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  2. National Gallery of Art/
  3. Wild West
Wild West, M.C. Escher, 1920
Maurits Cornelis Escher, PorträtMaurits Cornelis EscherNiederlande, 1898–1972

Wild West

1920 · Print

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1920 · mit 22 Jahren
18981972
Inventarnummer
1978.90.25

Was es zeigt

GunHutMannFigures

Im Katalog

DruckgrafikHolzschnittModerne20. JahrhundertDutch

Quellen

  • National Gallery of Art
  • Bild: National Gallery of Art — © the artist or rights holder

Derweil im Leben von Maurits Cornelis Escher

Das ganze Leben
  1. 1917–1918

    Oosterbeek, failed examinations and Delft

    In 1917 the family moved to Oosterbeek, a suburb of Arnhem; Escher and his friends were passionate about literature and he wrote poems and essays, but he failed four final examinations and was left without a school-leaving certificate. A mistake in Dutch law nevertheless let him obtain a deferment from military service, and in 1918 he began architecture classes at the Technical College of Delft, but poor health made him fail to cope with the course.

  2. 1919–1922

    The Haarlem school and his teacher Mesquita

    In 1919 Escher entered the Haarlem School of Architecture and Decorative Arts, where he learned drawing and woodcut; he soon gave up architecture for decorative arts and graduated in 1922. A huge influence on him was his teacher, the artist Samuel de Mesquita, with whom he remained friends until 1944; he chose the career of an engraver rather than an oil painter quite deliberately — according to the scholar Hans Locher, he was drawn by the possibility of making many impressions.

  3. 1921

    First journey abroad: Italy and the Riviera

    In 1921 Escher travelled abroad for the first time, with his family, to northern Italy and the French Riviera: Italian Renaissance art made a very strong impression on him, he drew olive trees and began experiments with spheres and mirrors. His engravings illustrated his friend Ad van Stolk’s humorous booklet “Flor de Pascua”; the first work to sell in large numbers was “St Francis Preaching to the Birds”.

  4. April – June 1922

    Italy in the spring of 1922: San Gimignano and Siena

    In April 1922 Escher left for Italy with two friends — by legend his mother saw him off with the words “My son, don’t smoke too much”. The friends soon turned back from Florence, but he went on to San Gimignano, drew Volterra and Siena, saw the fluorescent sea for the first time, spent the whole spring outside the city drawing landscapes, plants and insects, visited Assisi, Ravenna, Venice, Padua and Milan, and in June returned to Oosterbeek, intending to move to Italy for good.

  5. September 1922

    Spain and the Alhambra: the Moorish pattern

    In September 1922 Escher sailed to Spain — Barcelona, Madrid, a bullfight, then Granada, where he studied the Moorish style at the Alhambra. The intricate geometric ornaments of the Alhambra — interlocking repetitive patterns in coloured tiles and carved into walls — woke his interest in the mathematics of tessellation and left a lasting mark on his work.

  6. November 1922 – August 1923

    Siena: the first solo exhibition

    Back in Italy, Escher settled in Siena in November 1922, where his first solo exhibition took place in August 1923 — he managed to sell one work.

Mehr von Maurits Cornelis Escher

Alle Werke
Green Sea, M.C. Escher

Green Sea

Nicht ausgestellt · National Gallery of Art

Study for Regular Division of the Plane, M.C. Escher, n.d

Study for Regular Division of the Plane

n.d · Nicht ausgestellt · National Gallery of Art

Portrait, M.C. Escher

Portrait

Nicht ausgestellt · National Gallery of Art

(Color test for unidentified print), M.C. Escher

(Color test for unidentified print)

Nicht ausgestellt · National Gallery of Art

Pond, M.C. Escher

Pond

Nicht ausgestellt · National Gallery of Art

Railroad, M.C. Escher

Railroad

Nicht ausgestellt · National Gallery of Art

City with Rocks (verso), M.C. Escher

City with Rocks (verso)

Nicht ausgestellt · National Gallery of Art

Study for Regular Division of the Plane, M.C. Escher, n.d.

Study for Regular Division of the Plane

n.d. · Nicht ausgestellt · National Gallery of Art

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Zum selben Thema · Gun

Alle Werke zum Thema
Y son fieras (And They Are Like Wild Beasts), Francisco Goya, published 1863

Francisco de Goya

Y son fieras (And They Are Like Wild Beasts), published 1863

Nicht ausgestellt · National Gallery of Art

Que valor! (What Courage!), Francisco Goya, published 1863

Francisco de Goya

Que valor! (What Courage!), published 1863

Nicht ausgestellt · National Gallery of Art

The Stag and the Vine, Marc Chagall, 1927/1930

Marc Chagall

The Stag and the Vine, 1927/1930

Nicht ausgestellt · National Gallery of Art

A private Marine of Col. Fourgeoud's Corps, William Blake after John Gabriel Stedman, 1793

William Blake

A private Marine of Col. Fourgeoud's Corps, 1793

Nicht ausgestellt · National Gallery of Art

A Coromantyn Free Negro, or Ranger, armed, William Blake after John Gabriel Stedman, 1793

William Blake

A Coromantyn Free Negro, or Ranger, armed, 1793

Nicht ausgestellt · National Gallery of Art

The Sculls of Lieut Leppar, & Six of his Men, William Blake after John Gabriel Stedman, 1793

William Blake

The Sculls of Lieut Leppar, & Six of his Men, 1793

Nicht ausgestellt · National Gallery of Art

March thro' a swamp or Marsh in Terra-firma, William Blake after John Gabriel Stedman, 1793

William Blake

March thro' a swamp or Marsh in Terra-firma, 1793

Nicht ausgestellt · National Gallery of Art

Death of Maximilian at Queretaro (L'executionde Maximilien), Edouard Manet, 1867

Édouard Manet

Death of Maximilian at Queretaro (L'executionde Maximilien), 1867

Nicht ausgestellt · National Gallery of Art