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  3. Wild West
Wild West, M.C. Escher, 1920

Wild West

1920 · Print

Angaben

1920 · mit 22 Jahren
18981972
Inventarnummer
1978.90.25

Derweil im Leben von Maurits Cornelis Escher

Das ganze Leben
  1. 1917–1918

    Oosterbeek, failed examinations and Delft

    In 1917 the family moved to Oosterbeek, a suburb of Arnhem; Escher and his friends were passionate about literature and he wrote poems and essays, but he failed four final examinations and was left without a school-leaving certificate. A mistake in Dutch law nevertheless let him obtain a deferment from military service, and in 1918 he began architecture classes at the Technical College of Delft, but poor health made him fail to cope with the course.

  2. 1919–1922

    The Haarlem school and his teacher Mesquita

    In 1919 Escher entered the Haarlem School of Architecture and Decorative Arts, where he learned drawing and woodcut; he soon gave up architecture for decorative arts and graduated in 1922. A huge influence on him was his teacher, the artist Samuel de Mesquita, with whom he remained friends until 1944; he chose the career of an engraver rather than an oil painter quite deliberately — according to the scholar Hans Locher, he was drawn by the possibility of making many impressions.

  3. 1921

    First journey abroad: Italy and the Riviera

    In 1921 Escher travelled abroad for the first time, with his family, to northern Italy and the French Riviera: Italian Renaissance art made a very strong impression on him, he drew olive trees and began experiments with spheres and mirrors. His engravings illustrated his friend Ad van Stolk’s humorous booklet “Flor de Pascua”; the first work to sell in large numbers was “St Francis Preaching to the Birds”.

  4. April – June 1922

    Italy in the spring of 1922: San Gimignano and Siena

    In April 1922 Escher left for Italy with two friends — by legend his mother saw him off with the words “My son, don’t smoke too much”. The friends soon turned back from Florence, but he went on to San Gimignano, drew Volterra and Siena, saw the fluorescent sea for the first time, spent the whole spring outside the city drawing landscapes, plants and insects, visited Assisi, Ravenna, Venice, Padua and Milan, and in June returned to Oosterbeek, intending to move to Italy for good.

Mehr von Maurits Cornelis Escher

Alle Werke

Nachbarn im Haus: National Gallery of Art

Museumsseite

Zum selben Thema · Gun

Alle Werke zum Thema
  • September 1922

    Spain and the Alhambra: the Moorish pattern

    In September 1922 Escher sailed to Spain — Barcelona, Madrid, a bullfight, then Granada, where he studied the Moorish style at the Alhambra. The intricate geometric ornaments of the Alhambra — interlocking repetitive patterns in coloured tiles and carved into walls — woke his interest in the mathematics of tessellation and left a lasting mark on his work.

  • November 1922 – August 1923

    Siena: the first solo exhibition

    Back in Italy, Escher settled in Siena in November 1922, where his first solo exhibition took place in August 1923 — he managed to sell one work.

  • Maurits Cornelis Escher, PorträtMaurits Cornelis EscherNiederlande, 1898–1972

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    National Gallery of Art

    Washington, D.C., Vereinigte Staaten

    Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

    Geprüft
    vor 3 Tagen
    Unverändert seit
    19. Aug. 2026
    Quelle
    Das Museum
    Auf der KarteMuseumsseite

    Was es zeigt

    GunHutMannFigures

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    DruckgrafikHolzschnittModerne20. JahrhundertDutch

    Quellen

    • National Gallery of Art
    • Bild: National Gallery of Art — © the artist or rights holder
    Green Sea, M.C. Escher

    Green Sea

    Nicht ausgestellt · National Gallery of Art

    Study for Regular Division of the Plane, M.C. Escher, n.d

    Study for Regular Division of the Plane

    n.d · Nicht ausgestellt · National Gallery of Art

    Portrait, M.C. Escher

    Portrait

    Nicht ausgestellt · National Gallery of Art

    (Color test for unidentified print), M.C. Escher

    (Color test for unidentified print)

    Nicht ausgestellt · National Gallery of Art

    Pond, M.C. Escher

    Pond

    Nicht ausgestellt · National Gallery of Art

    Railroad, M.C. Escher

    Railroad

    Nicht ausgestellt · National Gallery of Art

    City with Rocks (verso), M.C. Escher

    City with Rocks (verso)

    Nicht ausgestellt · National Gallery of Art

    Study for Regular Division of the Plane, M.C. Escher, n.d.

    Study for Regular Division of the Plane

    n.d. · Nicht ausgestellt · National Gallery of Art

    Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Bildnis der Ginevra de’ Benci, c. 1474/1478

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

    Green Wheat Fields, Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Green Wheat Fields, Auvers, 1890

    Girl in White, Vincent van Gogh, 1890

    Vincent van Gogh

    Junges Mädchen, vor einem Weizenfeld stehend, 1890

    Roses, Vincent van Gogh, 1890

    Vincent van Gogh

    Roses, 1890

    Self-Portrait, Vincent van Gogh, 1889

    Vincent van Gogh

    Self-Portrait, 1889

    Farmhouse in Provence, Vincent van Gogh, 1888

    Vincent van Gogh

    Bauernhof in der Provence, 1888

    La Mousmé, Vincent van Gogh, 1888

    Vincent van Gogh

    La Mousmé, 1888

    Y son fieras (And They Are Like Wild Beasts), Francisco Goya, published 1863

    Francisco de Goya

    Y son fieras (And They Are Like Wild Beasts), published 1863

    Nicht ausgestellt · National Gallery of Art

    Que valor! (What Courage!), Francisco Goya, published 1863

    Francisco de Goya

    Que valor! (What Courage!), published 1863

    Nicht ausgestellt · National Gallery of Art

    The Stag and the Vine, Marc Chagall, 1927/1930

    Marc Chagall

    The Stag and the Vine, 1927/1930

    Nicht ausgestellt · National Gallery of Art

    A private Marine of Col. Fourgeoud's Corps, William Blake after John Gabriel Stedman, 1793

    William Blake

    A private Marine of Col. Fourgeoud's Corps, 1793

    Nicht ausgestellt · National Gallery of Art

    A Coromantyn Free Negro, or Ranger, armed, William Blake after John Gabriel Stedman, 1793

    William Blake

    A Coromantyn Free Negro, or Ranger, armed, 1793

    Nicht ausgestellt · National Gallery of Art

    The Sculls of Lieut Leppar, & Six of his Men, William Blake after John Gabriel Stedman, 1793

    William Blake

    The Sculls of Lieut Leppar, & Six of his Men, 1793

    Nicht ausgestellt · National Gallery of Art

    March thro' a swamp or Marsh in Terra-firma, William Blake after John Gabriel Stedman, 1793

    William Blake

    March thro' a swamp or Marsh in Terra-firma, 1793

    Nicht ausgestellt · National Gallery of Art

    Death of Maximilian at Queretaro (L'executionde Maximilien), Edouard Manet, 1867

    Édouard Manet

    Death of Maximilian at Queretaro (L'executionde Maximilien), 1867

    Nicht ausgestellt · National Gallery of Art