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StartseiteKarteKatalog
  1. Sammlung/
  2. Vyatskiy Art Museum/
  3. Ужин
Ужин, Félix Edouard Vallotton, 1900
Félix Edouard Vallotton, PorträtFélix Edouard VallottonFrankreich, 1865–1925

Ужин

1900 · Painting · 55 × 86.8 cm

Darf man es sehen?

Unbekannt

VAM
Vyatskiy Art Museum

Kirow, Russland

Der Besitzer ist bekannt; ob das Werk derzeit ausgestellt ist, nicht.

Unverändert seit
29. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Über das Gemälde

In den Worten des Museums — auf Russisch

В комнате на фоне темной драпировки за круглым столом, покрытым скатертью, сверху освещенным лампой, сидят двое мужчин, справа женщина и в глубине девочка. Hа столе сервировка, зеленое растение и фрукты.

VAMVyatskiy Art Museum

Angaben

1900 · mit 35 Jahren
18651925
Inventarnummer
Ж-38

Derweil im Leben von Félix Edouard Vallotton

Das ganze Leben
  1. 23 January 1898

    On Dreyfus's side

    At the height of the Dreyfus affair Vallotton passionately defended the falsely accused officer; his series of satirical woodcuts, including “The Age of the Newspaper”, appeared on the front page of Le Cri de Paris. The affair divided the Nabis and was one reason the group had drifted apart by 1900.

  2. 1899

    Married: Gabrielle Bernheim

  3. 1899

    After the wedding, a flat by the Gare Saint-Lazare

    His wife, Gabrielle Rodrigues-Henriques — a widow and the daughter of the dealer Alexandre Bernheim, founder of the Galerie Bernheim-Jeune — brought three children from her first marriage into the household. After a brief honeymoon in Switzerland the couple moved into a large flat near the Gare Saint-Lazare; the marriage brought Vallotton financial security.

  4. 1900

    Becomes a French citizen

    The Swiss-born Vallotton was naturalised as a French citizen.

  5. 1900s

    Exhibitions across Europe and in Russia

    In the 1900s Vallotton's exhibitions met with triumph in Vienna, Munich, Zurich, Prague, London and Stockholm; his works were also shown in Moscow, St Petersburg, Kiev, Odessa and Amsterdam.

  6. after 1901

    Gives up the woodcut for painting

Mehr von Félix Edouard Vallotton

Alle Werke

Aus der Sammlung: Vyatskiy Art Museum

Museumsseite

After 1901 Vallotton made few prints and devoted himself to painting (he had been turning to it increasingly since 1899): after his marriage the woodcut ceased to be his main income, and the Galerie Bernheim-Jeune, with which he formed a solid relationship, mounted a Nabis exhibition including ten of his works.

Im Katalog

GemäldeÖlFranzösische MalereiImpressionismusModerne20. Jahrhundert

Quellen

  • Der Staatskatalog des Museumsfonds Russlands
  • Bild: Vyatskiy Art Museum — © Вятский художественный музей имени В. М. и А. М. Васнецовых · Госкаталог музейного фонда РФ
Landscape, Arques-la-Bataille, Félix Edouard Vallotton, 1903

Landscape, Arques-la-Bataille

1903 · Eremitage

Interior, Bedroom with Two Figures, Félix Edouard Vallotton, 1904

Interior, Bedroom with Two Figures

1904 · Eremitage

Woman at a Piano, Félix Edouard Vallotton, 1904

Woman at a Piano

1904 · Eremitage

Woman in a Black Hat, Félix Edouard Vallotton, 1908

Woman in a Black Hat

1908 · Eremitage

Portrait of Mme Haasen, Félix Edouard Vallotton, 1908

Portrait of Mme Haasen

1908 · Eremitage

Portrait of Georges Haasen, Félix Edouard Vallotton, 1913

Portrait of Georges Haasen

1913 · Eremitage

The Red Room, Etretat, Félix Edouard Vallotton, 1899

The Red Room, Etretat

1899 · Art Institute of Chicago

Path in the Woods, Félix Vallotton, 19th-20th century

Path in the Woods

19th-20th century · Harvard Art Museums

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