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  3. Two Peasant Girls
Two Peasant Girls, Paula Modersohn-Becker, c. 1900
Paula Modersohn-Becker, PorträtPaula Modersohn-BeckerDeutschland, 1876–1907

Two Peasant Girls

c. 1900 · Print

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 9 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

c. 1900
18761907
Inventarnummer
2012.92.378

Was es zeigt

Seated figureBaumDressGrassFemale figure

Im Katalog

DruckgrafikRadierungImpressionismusModerne20. JahrhundertExpressionismus

Quellen

  • National Gallery of Art
  • Bild: National Gallery of Art — Museum open access

Derweil im Leben von Paula Modersohn-Becker

Das ganze Leben
  1. September 1898

    Moving to Worpswede: a pupil of Mackensen

    With her parents’ consent Paula decides to go to Worpswede: it was meant to be a short holiday trip, two weeks of drawing with Fritz Mackensen — who agreed to teach her thanks to her father’s influence — and then, in the autumn, a post as a governess in Paris. But already in September 1898 Paula settles in Worpswede for a long time.

  2. December 1899

    The first trip to Paris

    On the eve of 1900 Paula leaves for Paris, the centre of European art she had dreamed of since her Berlin studies; Clara Westhoff had gone there at the end of 1899, hoping to study with Auguste Rodin. In Germany salon art still dominated, while Paris was more open to the new.

  3. December 1899

    A savage review at the Bremen Kunsthalle

    In December 1899 two paintings Paula exhibits at the Bremen Kunsthalle are sharply criticised in a “hysterical” attack by the art critic Arthur Fitger and have to be removed during the exhibition; he was later regarded as more outraged by the inclusion of women artists in the show than by anything in the works themselves. Meanwhile her own artistic interests were shifting noticeably toward Paris, and in Worpswede, rooted in romanticised traditions of landscape, she felt increasingly alienated.

  4. 1900

    At Vollard’s: Cézanne, who struck her like a thunderstorm

    Together with Clara Westhoff Paula goes to exhibitions and galleries; Clara later recalled a visit to Ambroise Vollard, where the then unknown Paul Cézanne made an indelible impression on Paula. In a letter to Clara, Paula compared the effect of his painting to a thunderstorm.

  5. 1900

    Rainer Maria Rilke in Worpswede: “a true friend”

    At about this time Paula meets the poet Rainer Maria Rilke: he took Clara Westhoff and Paula for sisters and in his diary called them the fair and the dark artists; Clara he regarded as an artist, but Paula was for him “a true friend”, and he dedicated poems to her that were later published in his “Book of Images”. Other accounts place the start of their friendship in 1898.

  6. 12 September 1900

    Engagement to Otto Modersohn

    While Paula recovers from her Paris life, Otto Modersohn sometimes keeps her company; feelings grow between them, and on 12 September 1900, three months after Helene’s death, they announce their engagement.

Mehr von Paula Modersohn-Becker

Alle Werke
Self-Portrait with Two Flowers in Her Raised Left Hand, Paula Modersohn-Becker, 1907

Self-Portrait with Two Flowers in Her Raised Left Hand

1907 · Museum of Modern Art

Birch Tree in a Landscape, Paula Modersohn-Becker, 1899

Birch Tree in a Landscape

1899 · Harvard Art Museums

Girl in a Red Dress, Paula Modersohn-Becker, c. 1905

Girl in a Red Dress

c. 1905 · Harvard Art Museums

Bulthaupt Home with Reflection, Burgstall (Haus Bulthaupt mit Spiegelung, Burgstall), Paula Modersohn-Becker, c. 1899, printed posthumously c. 1971

Bulthaupt Home with Reflection, Burgstall (Haus Bulthaupt mit Spiegelung, Burgstall)

c. 1899, printed posthumously c. 1971 · Nicht ausgestellt · Museum of Modern Art

Im Schützenzelt, Paula Modersohn-Becker

Im Schützenzelt

Museum Kunstpalast

Oude vrouw en meisje treuren bij een waterput, Paula Modersohn-Becker, 1886 - 1907

Oude vrouw en meisje treuren bij een waterput

1886 - 1907 · Rijksmuseum Amsterdam

Bosgezicht, Paula Modersohn-Becker, 1886 - 1907

Bosgezicht

1886 - 1907 · Rijksmuseum Amsterdam

Portrait of a Woman, Paula Modersohn-Becker, 1898

Portrait of a Woman

1898 · Nicht ausgestellt · National Gallery of Art

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Zum selben Thema · Seated figure

Alle Werke zum Thema
a) The Last Supper; b) Putti, Vincenzo Tamagni, after Leonardo da Vinci, c. 1515

Leonardo da Vinci

a) The Last Supper; b) Putti, c. 1515

Nicht ausgestellt · National Gallery of Art

Potato Eaters, Vincent van Gogh, 1885

Vincent van Gogh

Potato Eaters, 1885

Nicht ausgestellt · National Gallery of Art

Marie-Thérèse as an Idol and Three Bearded Greeks (Marie-Thérèse en idole et trois grecs barbus), Pablo Picasso, 1934

Pablo Picasso

Marie-Thérèse as an Idol and Three Bearded Greeks (Marie-Thérèse en idole et trois grecs barbus), 1934

Nicht ausgestellt · National Gallery of Art

Two Women at the Bath (Deux femmes au bain), Pablo Picasso, 1934

Pablo Picasso

Two Women at the Bath (Deux femmes au bain), 1934

Nicht ausgestellt · National Gallery of Art

Marie-Thérèse Looking at Her Sculpted Body (Marie-Thérèse regardant son corps sculpté), Pablo Picasso, 1933

Pablo Picasso

Marie-Thérèse Looking at Her Sculpted Body (Marie-Thérèse regardant son corps sculpté), 1933

Nicht ausgestellt · National Gallery of Art

Two Desparate Men on the Seashore (Deux viellards et voilier), Pablo Picasso, 1934

Pablo Picasso

Two Desparate Men on the Seashore (Deux viellards et voilier), 1934

Nicht ausgestellt · National Gallery of Art

Female Bathers (Femmes au bain), Pablo Picasso, 1934

Pablo Picasso

Female Bathers (Femmes au bain), 1934

Nicht ausgestellt · National Gallery of Art

Two Catalonian Drinkers (Deux buveurs catalans), Pablo Picasso, 1934

Pablo Picasso

Two Catalonian Drinkers (Deux buveurs catalans), 1934

Nicht ausgestellt · National Gallery of Art