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ART WIKI

Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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60.822 Werke aus 131 Museen44 jetzt ausgestelltAlle löschen

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An unwelcome visitor, Edwin Austin Abbey, n.d.Edwin Austin AbbeyAn unwelcome visitorn.d.Yale University Art Gallery
Cartoon of a young girl, Edwin Austin Abbey, n.d.Edwin Austin AbbeyCartoon of a young girln.d.Yale University Art Gallery
Study for "Vigil" in The Quest of the Holy Grail mural series at Boston Public Library, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for "Vigil" in The Quest of the Holy Grail mural series at Boston Public Libraryn.d.Yale University Art Gallery
Hermione entreats Polixenes - Act I, Scene II, The Winter's Tale, Edwin Austin Abbey, 1892Edwin Austin AbbeyHermione entreats Polixenes - Act I, Scene II, The Winter's Tale1892Yale University Art Gallery
Cartoon of a man in pantaloons, Edwin Austin Abbey, n.d.Edwin Austin AbbeyCartoon of a man in pantaloonsn.d.Yale University Art Gallery
Study for King Henry IV (Part I), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for King Henry IV (Part I)n.d.Yale University Art Gallery
Preliminary sketch for Act II, Scene I, All's Well That Ends Well, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyPreliminary sketch for Act II, Scene I, All's Well That Ends Wellca. 1891Yale University Art Gallery
"Thou foundest me..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 113, Edwin Austin Abbey, 1893Edwin Austin Abbey"Thou foundest me..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 1131893Yale University Art Gallery
Study for Priest and the Great Lady (watercolor), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Priest and the Great Lady (watercolor)n.d.Yale University Art Gallery
Parolles: "France is a dog-hole," from Act II, Scene iii, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyParolles: "France is a dog-hole," from Act II, Scene iii, All's Well That Ends Well1891Yale University Art Gallery
Ford: "Hang her, witch" - Act IV, Scene II, Merry Wives of Windsor, Edwin Austin Abbey, ca. 1888/9Edwin Austin AbbeyFord: "Hang her, witch" - Act IV, Scene II, Merry Wives of Windsorca. 1888/9Yale University Art Gallery
Charmian: "your crown's awry! I'll mend it and then play!" - Act V, Scene II, Anthony and Cleopatra, Edwin Austin Abbey, 1909Edwin Austin AbbeyCharmian: "your crown's awry! I'll mend it and then play!" - Act V, Scene II, Anthony and Cleopatra1909Yale University Art Gallery
"And every pang that folly pays to pride," sketch for Oliver Goldsmith's "The Deserted Village", Edwin Austin Abbey, 1891Edwin Austin Abbey"And every pang that folly pays to pride," sketch for Oliver Goldsmith's "The Deserted Village"1891Yale University Art Gallery
Three women at a well - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyThree women at a well - unidentified illustrationn.d.Yale University Art Gallery
Sketch for "Sally in our Alley," from Old Songs, Edwin Austin Abbey, 1885Edwin Austin AbbeySketch for "Sally in our Alley," from Old Songs1885Yale University Art Gallery
Title page to The Comedies by William Shakespeare, Edwin Austin Abbey, n.d.Edwin Austin AbbeyTitle page to The Comedies by William Shakespearen.d.Yale University Art Gallery
"To Master Anthony Stafford", illustration for The Quiet Life, Edwin Austin Abbey, ca. 1889Edwin Austin Abbey"To Master Anthony Stafford", illustration for The Quiet Lifeca. 1889Yale University Art Gallery
Dromio of Ephesus: "Methinks you are my glass, and not my brother," illustration for Act V, Scene i, Comedy of Errors, Edwin Austin Abbey, 1882Edwin Austin AbbeyDromio of Ephesus: "Methinks you are my glass, and not my brother," illustration for Act V, Scene i, Comedy of Errors1882Yale University Art Gallery
Studies of seated figures. Landscape on reverse., Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of seated figures. Landscape on reverse.n.d.Yale University Art Gallery
Lorenzo and Jessica: "The moon shines bright. In such a night as this" - Act V, Scene I, The Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyLorenzo and Jessica: "The moon shines bright. In such a night as this" - Act V, Scene I, The Merchant of Venice1888Yale University Art Gallery
Caliban, Stephano and Trinculo (Ariel invisible), illustration for Act II, Scene ii, The Tempest, Edwin Austin Abbey, 1891Edwin Austin AbbeyCaliban, Stephano and Trinculo (Ariel invisible), illustration for Act II, Scene ii, The Tempest1891Yale University Art Gallery
An Unwelcome Visitor - "The reluctant host left the apartment for a second or two, and presently returned followed by the farmer's wife," illustration to Part 8, chapter 24, of William Black's Judith Shakespeare, Edwin Austin Abbey, 1884Edwin Austin AbbeyAn Unwelcome Visitor - "The reluctant host left the apartment for a second or two, and presently returned followed by the farmer's wife," illustration to Part 8, chapter 24, of William Black's Judith Shakespeare1884Yale University Art Gallery
Proteus Meets Sylvia, from Act II, Scene iv, Two Gentlemen of Verona, Edwin Austin Abbey, 1891Edwin Austin AbbeyProteus Meets Sylvia, from Act II, Scene iv, Two Gentlemen of Verona1891Yale University Art Gallery
Study for Trial of Queen Katherine. Coat of arms on back., Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Trial of Queen Katherine. Coat of arms on back.n.d.Yale University Art Gallery
Preliminary sketch for Act II, Scene I, All's Well That Ends Well, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyPreliminary sketch for Act II, Scene I, All's Well That Ends Wellca. 1891Yale University Art Gallery
Portia: "It droppeth, as the gentle rain from heaven," from Act IV, Scene I, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyPortia: "It droppeth, as the gentle rain from heaven," from Act IV, Scene I, Merchant of Venice1888Yale University Art Gallery
"There the pale artist..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 95, Edwin Austin Abbey, 1891Edwin Austin Abbey"There the pale artist..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 951891Yale University Art Gallery
Father-in-law has been calling me whelp..., illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin AbbeyFather-in-law has been calling me whelp..., illustration for Oliver Goldsmith's She Stoops to Conquer1884Yale University Art Gallery
Sylvia and Valentine, from Act II, Scene i, Two Gentlemen of Verona, Edwin Austin Abbey, 1891Edwin Austin AbbeySylvia and Valentine, from Act II, Scene i, Two Gentlemen of Verona1891Yale University Art Gallery
"It gives me wonder great as my content to see you here before me, O my soul's joy!," from Othello, Edwin Austin Abbey, 1903Edwin Austin Abbey"It gives me wonder great as my content to see you here before me, O my soul's joy!," from Othello1903Yale University Art Gallery
Malvolio finds the letter, illustration for Act II, Scene v, Twelfth Night, Edwin Austin Abbey, 1891Edwin Austin AbbeyMalvolio finds the letter, illustration for Act II, Scene v, Twelfth Night1891Yale University Art Gallery
Study for unidentified Shakespeare play, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for unidentified Shakespeare playn.d.Yale University Art Gallery
Walking man in cloak, sketch for an unidentified Shakespeare play, Edwin Austin Abbey, n.d.Edwin Austin AbbeyWalking man in cloak, sketch for an unidentified Shakespeare playn.d.Yale University Art Gallery
Study of girl in nineteenth century costume standing at door, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of girl in nineteenth century costume standing at doorn.d.Yale University Art Gallery
Man on park bench - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyMan on park bench - unidentified illustrationn.d.Yale University Art Gallery
Bianca and Lucentio, from Act III, Scene i, Taming of the Shrew, Edwin Austin Abbey, 1892Edwin Austin AbbeyBianca and Lucentio, from Act III, Scene i, Taming of the Shrew1892Yale University Art Gallery
Study for King Henry IV (Part II), "Come hither, gracious sovreign, view this body." (Act II, Sc. 2), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for King Henry IV (Part II), "Come hither, gracious sovreign, view this body." (Act II, Sc. 2)n.d.Yale University Art Gallery
Sheet of figure studies, Edwin Austin Abbey, possibly 1891Edwin Austin AbbeySheet of figure studiespossibly 1891Yale University Art Gallery
Drapery study, Edwin Austin Abbey, n.d.Edwin Austin AbbeyDrapery studyn.d.Yale University Art Gallery
"In the due reverence of a sacred vow I here engage my word" - Act III, Scene III, Othello, Edwin Austin Abbey, 1902Edwin Austin Abbey"In the due reverence of a sacred vow I here engage my word" - Act III, Scene III, Othello1902Yale University Art Gallery
Windemere from Millerground Hill (?) - [landscape], Edwin Austin Abbey, n.d.Edwin Austin AbbeyWindemere from Millerground Hill (?) - [landscape]n.d.Yale University Art Gallery
Enter two citizens. Cor: 'So, here comes a brace, you know the cause Sirs, of my standing here.' Act II, Scene iii, Coriolanus, Edwin Austin Abbey, ca. 1909Edwin Austin AbbeyEnter two citizens. Cor: 'So, here comes a brace, you know the cause Sirs, of my standing here.' Act II, Scene iii, Coriolanusca. 1909Yale University Art Gallery
Juliet in hall, from Romeo and Juliet, Edwin Austin Abbey, n.d.Edwin Austin AbbeyJuliet in hall, from Romeo and Julietn.d.Yale University Art Gallery
Study of an angel (for stained glass? for a ceiling?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of an angel (for stained glass? for a ceiling?)n.d.Yale University Art Gallery
Wordsworth walks in woods: The English Lakes and Men Series, from Harper's Monthly Magazine, Edwin Austin Abbey, ca. 1879Edwin Austin AbbeyWordsworth walks in woods: The English Lakes and Men Series, from Harper's Monthly Magazineca. 1879Yale University Art Gallery
Third fellow: "What though I am obliged to dance a bear." (I), illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, ca. 1884Edwin Austin AbbeyThird fellow: "What though I am obliged to dance a bear." (I), illustration for Oliver Goldsmith's She Stoops to Conquerca. 1884Yale University Art Gallery
Portia: "By my troth, Nerissa, my little body is aweary of this great world," from Act I, Scene ii, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyPortia: "By my troth, Nerissa, my little body is aweary of this great world," from Act I, Scene ii, Merchant of Venice1888Yale University Art Gallery
Study of man in XV century costume, possibly a caricature of the period of "The Taming of the Shrew", Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of man in XV century costume, possibly a caricature of the period of "The Taming of the Shrew"n.d.Yale University Art Gallery
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