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  3. Two Singers
Two Singers, Honoré-Victorin Daumier, c. 1850-c. 1860
Honoré Daumier, PorträtHonoré DaumierFrankreich, 1808–1879

Two Singers

c. 1850-c. 1860 · Painting

Darf man es sehen?

Empfängt derzeit nicht

Harvard Art Museums

Cambridge, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
27. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

c. 1850-c. 1860
18081879
Inventarnummer
1957.205

Im Katalog

GemäldeÖlFranzösische MalereiRealismus19. JahrhundertFrankreich

Quellen

  • Harvard Art Museums
  • Bild: Harvard Art Museums — © President and Fellows of Harvard College

Derweil im Leben von Honoré Daumier

Das ganze Leben
  1. 1848

    Sketch "The Republic" Among Competition Finalists

    On Courbet's advice, Daumier submitted an oil sketch, "The Republic" (now in the Musée d'Orsay), to the competition for an allegory of the new Republic; it was very well received and was among the twenty finalists, but Daumier never executed the finished painting.

  2. 1848

    Albums on the Revolution of 1848

    The Revolution of 1848 provided the material for two of Daumier's albums, "Parliamentary Idylls" and "The Representatives Represented"; he once again launched a political campaign in the pages of Le Charivari.

  3. 1849

    First Participation in the Salon

    In 1849 Daumier exhibited at the Salon for the first time, showing the painting "The Miller, His Son, and the Donkey"; from the late 1840s he devoted himself increasingly to painting.

  4. from 1853

    Summer Trips to Valmondois and Barbizon

    From about 1853 Daumier spent the summer months in Valmondois and Barbizon, where Corot, Daubigny, Millet, and Rousseau were working, deepening his friendships with the artists of the Barbizon school.

  5. 1858

    Serious Illness

    In 1858 Daumier suffered a serious illness.

  6. 1860

    Le Charivari Dropped His Caricatures

    After thirty years of continuous work, the popularity of Daumier's caricatures declined, and in 1860 Le Charivari dismissed him from its staff. Years of hardship followed, but also of free time for painting — a period of great productivity and artistic growth.

Mehr von Honoré Daumier

Alle Werke
The Third-Class Carriage, Honoré Daumier, 1864

The Third-Class Carriage

1864 · Metropolitan Museum of Art

Jean-Marie Fruchard, Honoré Daumier, model c. 1832/1835, cast 1929/1930

Jean-Marie Fruchard

model c. 1832/1835, cast 1929/1930 · National Gallery of Art

Jean-Charles Persil, Honoré Daumier, model c. 1832/1835, cast 1929/1940

Jean-Charles Persil

model c. 1832/1835, cast 1929/1940 · National Gallery of Art

Auguste Gady, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Auguste Gady

model c. 1832/1835, cast 1929/1950 · National Gallery of Art

Pierre-Paul Royer-Collard, Honoré Daumier, model c. 1832/1835, cast 1929/1930

Pierre-Paul Royer-Collard

model c. 1832/1835, cast 1929/1930 · National Gallery of Art

Alexandre-Simon Pataille, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Alexandre-Simon Pataille

model c. 1832/1835, cast 1929/1950 · National Gallery of Art

Horace-François-Bastien Sébastiani (?), Honoré Daumier, model c. 1832/1835, cast 1929/1940

Horace-François-Bastien Sébastiani (?)

model c. 1832/1835, cast 1929/1940 · National Gallery of Art

Jacques-Antoine-Adrien, Baron Delort, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Jacques-Antoine-Adrien, Baron Delort

model c. 1832/1835, cast 1929/1950 · National Gallery of Art

Nachbarn im Haus: Harvard Art Museums

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