Edwin Austin AbbeyPuck, illustration for Act II, Scene ii, A Midsummer Night's DreamEdwin Austin AbbeyPuck, illustration for Act II, Scene ii, A Midsummer Night's Dream
Edwin Austin AbbeyPreliminary drawing for "What hap had I to marry a shrew?," from Old Songs
Edwin Austin AbbeyStudies of heads and figures both sides of page
Edwin Austin Abbey"S&E Higg Modes de Paris" - unidentified illustration
Edwin Austin AbbeyPreliminary sketch for Merry Wives of Windsor
Edwin Austin AbbeyStudy of bust of a woman
Edwin Austin AbbeySheet of studies of cricket players
Edwin Austin AbbeyEdgar Armed - Act V, Scene III, King Lear
Edwin Austin AbbeyStudies of heads
Edwin Austin AbbeyLafeu: "Nay, come your ways," from Act II, Scene i, All's Well That Ends Well
Edwin Austin Abbey"Each Joins the Dance", sketch for "With Jockey to the Fair," from Old Songs
Edwin Austin AbbeyWoman seated, sketch for an unidentified Shakespeare play
Edwin Austin Abbey"In all the glaring impotence of dress" (another version of .1226) - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902)
Edwin Austin AbbeySheet of sketches
Edwin Austin AbbeyStudy for The Scarlet Letter (oil painting)
Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)
Edwin Austin AbbeyStdy for Herrick's "A Bucolick, or Discourse of Neatherds."
Edwin Austin AbbeyStudy for a "Matrimonial Speculation"
Edwin Austin AbbeyIachimo Steals from the Trunk - Act II, Scene II, Cymbeline
Edwin Austin AbbeyStudy for: Exeunt Salarino and Salanio - Act I , Scene I, Merchant of Venice
Edwin Austin AbbeyGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)
Edwin Austin AbbeySketch for "Ode to Solitude," from The Quiet Life
Edwin Austin AbbeyEnter Mistress Anne Page with wine - Act I, Scene I, Merry Wives of Windsor
Edwin Austin Abbey"I believe they are in actual consultation," illustration for Oliver Goldsmith's She Stoops to Conquer
Edwin Austin AbbeyShylock: "And for these courtesies I'll lend you thus much money," from Act I, Scene iii, Merchant of Venice
Edwin Austin AbbeyThe Reprimand
Edwin Austin AbbeyStudy for an unidentified Shakespearean play
Edwin Austin AbbeyLaunce and His Dog, from Act IV, Scene iv, Two Gentlemen of Verona
Edwin Austin AbbeyStudy for a book of verse(?)
Edwin Austin AbbeyOlivia and Malvolio, illustration for Act III, Scene iv, Twelfth Night
Edwin Austin AbbeyPreliminary study for Love's Labour's Lost
Edwin Austin AbbeySketch for a greeting card: All Good WIshes for the New Year from M.G. and E.A. Abbey
Edwin Austin AbbeyStudy of Two Figures, from Love's Labour's Lost
Edwin Austin AbbeyFigure study - two men carrying a stretcher
Edwin Austin AbbeyStudies of bottle and heads
Edwin Austin AbbeyDon John: "Only to despite them, I will endeavor anything," illustration for Act II, Scene ii, Much Ado About Nothing
Edwin Austin AbbeyApemantus: "Hoy-day! what a sweep of vanity comes this way! They dance! They are mad women!" - Act I, Scene II, Timon of Athens
Edwin Austin AbbeyIllustration for The Tile Club newspaper?
Edwin Austin AbbeyWoman sitting in garden - unidentified illustration
Edwin Austin AbbeyStudy of an XVIII century scene, possibly "The School for Scandal"
Edwin Austin AbbeyStudy for "Little Robert Reed"
Edwin Austin AbbeyKatherine and Alice - Act III, Scene V, King Henry V
Edwin Austin AbbeyUnidentified illustration- Study of person in prison
Edwin Austin AbbeyGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)
Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)
Edwin Austin AbbeySketch for a mural over a door jamb - unidentified
Edwin Austin AbbeyPreliminary sketch of Helena and Lafeu for Act IV, Scene III, All's Well That Ends Well
Edwin Austin Abbey"The parlour splendors of that festive place," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57