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  1. Sammlung/
  2. Victoria and Albert Museum/
  3. View near Salisbury, showing the Cathedral
View near Salisbury, showing the Cathedral, Constable, 1820, July
John Constable, PorträtJohn ConstableVereinigtes Königreich, 1776–1837

View near Salisbury, showing the Cathedral

1820, July · Drawing · 11.5 × 18.5 cm

Darf man es sehen?

Empfängt derzeit nicht

Victoria and Albert Museum

London, Vereinigtes Königreich

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 12 Tagen
Unverändert seit
25. Sept. 2026
Quelle
Sammlungsdaten des Museums selbst
Auf der KarteMuseumsseite

Angaben

1820, July · mit 44 Jahren
17761837
Inventarnummer
824-1888

Was es zeigt

Cathedral

Im Katalog

Zeichnungen & AquarelleBleistiftKlassizismusRomantik19. JahrhundertEngland

Quellen

  • Victoria and Albert Museum: die offenen Daten des Museums · abgerufen vor 12 Tagen
  • Bild: Victoria and Albert Museum — © Victoria and Albert Museum, London

Derweil im Leben von John Constable

Das ganze Leben
  1. 1821

    “The Hay Wain” at the Royal Academy

    The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.

  2. 1821

    “I should paint my own places best”

    In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.

  3. 1821

    Son born: Charles Golding Constable

  4. 23 October 1821

    To Fisher: “I have done a good deal of skying”

    Constable wrote to Fisher that he had done a good deal of skying and was determined to conquer all the difficulties that remained. He made cloud studies, noting the weather, direction of light and time of day on the back, and held the sky to be the key note of a landscape, drawing on the meteorologist Luke Howard’s classification of clouds.

  5. 1822/1823

    Daughter born: Isabel Constable

Mehr von John Constable

Alle Werke
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Metropolitan Museum of Art

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · National Gallery of Art

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · National Gallery of Art

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · National Gallery of Art

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Metropolitan Museum of Art

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