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ART WIKI

Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (44 Museen), Paris Musées (12 Museen), Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen) und der Catalogo generale dei Beni Culturali des italienischen Kulturministeriums (25 Museen). Die Bilder gehören ihren Rechteinhabern.

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60.822 Werke aus 131 Museen44 jetzt ausgestelltAlle löschen

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Arthropoid, Agnes Denes, 1974Agnes DenesArthropoid1974National Gallery of Art
Hagar and the Angel (recto); Sketch of the Face of a Woman (verso), Pieter Lastman, 1600–1601Pieter LastmanHagar and the Angel (recto); Sketch of the Face of a Woman (verso)1600–1601Yale University Art Gallery
Wedding of Peleus and Thetis, Johann Gottfried Piefke, n.d.Godfried MaesWedding of Peleus and Thetisn.d.Yale University Art Gallery
Injunction Against Interiority, Mark Kostabi, 1980sMark KostabiInjunction Against Interiority1980sNational Gallery of Art
Minerva Leading a Procession of Women, Pieter Coecke van Aelst, mid-16th centuryPieter Coecke van AelstMinerva Leading a Procession of Womenmid-16th centuryMetropolitan Museum of Art
Xenophon and the Greeks Sighting the Sea [verso], Benjamin Robert HaydonBenjamin Robert HaydonXenophon and the Greeks Sighting the Sea [verso]National Gallery of Art
More Smoke Gets in Your Eyes, Mark Kostabi, 1984Mark KostabiMore Smoke Gets in Your Eyes1984Yale University Art Gallery
Anatomical Study of a Leg, Benjamin Robert Haydon, undatedBenjamin Robert HaydonAnatomical Study of a LegundatedYale Center for British Art
Architectural Drawing, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerArchitectural Drawing1802-1804Yale Center for British Art
Study of Figures and Busts on the Pediments of Temples, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerStudy of Figures and Busts on the Pediments of Temples1802-1804Yale Center for British Art
Sketch of an Athenian's House, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerSketch of an Athenian's House1802-1804Yale Center for British Art
The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerThe Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum1802-1804Yale Center for British Art
Figure Study of a Soldier Reclining, Benjamin Robert Haydon, undatedBenjamin Robert HaydonFigure Study of a Soldier RecliningundatedYale Center for British Art
Horses, Jacques VillonJacques VillonHorsesNational Gallery of Art
Abstract Construction (Baudelaire), Jacques Villon, 1920Jacques VillonAbstract Construction (Baudelaire)1920Yale University Art Gallery
Conversion of St. Paul, Pieter Coecke van Aelst, 1538 (?)Pieter Coecke van AelstConversion of St. Paul1538 (?)Metropolitan Museum of Art
Studies of Serving Vessels From Antiquity, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerStudies of Serving Vessels From Antiquity1802-1804Yale Center for British Art
Economical Promotion Strategy, Mark Kostabi, 1984Mark KostabiEconomical Promotion Strategy1984Yale University Art Gallery
Xenophon and the Greeks Sighting the Sea [recto], Benjamin Robert HaydonBenjamin Robert HaydonXenophon and the Greeks Sighting the Sea [recto]National Gallery of Art
Ruins at Capua, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerRuins at Capua1802-1804Yale Center for British Art
Sketch of the Flutings of the Ionic Columns in the Interior of the Propylaea, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerSketch of the Flutings of the Ionic Columns in the Interior of the Propylaea1802-1804Yale Center for British Art
Study of Women Talking, Benjamin Robert Haydon, undatedBenjamin Robert HaydonStudy of Women TalkingundatedYale Center for British Art
The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas,  Agrigentum, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerThe Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum1802-1804Yale Center for British Art
Part of a Semi-Circular Seat, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerPart of a Semi-Circular Seat1802-1804Yale Center for British Art
Doric Capital Among the Ruiins of a Temple, Dedicated to Vulcan, at Agrigentum, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerDoric Capital Among the Ruiins of a Temple, Dedicated to Vulcan, at Agrigentum1802-1804Yale Center for British Art
Study of a Biblical Scene, Benjamin Robert Haydon, undatedBenjamin Robert HaydonStudy of a Biblical SceneundatedYale Center for British Art
Artisan at Work, Pieter Coecke van Aelst, n.d.Pieter Coecke van AelstArtisan at Workn.d.Yale University Art Gallery
The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerThe Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum1802-1804Yale Center for British Art
The Crucifixion, Samuel van Hoogstraten, about 1650Samuel van HoogstratenThe Crucifixionabout 1650J. Paul Getty Museum
The Adoration of the Shepherds, Samuel van Hoogstraten, early 1640sSamuel van HoogstratenThe Adoration of the Shepherdsearly 1640sMetropolitan Museum of Art
Sketch of the Molding of the Interior of the Propylaea, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerSketch of the Molding of the Interior of the Propylaea1802-1804Yale Center for British Art
Untitled, Mark Kostabi, 1986Mark KostabiUntitled1986Yale University Art Gallery
Among the Ruins of Messene, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerAmong the Ruins of Messene1802-1804Yale Center for British Art
Study of the Resurrection of Lazarus, Benjamin Robert Haydon, undatedBenjamin Robert HaydonStudy of the Resurrection of LazarusundatedYale Center for British Art
Fragment of a Doric Cornice Among the Ruins of Eleusis, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerFragment of a Doric Cornice Among the Ruins of Eleusis1802-1804Yale Center for British Art
Study of Nude Female, Benjamin Robert Haydon, undatedBenjamin Robert HaydonStudy of Nude FemaleundatedYale Center for British Art
Study of a Seated Man, Smoking a Pipe, Benjamin Robert Haydon, undatedBenjamin Robert HaydonStudy of a Seated Man, Smoking a PipeundatedYale Center for British Art
An Ancient Inscription in the Post House at Argos, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerAn Ancient Inscription in the Post House at Argos1802-1804Yale Center for British Art
The Jews Collecting the Twelve Stones from the River Jordan, Pieter Coecke van Aelst, ca. 1535–38Pieter Coecke van AelstThe Jews Collecting the Twelve Stones from the River Jordanca. 1535–38Metropolitan Museum of Art
Sketch of the Line of the Shaft and Inner Angle of the Abacus, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerSketch of the Line of the Shaft and Inner Angle of the Abacus1802-1804Yale Center for British Art
Package Deal (The Big Picture), Mark Kostabi, 1985Mark KostabiPackage Deal (The Big Picture)1985National Gallery of Art
Ancient Greek Inscriptions, Found on the Road Between Mystras and Leontari, Sir Robert Smirke the younger, 1803Sir Robert Smirke the youngerAncient Greek Inscriptions, Found on the Road Between Mystras and Leontari1803Yale Center for British Art
Sir Robert Smirke's Continental Tour, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerSir Robert Smirke's Continental Tour1802-1804Yale Center for British Art
Arch of Hadrian, Sir Robert Smirke the younger, ca. 1804Sir Robert Smirke the youngerArch of Hadrianca. 1804Yale Center for British Art
Ancient Inscription in the Post House at Argos, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerAncient Inscription in the Post House at Argos1802-1804Yale Center for British Art
Moldings on the Temple of Minerva, Sir Robert Smirke the younger, 1802-1804Sir Robert Smirke the youngerMoldings on the Temple of Minerva1802-1804Yale Center for British Art
Untitled, Benjamin Robert Haydon, undatedBenjamin Robert HaydonUntitledundatedYale Center for British Art
Drawing for Foreign Office, Westminster, for competition of 1857, Sir Robert Smirke, 1857Sir Robert Smirke the youngerDrawing for Foreign Office, Westminster, for competition of 18571857Metropolitan Museum of Art
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