ART WIKI32.963 ausgestellt
KarteSammlungKünstlerMuseenAusstellungenJournal
Anmelden

ART WIKI

Wo das Meisterwerk hängt und wann man vorgelassen wird.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

Rubriken

  • Karte
  • Suche
  • Sammlung
  • Meisterwerke
  • Jetzt ausgestellt
  • Künstler

Mehr

  • Museen & Galerien
  • Ausstellungen
  • Journal
  • Woher die Daten stammen
  • Datenschutz & Cookies
StartseiteKarteKatalog
  1. Sammlung/
  2. National Gallery of Art/
  3. Title from caption on object: “Friendship”
Title from caption on object: “Friendship”, Horst Faas, March 31, 1967
Horst Faas, PorträtHorst FaasDeutschland, 1933–2012

Title from caption on object: “Friendship”

March 31, 1967 · Photograph

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

March 31, 1967 · mit 34 Jahren
19332012
Inventarnummer
2018.177.575

Was es zeigt

TodWarSoldiersCombatMannGeschichteVietnamPress

Im Katalog

FotografienSilbergelatineabzugNachkriegskunst20. JahrhundertGerman

Quellen

  • National Gallery of Art
  • Bild: National Gallery of Art — © the artist or rights holder

Mehr von Horst Faas

Alle Werke
Title from caption on object: “Body of a Child...”, Horst Faas, March 19, 1964

Title from caption on object: “Body of a Child...”

March 19, 1964 · Nicht ausgestellt · National Gallery of Art

Along the Open Road to the DMZ: a military convoy heads along Route One toward the demilitarized zone in South Vietnam from Hue. Route One, the main south-north line of communication between Saigon and the DMZ, is open and passable. During the day, traffic is considered secure between Phan Rang and the DMZ. The only area where Viet Cong roadblocks must be expected is about 60-90 miles northeast of Saigon, Horst Faas, December 1969

Along the Open Road to the DMZ: a military convoy heads along Route One toward the demilitarized zone in South Vietnam from Hue. Route One, the main south-north line of communication between Saigon and the DMZ, is open and passable. During the day, traffic is considered secure between Phan Rang and the DMZ. The only area where Viet Cong roadblocks must be expected is about 60-90 miles northeast of Saigon

December 1969 · Nicht ausgestellt · Art Institute of Chicago

"Aftermath of Vietcong Massacre", Horst Faas, December 12, 1969

"Aftermath of Vietcong Massacre"

December 12, 1969 · Nicht ausgestellt · Museum of Modern Art

Meo Hamlet: view of typical Meo Hamlet, at Ban Xon, 65 miles North of Vientiane in Laos. The Hamlet is located on a hilltop in the Central Laotian mountain and its inhabitants have fled further South every year. All able-bodied men and women carry weapons, provided by the Americans. They are prepared to defend against local enemy, but would abandon the village in event of massive attack. A trench surrounds the village which has a communal bunker in the center, Horst Faas, March 2, 1971

Meo Hamlet: view of typical Meo Hamlet, at Ban Xon, 65 miles North of Vientiane in Laos. The Hamlet is located on a hilltop in the Central Laotian mountain and its inhabitants have fled further South every year. All able-bodied men and women carry weapons, provided by the Americans. They are prepared to defend against local enemy, but would abandon the village in event of massive attack. A trench surrounds the village which has a communal bunker in the center

March 2, 1971 · Nicht ausgestellt · Art Institute of Chicago

Country of Contrasts: this square in Teheran, with tree-lined boulevards and highrise buildings exemplifies modern Iran. Although two-thirds of Iran is still rural, a rapid modernization has been taking place over the past two decades, Horst Faas, September 28, 1971

Country of Contrasts: this square in Teheran, with tree-lined boulevards and highrise buildings exemplifies modern Iran. Although two-thirds of Iran is still rural, a rapid modernization has been taking place over the past two decades

September 28, 1971 · Nicht ausgestellt · Art Institute of Chicago

Title from caption on object: “The Shipbreakers”, Horst Faas, 1972

Title from caption on object: “The Shipbreakers”

1972 · Nicht ausgestellt · National Gallery of Art

Resort Town: unusual forms are prefab bungalows, part of a resort community built by Israel at a beach near Sharm el Sheik, Horst Faas, December 30, 1973

Resort Town: unusual forms are prefab bungalows, part of a resort community built by Israel at a beach near Sharm el Sheik

December 30, 1973 · Nicht ausgestellt · Art Institute of Chicago

Title from caption on object: “New and Old Heavyweight Champion Muhammad Ali...”, Horst Faas, October 30, 1974

Title from caption on object: “New and Old Heavyweight Champion Muhammad Ali...”

October 30, 1974 · Nicht ausgestellt · National Gallery of Art

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Zum selben Thema · Tod

Alle Werke zum Thema
Salomé, Pablo Picasso, 1905, published 1913

Pablo Picasso

Salomé, 1905, published 1913

Nicht ausgestellt · National Gallery of Art

Dying Horse (Cheval mourant), Pablo Picasso, 1931

Pablo Picasso

Dying Horse (Cheval mourant), 1931

Nicht ausgestellt · National Gallery of Art

The Death of Harlequin, Pablo Picasso, 1905/1906

Pablo Picasso

The Death of Harlequin, 1905/1906

Nicht ausgestellt · National Gallery of Art

Dream and Lie of Franco, Pablo Picasso, 1937

Pablo Picasso

Dream and Lie of Franco, 1937

Nicht ausgestellt · National Gallery of Art

Dog, Andy Warhol, n.d.

Andy Warhol

Dog, n.d.

Nicht ausgestellt · National Gallery of Art

Dog, Andy Warhol, n.d.

Andy Warhol

Dog, n.d.

Nicht ausgestellt · National Gallery of Art

Massacre of the Innocents (With the Fir Tree), Marcantonio Raimondi, c. 1511–12

Raphael

Massacre of the Innocents (With the Fir Tree), c. 1511–12

Nicht ausgestellt · Cleveland Museum of Art

David Slaying Goliath, Ugo da Carpi after Raphael, c. 1520

Raphael

David Slaying Goliath, c. 1520

Nicht ausgestellt · National Gallery of Art