ART WIKI
Title from caption on object: “Spectators Hug the Ground...”, Frank Cancellare, November 22, 1963
Frank Cancellare

Title from caption on object: “Spectators Hug the Ground...”

1963 · Photograph

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National Gallery of Art

Washington, D.C., Vereinigte Staaten

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Quelle
Das Museum
Auf der KarteMuseumsseite

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Inventarnummer
2018.177.666

Was es zeigt

PhotographerFrauMannPoliceGeschichtePressJFK AssassinationDallas

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FotografienSilbergelatineabzugNachkriegskunst20. JahrhundertAmerican

Quellen

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Zum selben Thema · Photographer

Alle Werke zum Thema
Billy Boy and Christopher Makos, Andy Warhol, 1980-1985

Andy Warhol

Billy Boy and Christopher Makos, 1980-1985

Nicht ausgestellt · National Gallery of Art

Francesco Scavullo and Unidentified Woman, Andy Warhol, n.d.

Andy Warhol

Francesco Scavullo and Unidentified Woman, n.d.

Nicht ausgestellt · National Gallery of Art

Francesco Scavullo and Unidentified Woman, Andy Warhol, n.d.

Andy Warhol

Francesco Scavullo and Unidentified Woman, n.d.

Nicht ausgestellt · National Gallery of Art

Richard Avedon, his studio. Twenty years earlier he'd taken classic naked portrait of me & Peter Orlovsky, arms round each other's waists. He invited me back to pose the same, older. I brought my camera too, September 1984, New York, Allen Ginsberg, 1984, printed 1992

Allen Ginsberg

Richard Avedon, his studio. Twenty years earlier he'd taken classic naked portrait of me & Peter Orlovsky, arms round each other's waists. He invited me back to pose the same, older. I brought my camera too, September 1984, New York, 1984, printed 1992

Nicht ausgestellt · National Gallery of Art

Robert Frank and Allen Ginsberg at Frank's Apartment, Allen Ginsberg, 1984

Allen Ginsberg

Robert Frank and Allen Ginsberg at Frank's Apartment, 1984

Nicht ausgestellt · National Gallery of Art

Robert Frank, inquisitive private look not unkind, patient, "Maybe I could show you something too." Kiev Restaurant, 2'nd Avenue & 7th Street, March 7, 1984., Allen Ginsberg, 1984

Allen Ginsberg

Robert Frank, inquisitive private look not unkind, patient, "Maybe I could show you something too." Kiev Restaurant, 2'nd Avenue & 7th Street, March 7, 1984., 1984

Nicht ausgestellt · National Gallery of Art

Robert Frank at his kitchen table, Bleeker Street house, casual visit, November 8, 1988, New York City., Allen Ginsberg, 1988, printed 1990

Allen Ginsberg

Robert Frank at his kitchen table, Bleeker Street house, casual visit, November 8, 1988, New York City., 1988, printed 1990

Nicht ausgestellt · National Gallery of Art

Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984., Allen Ginsberg, 1984

Allen Ginsberg

Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984., 1984

Nicht ausgestellt · National Gallery of Art