Claude LorrainFrankreich, 1600–1682Vlucht naar Egypte
Darf man es sehen?
Unbekannt
Rijksmuseum Amsterdam
Amsterdam, Niederlande
Der Besitzer ist bekannt; ob das Werk derzeit ausgestellt ist, nicht.
- Quelle
- Das Museum
Über das Werk
In den Worten des Museums — auf Niederländisch
Landschap met Maria met het Christuskind op een ezel, begeleid door twee engelen, gevolgd door Jozef.
Rijksmuseum Amsterdam
Angaben
- Inventarnummer
- RP-P-1965-1053
Was es zeigt
Im Katalog
Quellen
- Rijksmuseum Amsterdam
- Bild: Rijksmuseum Amsterdam — public domain
Derweil im Leben von Claude Lorrain
Das ganze Leben1620s
Stops in Marseille, Genoa and Venice
On his travels Claude stayed briefly in Marseille, Genoa and Venice and had the opportunity to study nature in France, Italy and Bavaria.
late 1620s
Meets Joachim von Sandrart
In the late 1620s Claude met Joachim von Sandrart, who would write one of his early biographies and lived with him for a while; Sandrart reported that Claude already had a habit of sketching outdoors, particularly at dawn and dusk, and of making oil studies on the spot.
1633–1635
Growing fame: commissions from the French ambassador and Philip IV
Claude’s growing reputation was shown by commissions from the French ambassador in Rome (1633) and from Philip IV of Spain (1634–35).
1634
Admitted to the Academy of Saint Luke
In 1634 Claude was admitted to the Academy of Saint Luke.
1635
Recognition: his pictures are in demand
From 1635 Claude’s work was recognised and his paintings were in great demand; his patrons included Pope Urban VIII (four works), Cardinal Bentivoglio and Prince Colonna.
1635–1638
Pope Urban VIII commissions four paintings
According to Baldinucci, Cardinal Guido Bentivoglio, impressed by the two landscapes Claude painted for him, recommended the artist to Pope Urban VIII; four paintings were made for the Pope in 1635–38, two large and two small on copper.
