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Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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"Have not saints lips, and holy palmers too?" - A Hall in Capulet's House - Act I, Scene V, Romeo and Juliet, Edwin Austin Abbey, 1902Edwin Austin Abbey"Have not saints lips, and holy palmers too?" - A Hall in Capulet's House - Act I, Scene V, Romeo and Juliet1902Yale University Art Gallery
Study of kneeling woman, probably a study for Juliet in the tomb scene, "Romeo and Juliet", Edwin Austin Abbey, ca. 1902Edwin Austin AbbeyStudy of kneeling woman, probably a study for Juliet in the tomb scene, "Romeo and Juliet"ca. 1902Yale University Art Gallery
Woman with bucket on her head, wing chair on reverse - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyWoman with bucket on her head, wing chair on reverse - unidentified illustrationn.d.Yale University Art Gallery
Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901): study of drapery, Edwin Austin Abbey, before 1901Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901): study of draperybefore 1901Yale University Art Gallery
Sketch for Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine); Woman in XVII century costume (verso), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch for Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine); Woman in XVII century costume (verso)ca. 1889Yale University Art Gallery
Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
Three studies for Wandering Minstrel (oil painting), Edwin Austin Abbey, n.d.Edwin Austin AbbeyThree studies for Wandering Minstrel (oil painting)n.d.Yale University Art Gallery
"The host himself no longer shall be found," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 73, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"The host himself no longer shall be found," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 73ca. 1890sYale University Art Gallery
Pile of men: caricature of "rough-house" Early, Edwin Austin Abbey, n.d.Edwin Austin AbbeyPile of men: caricature of "rough-house" Earlyn.d.Yale University Art Gallery
Tomb Scene - Romeo finds Juliet, from Romeo and Juliet, Edwin Austin Abbey, ca. 1902Edwin Austin AbbeyTomb Scene - Romeo finds Juliet, from Romeo and Julietca. 1902Yale University Art Gallery
Sketch of a woman with tray and book - unidentified illustration (to a play?), Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a woman with tray and book - unidentified illustration (to a play?)n.d.Yale University Art Gallery
Sketch for "Harvest Home," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch for "Harvest Home," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)ca. 1889Yale University Art Gallery
Rosalin and Maria: "Thou are an old love" - Act II, Scene I, Love's Labour's Lost, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyRosalin and Maria: "Thou are an old love" - Act II, Scene I, Love's Labour's Lostca. 1891Yale University Art Gallery
Dromio of Ephesus: "Let my master in, Luce," illustration for Act III, Scene i, Comedy of Errors, Edwin Austin Abbey, 1889Edwin Austin AbbeyDromio of Ephesus: "Let my master in, Luce," illustration for Act III, Scene i, Comedy of Errors1889Yale University Art Gallery
Sheet of studies of faces, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of studies of facesn.d.Yale University Art Gallery
Sheet of figure studies, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of figure studiesn.d.Yale University Art Gallery
Sheet of figure studies, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of figure studiesn.d.Yale University Art Gallery
Study of Two Figures, from Love's Labour's Lost, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of Two Figures, from Love's Labour's Lostn.d.Yale University Art Gallery
Sketches of armor, with prices in British pounds below each item, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketches of armor, with prices in British pounds below each itemn.d.Yale University Art Gallery
Gratiano: "My eyes, my lord, can look as swift as yours," from Act III, Scene ii, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyGratiano: "My eyes, my lord, can look as swift as yours," from Act III, Scene ii, Merchant of Venice1888Yale University Art Gallery
Illustration for "Sweet Nell - My Heart's Delight," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin AbbeyIllustration for "Sweet Nell - My Heart's Delight," from Old Songs1887Yale University Art Gallery
Valentine rescues Sylvia, from Act V, Scene iv, Two Gentlemen of Verona, Edwin Austin Abbey, 1892Edwin Austin AbbeyValentine rescues Sylvia, from Act V, Scene iv, Two Gentlemen of Verona1892Yale University Art Gallery
Study of a woman (recto); Study of a crouching man (verso), Edwin Austin Abbey, mid-19th to early 20th centuryEdwin Austin AbbeyStudy of a woman (recto); Study of a crouching man (verso)mid-19th to early 20th centuryYale University Art Gallery
Two gentlemen - unidentified cartoon, Edwin Austin Abbey, n.d.Edwin Austin AbbeyTwo gentlemen - unidentified cartoonn.d.Yale University Art Gallery
Spirit: "Adsum," from King Henry VI, Part II, act 1, scene 4, Edwin Austin Abbey, 1903Edwin Austin AbbeySpirit: "Adsum," from King Henry VI, Part II, act 1, scene 41903Yale University Art Gallery
Study for .1208 - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), Edwin Austin Abbey, 1891Edwin Austin AbbeyStudy for .1208 - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902)1891Yale University Art Gallery
Sketch for "Sally in Our Alley," from Old Songs, Edwin Austin Abbey, 1886Edwin Austin AbbeySketch for "Sally in Our Alley," from Old Songs1886Yale University Art Gallery
"What should this mean?" - Act III, Scene II, King Henry VIII, Edwin Austin Abbey, 1908Edwin Austin Abbey"What should this mean?" - Act III, Scene II, King Henry VIII1908Yale University Art Gallery
The Three Coffers, from Merchant of Venice, Edwin Austin Abbey, ca. 1888Edwin Austin AbbeyThe Three Coffers, from Merchant of Veniceca. 1888Yale University Art Gallery
Sketch for "Barbara Allen," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch for "Barbara Allen," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)ca. 1889Yale University Art Gallery
"Hail heaven! Hail heaven!" - Act III, Scene III, Cymbeline, Edwin Austin Abbey, ca. 1903Edwin Austin Abbey"Hail heaven! Hail heaven!" - Act III, Scene III, Cymbelineca. 1903Yale University Art Gallery
Sheet of sketches of heads and hands, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketches of heads and handsn.d.Yale University Art Gallery
Study for "The Trial of Queen Katherine", Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for "The Trial of Queen Katherine"n.d.Yale University Art Gallery
Jester and woman, sketch for The Daffodil Song, Edwin Austin Abbey, ca. 1878Edwin Austin AbbeyJester and woman, sketch for The Daffodil Songca. 1878Yale University Art Gallery
Leonine: "I am sworn, and will dispatch" - Act IV, Scene I, Pericles, Edwin Austin Abbey, 1908Edwin Austin AbbeyLeonine: "I am sworn, and will dispatch" - Act IV, Scene I, Pericles1908Yale University Art Gallery
Rosalind: "Give me your hand, Orlando," illustration for Act IV, Scene i, As You Like It, Edwin Austin Abbey, ca. 1890Edwin Austin AbbeyRosalind: "Give me your hand, Orlando," illustration for Act IV, Scene i, As You Like Itca. 1890Yale University Art Gallery
The Court of the Palace, from Act IV, Scene ii, Two Gentlemen of Verona, Edwin Austin Abbey, 1891Edwin Austin AbbeyThe Court of the Palace, from Act IV, Scene ii, Two Gentlemen of Verona1891Yale University Art Gallery
Figures at a table - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyFigures at a table - unidentified illustrationn.d.Yale University Art Gallery
Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
Seated man in cloak, sketch for an unidentified Shakespeare play, Edwin Austin Abbey, n.d.Edwin Austin AbbeySeated man in cloak, sketch for an unidentified Shakespeare playn.d.Yale University Art Gallery
Woman in toga with garlands, sketch for an unidentified Shakespeare play, Edwin Austin Abbey, n.d.Edwin Austin AbbeyWoman in toga with garlands, sketch for an unidentified Shakespeare playn.d.Yale University Art Gallery
Galahad at the Castle, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad at the Castle, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
Perdita Discovered - Act III, Scene III, The Winter's Tale, Edwin Austin Abbey, 1891Edwin Austin AbbeyPerdita Discovered - Act III, Scene III, The Winter's Tale1891Yale University Art Gallery
Study for Armado, from Love's Labour's Lost, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyStudy for Armado, from Love's Labour's Lostca. 1891Yale University Art Gallery
Two female figure in cloister, from The Cloister, Edwin Austin Abbey, 1895Edwin Austin AbbeyTwo female figure in cloister, from The Cloister1895Yale University Art Gallery
Tugboat Pushing Barge on River, Edwin Austin Abbey, 1868Edwin Austin AbbeyTugboat Pushing Barge on River1868Yale University Art Gallery
Study for An Old Song (watercolor), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for An Old Song (watercolor)n.d.Yale University Art Gallery
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