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  3. Великий постриг
Великий постриг, Mikhail Nesterov, 1888
Mikhail Nesterov, PorträtMikhail Nesterov1862–1942

Великий постриг

1888 · Drawing · 18.2 × 25.5 cm

Darf man es sehen?

Unbekannt

Russisches Museum

Sankt Petersburg, Russland

Der Besitzer ist bekannt; ob das Werk derzeit ausgestellt ist, nicht.

Unverändert seit
28. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1888 · mit 26 Jahren
18621942
Inventarnummer
Р-6191

Was es zeigt

ChildrenClergy, MonasticismThe PeasantsHeadwearChildren's costumeWomen's costumeRussians

Im Katalog

Zeichnungen & AquarelleTuscheImpressionismus19. JahrhundertGenreszene

Quellen

  • Russisches Museum
  • Bild: Russisches Museum — © State Russian Museum

Derweil im Leben von Mikhail Nesterov

Das ganze Leben
  1. 1874–1886 · Ausbildung

    Moscow School of Painting, Sculpture and Architecture

  2. May 1886

    Daughter Olga is born; his wife dies

    In May 1886 Nesterov's daughter Olga was born and his wife Maria Ivanovna died. He later carried the image of his beloved wife into many of his works.

  3. 1889

    “The Hermit” at the 17th Peredvizhniki show

    Shown at the 17th Peredvizhniki exhibition, “The Hermit” caused a stir and placed the young Nesterov among the most outstanding painters of the day; the word “mood” recurred in almost every review. Pavel Tretyakov bought the painting.

  4. May 1889

    First journey abroad

    With the money from selling “The Hermit” to Tretyakov, Nesterov set off on his first trip abroad: Warsaw, Vienna, Venice, Florence, Rome, Naples with Pompeii and Capri, Paris, Munich, Berlin, Dresden. He brought back dozens of studies on lemon-wood panels, most of them from Capri; his travel diary (20 April – 24 July 1889) is kept in the Presidential Library.

  5. 1890

    Invited to paint St Volodymyr's Cathedral

    Professor Adrian Prakhov, who was in charge of decorating St Volodymyr's Cathedral in Kiev, saw “The Youth Bartholomew” and invited its author. After some hesitation Nesterov agreed — and ended up devoting more than 22 years to church murals and icons.

  6. 1890

    “The Vision to the Youth Bartholomew” causes a sensation

    The painting, for which Nesterov made landscape studies near the Trinity-Sergius Lavra while living in the village of Komyakino near Khotkovo, provoked the most conflicting opinions, became the sensation of the 18th Peredvizhniki exhibition and was bought by Tretyakov. To the end of his days the artist considered it his finest work.

Mehr von Mikhail Nesterov

Alle Werke
Великий постриг, Mikhail Nesterov, 1898

Великий постриг

1898 · Russisches Museum

Преподобный Сергий Радонежский, Mikhail Nesterov, 1899

Преподобный Сергий Радонежский

1899 · Russisches Museum

Святая Русь, Mikhail Nesterov, 1905

Святая Русь

1905 · Russisches Museum

Портрет О. М. Нестеровой («Амазонка»), Mikhail Nesterov, 1906

Портрет О. М. Нестеровой («Амазонка»)

1906 · Russisches Museum

Автопортрет, Mikhail Nesterov, 1915

Автопортрет

1915 · Russisches Museum

Пейзаж, Mikhail Nesterov, 1917

Пейзаж

1917 · Russisches Museum

Лесной пейзаж, Mikhail Nesterov, 1920s

Лесной пейзаж

1920s · Russisches Museum

Лель (Весна), Mikhail Nesterov, 1933

Лель (Весна)

1933 · Russisches Museum

Nachbarn im Haus: Russisches Museum

Museumsseite
Два овала, Vasily Kandinsky, 1919

Vasily Kandinsky

Два овала, 1919

Синий гребень, Vasily Kandinsky, 1917

Vasily Kandinsky

Синий гребень, 1917

Импровизация 11, Vasily Kandinsky, 1910

Vasily Kandinsky

Импровизация 11, 1910

Die Saporoger Kosaken schreiben dem türkischen Sultan einen Brief, Ilya Repin, 1880–1891

Ilya Repin

Die Saporoger Kosaken schreiben dem türkischen Sultan einen Brief, 1880–1891

Автопортрет (Художник), Kazimir Malevich, 1933

Kazimir Malevich

Автопортрет (Художник), 1933

Red Cavalry Riding, Kazimir Malevich, c. 1932

Kazimir Malevich

Red Cavalry Riding, c. 1932

На жатву (Марфа и Ванька), Kazimir Malevich, 1928-1929

Kazimir Malevich

На жатву (Марфа и Ванька), 1928-1929

Черный квадрат, Kazimir Malevich, c. 1923

Kazimir Malevich

Черный квадрат, c. 1923