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Woman Lost in Thought, Eugene Speicher, 1920s
Eugene Speicher, PorträtEugene SpeicherVereinigte Staaten, 1883–1962

Woman Lost in Thought

1920s · Drawing

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National Gallery of Art

Washington, D.C., Vereinigte Staaten

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Inventarnummer
2015.19.353

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Zeichnungen & AquarelleBleistiftModerne20. JahrhundertAmerican

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Woman Leaning on a Table, Eugene Speicher, 1931

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Red Moore, Eugene Speicher, c. 1933

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Landscape, Eugene Speicher, 19th-20th century

Landscape

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Study of John Hommel, Eugene Speicher, 19th-20th century

Study of John Hommel

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Head of a Girl, Eugene Speicher, 19th-20th century

Head of a Girl

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Nude Woman, Eugene Speicher, c. 1900–1943

Nude Woman

c. 1900–1943 · Nicht ausgestellt · Cleveland Museum of Art

Nude, Eugene Speicher, 1921

Nude

1921 · Nicht ausgestellt · Whitney Museum of American Art

Bending Figure, Eugene Speicher, 1921

Bending Figure

1921 · Nicht ausgestellt · Whitney Museum of American Art

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

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Vincent van Gogh

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George Moore in the Artist's Garden, Edouard Manet, c. 1879

Édouard Manet

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National Gallery of Art

My father Louis Ginsberg in his velvet Armchair, last year of his life 1976. See "Don't Grow Old.", Allen Ginsberg, 1976, printed later

Allen Ginsberg

My father Louis Ginsberg in his velvet Armchair, last year of his life 1976. See "Don't Grow Old.", 1976, printed later

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Untitled, Allen Ginsberg, 1964

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Nicht ausgestellt · National Gallery of Art

Willem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter.", Allen Ginsberg, 1985

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Willem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter.", 1985

Nicht ausgestellt · National Gallery of Art

Shig Murao, up late night reading in his middle bedroom, he'd had a stroke just after mastering Shakuhachi flute, I stay in his Grant Street North Block apartment when visiting San Francisco, his front room looks down on noisy street & bars. He'd managed City Lights Bookstore, part owner, 1950s all thru the sixties, Allen Ginsberg, 1985

Allen Ginsberg

Shig Murao, up late night reading in his middle bedroom, he'd had a stroke just after mastering Shakuhachi flute, I stay in his Grant Street North Block apartment when visiting San Francisco, his front room looks down on noisy street & bars. He'd managed City Lights Bookstore, part owner, 1950s all thru the sixties, 1985

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Robert Frank at his kitchen table, Bleeker Street house, casual visit, November 8, 1988, New York City., Allen Ginsberg, 1988, printed 1990

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Nicht ausgestellt · National Gallery of Art

Bill Reck in his coldwater flat Lower East Side circa 1953, one of eminent Subterraneans (Vide Frity Nichols); he entered J.K.'s Book of Dreams as Dick Beck. outside his window off Bowery and East 2'd Street, a cemetery, he wrote "Love is a lime green tree," last line of poem looking out, Allen Ginsberg, 1953, printed later

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Bill Reck in his coldwater flat Lower East Side circa 1953, one of eminent Subterraneans (Vide Frity Nichols); he entered J.K.'s Book of Dreams as Dick Beck. outside his window off Bowery and East 2'd Street, a cemetery, he wrote "Love is a lime green tree," last line of poem looking out, 1953, printed later

Nicht ausgestellt · National Gallery of Art

Self-Portrait on my seventieth birthday in Borsalino hat and black cashmere-silk scarf from Milan & Dublin Thornproof-tweed suit, Oleg Cassini tie from Goodwill shirt same source, kitchen window mid-day, I stayed home & worked on _Selected Poems 1947 – ’95_ proofs after returning from Walker Art Centre reading — Beat exhibition weekend. Monday, June 3, 1996, N.Y., Allen Ginsberg, 1996

Allen Ginsberg

Self-Portrait on my seventieth birthday in Borsalino hat and black cashmere-silk scarf from Milan & Dublin Thornproof-tweed suit, Oleg Cassini tie from Goodwill shirt same source, kitchen window mid-day, I stayed home & worked on _Selected Poems 1947 – ’95_ proofs after returning from Walker Art Centre reading — Beat exhibition weekend. Monday, June 3, 1996, N.Y., 1996

Nicht ausgestellt · National Gallery of Art