
The Holy Family, Giovanni Battista Tiepolo, 1754/1762Giovanni Battista TiepoloThe Holy Family1754/1762National Gallery of Art
Walking Male figure seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloWalking Male figure seen from belowca. 1740–50Yale University Art Gallery
Reclining female figure seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloReclining female figure seen from belowca. 1740–50Yale University Art Gallery
Madonna and Child Enthroned in the Clouds, Adored by Saint, Giovanni Battista Tiepolo, n.d.Giovanni Battista TiepoloMadonna and Child Enthroned in the Clouds, Adored by Saintn.d.Yale University Art Gallery
Standing male figure seen from behind, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloStanding male figure seen from behindca. 1740–50Yale University Art Gallery
Figure on a Cloud, Giovanni Battista Tiepolo, 1750/1760Giovanni Battista TiepoloFigure on a Cloud1750/1760National Gallery of Art
The Smoker, Honoré DaumierHonoré DaumierThe SmokerNational Gallery of Art
Head of a Magician, Giovanni Battista Tiepolo, c. 1760Giovanni Battista TiepoloHead of a Magicianc. 1760National Gallery of Art
Hercule forain, Daumier, HonoréHonoré DaumierHercule forainLouvre
Standing Figure Wearing a Hat, Giovanni Battista Tiepolo, c. 1760?Giovanni Battista TiepoloStanding Figure Wearing a Hatc. 1760?National Gallery of Art
The Meeting of Antony and Cleopatra, Giovanni Battista Tiepolo, mid 1740sGiovanni Battista TiepoloThe Meeting of Antony and Cleopatramid 1740sNational Gallery of Art
Venus and Cupid Discovering the Body of Adonis, Giovanni Battista Tiepolo, c. 1740Giovanni Battista TiepoloVenus and Cupid Discovering the Body of Adonisc. 1740National Gallery of Art
Saint Mary Magdalene Lifted by Angels, Giovanni Battista Tiepolo, c. 1740Giovanni Battista TiepoloSaint Mary Magdalene Lifted by Angelsc. 1740National Gallery of Art
Male figure carrying a tray, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloMale figure carrying a tray, seen from belowca. 1740–50Yale University Art Gallery
Standing male figure seen obliquely from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloStanding male figure seen obliquely from belowca. 1740–50Yale University Art Gallery
Apotheosis of an Aged Warrior, for a ceiling in the Ca' Rezzonico, Venice, Giovanni Battista Tiepolo, ca. 1758Giovanni Battista TiepoloApotheosis of an Aged Warrior, for a ceiling in the Ca' Rezzonico, Veniceca. 1758Yale University Art Gallery
Reclining male nude with right hand resting on a stone tablet, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloReclining male nude with right hand resting on a stone tablet, seen from belowca. 1740–50Yale University Art Gallery
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