ART WIKI32.963 ausgestellt
KarteSammlungKünstlerMuseenAusstellungenJournal
Anmelden

ART WIKI

Wo das Meisterwerk hängt und wann man vorgelassen wird.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

Rubriken

  • Karte
  • Suche
  • Sammlung
  • Meisterwerke
  • Jetzt ausgestellt
  • Künstler

Mehr

  • Museen & Galerien
  • Ausstellungen
  • Journal
  • Woher die Daten stammen
  • Datenschutz & Cookies
StartseiteKarteKatalog
  1. Sammlung/
  2. Victoria and Albert Museum/
  3. View on the Scheldt
View on the Scheldt, Clarkson Frederick Stanfield, 1826

View on the Scheldt

1826 · Oil painting · 40.7 × 54.3 cm

Über das Gemälde

Object Type

Oil paintings of seascapes and shipping in the Dutch manner were collected in Britain from the 17th century when the Dutch started making them in quantity. British artists also painted similar scenes to meet the demand from collectors. This painting is a smaller version of `A market boat on the Scheldt' painted by Stanfield in the same year (1826), although the colouring is more subdued and its tones are closer to a 17th-century Dutch example.

Places

The river Scheldt was a favourite locality for Dutch marine painters for centuries. It runs from northern France, through Belgium and into the North Sea. Stanfield shows a scene near the mouth of the river.

People

Weiterlesen

Clarkson Stanfield was a painter in oils and watercolours, mainly of landscapes and marine views. The son of an actor, J. F. Stanfield, he went to sea as a young boy and was press-ganged into the Royal Navy, but he left the service after being injured. He painted stage scenery for theatres in London, where he was a friend and rival to David Roberts. Stanfield also made dioramas and panoramas. His subjects for theatrical, easel and illustrative work were drawn mainly from extensive tours in Britain and Europe.

Victoria and Albert Museum

Angaben

Mehr von William Clarkson Stanfield

Alle Werke

Im selben Saal · British Galleries, Room 120, The Wolfson Galleries, Victoria and Albert Museum

Museumsseite
1826 · mit 33 Jahren
17931867
Inventarnummer
366-1901

Quellen

  • Victoria and Albert Museum
  • Bild: Victoria and Albert Museum — © Victoria and Albert Museum, London
William Clarkson Stanfield, PorträtWilliam Clarkson StanfieldVereinigtes Königreich, 1793–1867

Darf man es sehen?

Ja, es empfängt Besucher

Victoria and Albert Museum

London, Vereinigtes Königreich

SaalBritish Galleries, Room 120, The Wolfson Galleries

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
vor 12 Tagen
Unverändert seit
25. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite
A Dutch Dogger Carrying Away her Sprit, Clarkson Frederick Stanfield, 1846

A Dutch Dogger Carrying Away her Sprit

1846 · Victoria and Albert Museum

Tempelruïnes aan een meer in een Italiaans landschap, William Clarkson Stanfield, 1803 - 1867

Tempelruïnes aan een meer in een Italiaans landschap

1803 - 1867 · Rijksmuseum Amsterdam

Lake Como, Clarkson Frederick Stanfield, 1825

Lake Como

1825 · National Gallery

Sketch for ‘The Battle of Trafalgar, and the Victory of Lord Nelson over the Combined French and Spanish Fleets, October 21, 1805’, Clarkson Frederick Stanfield, 1833

Sketch for ‘The Battle of Trafalgar, and the Victory of Lord Nelson over the Combined French and Spanish Fleets, October 21, 1805’

1833 · National Gallery

The Canal of the Guidecca, and the Church of the Gesuati, Venice, Clarkson Frederick Stanfield, 1836

The Canal of the Guidecca, and the Church of the Gesuati, Venice

1836 · National Gallery

Oude Scheld - Texel Island, Looking towards Nieuwe Diep and the Zuider Zee, Clarkson Frederick Stanfield, 1844

Oude Scheld - Texel Island, Looking towards Nieuwe Diep and the Zuider Zee

1844 · National Gallery

Les Troupes françaises franchissant la Margra. Sarzana et les montagnes de Carrare dans le lointain, en 1796, Stanfield , Clarkson, XIXe siècle (1847)

Les Troupes françaises franchissant la Margra. Sarzana et les montagnes de Carrare dans le lointain, en 1796

XIXe siècle (1847) · Nicht ausgestellt · Louvre

Boys at Peepshow in Street, Clarkson Stanfield, n.d.

Boys at Peepshow in Street

n.d. · Nicht ausgestellt · Art Institute of Chicago

Queen Katherine and Patience, Charles Robert Leslie, 1842

Charles Robert Leslie

Queen Katherine and Patience, 1842

The Antiquary's Cell, Edward William Cooke, 1835

Edward William Cooke

The Antiquary's Cell, 1835

Bashaw, 'the faithful friend of man', workshop of Matthew Cotes Wyatt, ca. 1832 - ca. 1834

workshop of Matthew Cotes Wyatt

Bashaw, 'the faithful friend of man', ca. 1832 - ca. 1834

George IV, Samuel Joseph, 1831

Samuel Joseph

George IV, 1831

George IV, J. Cave, 1830

J. Cave

George IV, 1830

Figure group, Etienne-Maurice Falconet, 1830-1835

Etienne-Maurice Falconet

Figure group, 1830-1835

Relief, Peter Rouw the younger, 1822

Peter Rouw the younger

Relief, 1822

Haymaking, Peter De Wint, ca.1815 - ca.1830

Peter De Wint

Haymaking, ca.1815 - ca.1830

Im Katalog

GemäldeÖlBritische MalereiKlassizismusRomantik19. JahrhundertBritish School