ART WIKI35.480 ausgestellt
KarteSammlungKünstlerMuseenAusstellungenJournal
Anmelden

ART WIKI

Wo Kunst zu sehen ist und wann das Museum öffnet.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

Rubriken

  • Karte
  • Suche
  • Sammlung
  • Meisterwerke
  • Gestohlen und verschollen
  • Jetzt ausgestellt
  • Künstler

Mehr

  • Museen & Galerien
  • Ausstellungen
  • Journal
  • Woher die Daten stammen
  • Datenschutz & Cookies
StartseiteKarteKatalog

Katalog

19. Jahrhundert

635.897 Werke aus 646 Museen6.432 jetzt ausgestelltLöschen

/
La seguridad de un reo no exige tormento  (The Custody of a Criminal Does Not Call for Torture, Francisco Goya, c. 1810Francisco de GoyaLa seguridad de un reo no exige tormento (The Custody of a Criminal Does Not Call for Torturec. 1810National Gallery of Art
Dos grupos de picadores arrollados  de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull), Francisco Goya, in or before 1816Francisco de GoyaDos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull)in or before 1816National Gallery of Art
Nada (Nothing), Francisco Goya, 1810/1820Francisco de GoyaNada (Nothing)1810/1820National Gallery of Art
Modo de volar (A Way of Flying), Francisco Goya, published 1864Francisco de GoyaModo de volar (A Way of Flying)published 1864National Gallery of Art
Old Woman on a Swing, Francisco Goya, 1824/1828Francisco de GoyaOld Woman on a Swing1824/1828National Gallery of Art
Disparate de miedo (Folly of Fear), Francisco Goya, in or after 1816Francisco de GoyaDisparate de miedo (Folly of Fear)in or after 1816National Gallery of Art
Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls), Francisco Goya, in or before 1816Francisco de GoyaPalenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls)in or before 1816National Gallery of Art
Que valor! (What Courage!), Francisco Goya, published 1863Francisco de GoyaQue valor! (What Courage!)published 1863National Gallery of Art
Dios se lo pague a vsted (May God Repay You), Francisco Goya, probably c. 1804Francisco de GoyaDios se lo pague a vsted (May God Repay You)probably c. 1804National Gallery of Art
Dios los cria y ellos se juntan (God Creates Them and They Join Up Together), Francisco Goya, in or after 1816Francisco de GoyaDios los cria y ellos se juntan (God Creates Them and They Join Up Together)in or after 1816National Gallery of Art
Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way  in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), Francisco Goya, in or before 1816Francisco de GoyaModo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country)in or before 1816National Gallery of Art
El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Francisco Goya, in or before 1816Francisco de GoyaEl mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid)in or before 1816National Gallery of Art
La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Francisco Goya, in or before 1816Francisco de GoyaLa desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid)in or before 1816National Gallery of Art
Disparate furioso (Furious Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate furioso (Furious Folly)in or after 1816National Gallery of Art
La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Francisco Goya, in or before 1816Francisco de GoyaLa desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid)in or before 1816National Gallery of Art
El Cid Campeador lanceando otro toro  (The Cid Campeador Spearing Another Bull), Francisco Goya, in or before 1816Francisco de GoyaEl Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull)in or before 1816National Gallery of Art
Cogida de un moro estando en la plaza  (A Moor Caught by the Bull in the Ring), Francisco Goya, in or before 1816Francisco de GoyaCogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)in or before 1816National Gallery of Art
Disparate desordenado (Disorderly Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate desordenado (Disorderly Folly)in or after 1816National Gallery of Art
The Blind Singer, Francisco Goya, 1824/1828Francisco de GoyaThe Blind Singer1824/1828National Gallery of Art
Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Francisco Goya, in or before 1816Francisco de GoyaDesjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms)in or before 1816National Gallery of Art
Spanish Scene (Scène espagnole), Jules-Ferdinand Jacquemart after Francisco Goya, 1863Francisco de GoyaSpanish Scene (Scène espagnole)1863National Gallery of Art
Disparate desordenado (Disorderly Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate desordenado (Disorderly Folly)in or after 1816National Gallery of Art
El caballo raptor (The Horse-Abductor), Francisco Goya, in or after 1816Francisco de GoyaEl caballo raptor (The Horse-Abductor)in or after 1816National Gallery of Art
The Duke of Wellington, Workshop of Francisco Goya, c. 1812Francisco de GoyaThe Duke of Wellingtonc. 1812Saal 52 · Westgebäude, HauptgeschossNational Gallery of Art
Disparate conocido (Well-Known Folly), Francisco Goya, 1816Francisco de GoyaDisparate conocido (Well-Known Folly)1816National Gallery of Art
No se convienen (They Do Not Agree), Francisco Goya, published 1863Francisco de GoyaNo se convienen (They Do Not Agree)published 1863National Gallery of Art
Y no hai remedio (And There's No Help for It), Francisco Goya, published 1863Francisco de GoyaY no hai remedio (And There's No Help for It)published 1863National Gallery of Art
No se puede mirar (One Can't Look), Francisco Goya, published 1863Francisco de GoyaNo se puede mirar (One Can't Look)published 1863National Gallery of Art
Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull), Francisco Goya, in or before 1816Francisco de GoyaCaida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull)in or before 1816National Gallery of Art
Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words), Francisco Goya, in or after 1816Francisco de GoyaSanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words)in or after 1816National Gallery of Art
No se puede saber por que (One Can't Tell Why), Francisco Goya, 1810/1820Francisco de GoyaNo se puede saber por que (One Can't Tell Why)1810/1820National Gallery of Art
Picador Caught by a Bull, Francisco Goya, 1825Francisco de GoyaPicador Caught by a Bull1825National Gallery of Art
El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body), Francisco Goya, in or before 1816Francisco de GoyaEl diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)in or before 1816National Gallery of Art
Y esto tambien (And This Too), Francisco Goya, published 1863Francisco de GoyaY esto tambien (And This Too)published 1863National Gallery of Art
Disparate de Carnabal (Carnival Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate de Carnabal (Carnival Folly)in or after 1816National Gallery of Art
Disparate pobre (Poor Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate pobre (Poor Folly)in or after 1816National Gallery of Art
Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon), Francisco Goya, in or before 1816Francisco de GoyaDesgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon)in or before 1816National Gallery of Art
Thérèse Louise de Sureda, Francisco Goya, c. 1803/1804Francisco de GoyaThérèse Louise de Suredac. 1803/1804Saal 52 · Westgebäude, HauptgeschossNational Gallery of Art
Y son fieras (And They Are Like Wild Beasts), Francisco Goya, published 1863Francisco de GoyaY son fieras (And They Are Like Wild Beasts)published 1863National Gallery of Art
Don Antonio Noriega, Francisco Goya, 1801Francisco de GoyaDon Antonio Noriega1801Saal 52 · Westgebäude, HauptgeschossNational Gallery of Art
Disparate conocido (Well-Known Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate conocido (Well-Known Folly)in or after 1816National Gallery of Art
El esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid), Francisco Goya, in or before 1816Francisco de GoyaEl esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid)in or before 1816National Gallery of Art
Por que? (Why?), Francisco Goya, published 1863Francisco de GoyaPor que? (Why?)published 1863National Gallery of Art
Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull), Francisco Goya, in or before 1816Francisco de GoyaPedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)in or before 1816National Gallery of Art
Temeridad de martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring a t Saragossa), Francisco Goya, in or before 1816Francisco de GoyaTemeridad de martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring a t Saragossa)in or before 1816National Gallery of Art
Ni por esas (Neither Do These), Francisco Goya, published 1863Francisco de GoyaNi por esas (Neither Do These)published 1863National Gallery of Art
Mendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux), Francisco Goya, 1824/1827Francisco de GoyaMendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux)1824/1827National Gallery of Art
Banderillas de fuego (Banderillas with Firecrackers), Francisco Goya, in or before 1816Francisco de GoyaBanderillas de fuego (Banderillas with Firecrackers)in or before 1816National Gallery of Art
19