The Winnower, Jean-François Millet, 1848
Jean François Millet, PorträtJean François MilletFrankreich, 1814–1875

The Winnower

1848 · Painting · 100.5 × 71 cm

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Unbekannt

Wo ist „The Winnower“ heute? Sammlung: National Gallery, London. Unbekannt.

National Gallery

London, Vereinigtes Königreich

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Über das Gemälde

The Winnower is the title of three oil on canvas paintings by French artist Jean-François Millet, created between 1847 and 1848. The first, now held at the National Gallery, in London, was painted in 1847-1848, and presented at the Salon of 1848. Subsequently, Millet created two other versions, one kept at the Louvre Museum, in Paris, much smaller than the original, and the other at the Musée d'Orsay, also in Paris.

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Inventarnummer
NG6447

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Quellen

  • Wikidata
  • Bild: National Gallery — Jean-François Millet · Public domain · Wikimedia Commons

Im Leben von Jean François Millet

Das ganze Leben
  1. mid-1840s

    Friends in Paris: Rousseau, Daumier, Sensier

    In Paris in the middle 1840s Millet befriended Constant Troyon, Narcisse Diaz, Charles Jacque and Théodore Rousseau, artists later associated with the Barbizon school; Honoré Daumier, whose figure draftsmanship influenced his rendering of peasant subjects; and Alfred Sensier, a government bureaucrat who became a lifelong supporter and eventually his biographer.

  2. 1847

    First Salon success: “Oedipus Taken Down from the Tree”

    In 1847 his first Salon success came with the exhibition of the painting “Oedipus Taken Down from the Tree”.

  3. 1848

    The government buys “The Winnower”

    In 1848 his “Winnower” was bought by the government.

  4. 1849

    The move to Barbizon

    In June 1849 Millet settled in Barbizon with Catherine and their children.

  5. 1850

    An arrangement with Alfred Sensier

    In 1850 Millet entered into an arrangement with Sensier, who provided the artist with materials and money in return for drawings and paintings, while Millet remained free to sell work to other buyers.

  6. 1850

    The Salon of 1850: “The Sower” and “Haymakers”

    At that year’s Salon he exhibited “Haymakers” and “The Sower”, his first major masterpiece and the earliest of the iconic trio of paintings that also included “The Gleaners” and “The Angelus”.

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