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Edgar DegasFrankreich, 1834–1917Yellow Dancers (In the Wings)
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Wo ist „Yellow Dancers (In the Wings)“ heute? Art Institute of Chicago, Saal 226, Chicago. Ja, derzeit ausgestellt. Geprüft 12. Oktober 2026.
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Edgar Degas first painted dancers as an independent subject in 1871. He was to devote almost half his output as an artist to this subject, observing countless performances and rehearsals at the Paris Opéra. Here he placed the viewer in the wings, as if among the elite Opéra subscribers who roamed and socialized backstage. Dance subjects allowed Degas to contemporize his lifelong interest in showing the human body in complex movement, shifting the scene from ancient history to modern Paris. He finished and signed the present canvas in time for the second Impressionist exhibition, in April 1876.
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Im Leben von Edgar Degas
Das ganze Lebenearly 1870s
Meets Durand-Ruel
Degas met the dealer Durand-Ruel, later the most prominent of the trusted dealers with whom he planned his strategy at auctions.
1870s
From “de Gas” back to plain “Degas”
The archives disproved the legend of an ancient noble line: the artist's paternal ancestors were bakers, and the name “de Gas” was invented by his father, who commissioned a false genealogy. In the 1870s Edgar returned to the plain spelling, Degas.
Oktober 1872 – März 1873 · Wohnort
New Orleans
1873–1874
His brother's debts: he sells his house and collection
After his father's death Degas learned that his brother René had run up enormous business debts. To save the family's reputation he sold his house and an inherited art collection and for the first time in his life depended on sales of his own work.
1874
The first Impressionist exhibition
Disenchanted with the Salon, Degas joined a group of young artists organizing an independent exhibiting society. He took a leading role in organizing the eight shows of 1874–1886 and exhibited in all but one, despite constant conflicts with the group.
1877
Friendship with Mary Cassatt
Degas invited Mary Cassatt to show in the third Impressionist exhibition, having admired her portrait “Ida” at the Salon of 1874. He introduced her to pastel and engraving, while she helped him sell paintings and promoted his reputation in the United States.
