Three Figures with Furniture-like Forms, Oskar Schlemmer, 1929
Oskar Schlemmer, PorträtOskar SchlemmerDeutschland, 1888–1943

Three Figures with Furniture-like Forms

1929 · Painting

Kann ich es sehen?

Ja, derzeit ausgestellt

Wo ist „Three Figures with Furniture-like Forms“ heute? Harvard Art Museums, Gallery 1500, floor 1, Modern and Contemporary Art, Cambridge. Ja, derzeit ausgestellt. Geprüft 29. September 2026.

Harvard Art Museums

Cambridge, Vereinigte Staaten

Saal1500, floor 1, Modern and Contemporary Art

Öffentlich ausgestellt.

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Das Museum

Über das Gemälde

At the Bauhaus, where Schlemmer led the sculpture and later the theater workshops from 1921 to 1929, his devotion to figuration distinguished him from colleagues who were exploring pure abstraction. In his influential Bauhaus course “Man,” he analyzed measure, proportion, movement, gesture, and the relationships between human figures and their environments. In his own work, Schlemmer developed a simplified, geometrical figure that he brought into dialogue with architectural space in the form of relief sculptures, costumed dancers on a stage, and painted figures in dreamlike interiors. Composed of spheres and cylinders, the three figures here occupy an ambiguous space that suggests a stairway in the way they seem to ascend, descend, recede, and advance. The simplification of form and analysis of function that informed Schlemmer’s work were also key concepts for many others at the Bauhaus, who applied these principles to their designs for architecture, furniture, and household objects.

Harvard Art Museums

Angaben

Inventarnummer
BR55.447

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Im Leben von Oskar Schlemmer

Das ganze Leben
  1. 1920–1928

    Employed by: Bauhaus

  2. 1920–1929

    Develops the course “Der Mensch”

    During his Bauhaus years Schlemmer develops the multidisciplinary course “Der Mensch” (The Human Being): in the human form he saw a measure that could provide a foothold in the disunity of his time.

  3. 1929

    Leaves the Bauhaus and moves to Breslau

    Because of the heightened political atmosphere in Germany at the end of the 1920s, and in particular the appointment of the Marxist architect Hannes Meyer as Gropius’s successor, Schlemmer resigns from the Bauhaus and takes a job at the Breslau Academy of Art and Applied Art.

Alle Werke

Im selben Saal · Gallery 1500, floor 1, Modern and Contemporary Art, Harvard Art Museums

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